Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes

Detalhes bibliográficos
Ano de defesa: 2025
Autor(a) principal: Preti, Mariana Mauro
Orientador(a): Orientador1 lattes
Banca de defesa: 1º membro da banca lattes, 2º membro da banca
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal do Espírito Santo
Mestrado em Comunicação e Territorialidades
Programa de Pós-Graduação: Programa de Pós-Graduação em Comunicação e Territorialidades
Departamento: Centro de Artes
País: BR
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.ufes.br/handle/10/20801
Resumo: This reception study proposes Instagram and TikTok stories as a hybrid genre between audiovisual and algorithms, researching their perception and consumption by adolescent women in public schools in Vitória, capital of Espírito Santo. The objective is to investigate the reception of stories content by adolescent women to understand how this consumption is configured and what the respondents' perceptions are about it. The quali-quantitative methodology involved bibliographic research, a reception study through data collection via surveys, and the application of the Delphi method. For the analysis, the Theory of Social Representations (Moscovici, 1961) was used, as well as concepts from Martín-Barbero's cartographic maps (2004), supplemented by specialist assessments on the main response axes obtained. It is concluded that this consumption 1) is predominantly passive, with a pseudo-appropriation of users in digital territories dominated by large technology companies without adequate regulation; 2) is conditioned by market standards guided by secret algorithms and by a self-regulatory advertising; 3) is profit-oriented throughout its entire production chain, from influencers and advertisers to the owners of the digital platforms, despite the harm it may cause to consumers (users), including their health. The adolescent’s perception of stories content is based on social representations that may 1) have harmful impacts on their development, affecting their health, self-esteem, sociability, independence, critical thinking, values, and relationships; 2) reinforce the creation of hyper-realities, in which the difference between reality and its representation is lost. Finally, the idea of 12 "algorithmic domestication" is proposed, through which digital platforms condition their users to dominant general views
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spelling Co-orientador1https://orcid.org/http://lattes.cnpq.br/Orientador1https://orcid.org/http://lattes.cnpq.br/Preti, Mariana Maurohttps://orcid.org/http://lattes.cnpq.br/1º membro da bancahttps://orcid.org/http://lattes.cnpq.br/2º membro da bancahttps://orcid.org/http://lattes.cnpq.br/2026-01-19T15:37:36Z2026-01-19T15:37:36Z2025-09-02This reception study proposes Instagram and TikTok stories as a hybrid genre between audiovisual and algorithms, researching their perception and consumption by adolescent women in public schools in Vitória, capital of Espírito Santo. The objective is to investigate the reception of stories content by adolescent women to understand how this consumption is configured and what the respondents' perceptions are about it. The quali-quantitative methodology involved bibliographic research, a reception study through data collection via surveys, and the application of the Delphi method. For the analysis, the Theory of Social Representations (Moscovici, 1961) was used, as well as concepts from Martín-Barbero's cartographic maps (2004), supplemented by specialist assessments on the main response axes obtained. It is concluded that this consumption 1) is predominantly passive, with a pseudo-appropriation of users in digital territories dominated by large technology companies without adequate regulation; 2) is conditioned by market standards guided by secret algorithms and by a self-regulatory advertising; 3) is profit-oriented throughout its entire production chain, from influencers and advertisers to the owners of the digital platforms, despite the harm it may cause to consumers (users), including their health. The adolescent’s perception of stories content is based on social representations that may 1) have harmful impacts on their development, affecting their health, self-esteem, sociability, independence, critical thinking, values, and relationships; 2) reinforce the creation of hyper-realities, in which the difference between reality and its representation is lost. Finally, the idea of 12 "algorithmic domestication" is proposed, through which digital platforms condition their users to dominant general viewsEste estudo de recepção propõe os stories do Instagram e TikTok como um gênero híbrido entre audiovisual e algoritmos, pesquisando sua percepção e consumo por mulheres adolescentes de escolas públicas de Vitória, capital do Espírito Santo. O objetivo é investigar a recepção de conteúdos do formato stories por parte de adolescentes mulheres para entender como se configura este consumo e quais são as percepções das respondentes acerca do que consomem. A metodologia quali-quantitativa envolveu pesquisa bibliográfica, estudo de recepção por meio da coleta de dados por surveys, além da aplicação do método Delphi. Para a análise, empregou-se a Teoria das Representações Sociais (Moscovici, 1961), bem como conceitos de mapas cartográficos de Martín-Barbero (2004), acrescidos de apreciações de especialistas sobre os principais eixos de respostas obtidas. Conclui-se que este consumo 1) se dá de forma majoritariamente passiva, com uma pseudo apropriação das usuárias em territórios digitais dominados por grandes empresas de tecnologia sem regulamentação adequada; 2) é condicionado por padrões de mercado orientados por algoritmos secretos e por uma publicidade autorregulatória; 3) é orientado ao lucro em toda a sua cadeia produtiva, dos influenciadores e anunciantes aos donos das plataformas digitais, à despeito dos prejuízos que possa causar nos consumidores (usuários), inclusive em sua saúde. A percepção das adolescentes sobre os conteúdos dos stories se dá a partir de representações sociais que podem 1) ter impactos nocivos em seu desenvolvimento, afetando sua saúde, autoestima, sociabilidade, independência, seu senso crítico, seus valores e seus relacionamentos; 2) reforçar a criação de hiper-realidades, em que a diferença entre a realidade e sua representação se perde. Por fim, propõe-se a ideia de “domesticação algorítmica”, por meio da qual as plataformas digitais condicionam seus usuários às visões gerais dominantesFapesTexthttp://repositorio.ufes.br/handle/10/20801porptUniversidade Federal do Espírito SantoMestrado em Comunicação e TerritorialidadesPrograma de Pós-Graduação em Comunicação e TerritorialidadesUFESBRCentro de Arteshttps://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessComunicaçãoStoriesInstagramTiktokPlataformas digitaisConsumoNarrativasRecepçãoAdolescentesPercepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)instname:Universidade Federal do Espírito Santo (UFES)instacron:UFESORIGINALMarianaMauroPreti-2025-Dissertacao.pdfMarianaMauroPreti-2025-Dissertacao.pdfapplication/pdf14517349http://repositorio.ufes.br/bitstreams/ac9765b6-edf4-4cee-92dc-1d7538f65871/download345c9294b78a324b35e91bd17b665bc6MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufes.br/bitstreams/da116a7b-6422-4b1b-86bf-41003d295994/download8a4605be74aa9ea9d79846c1fba20a33MD5210/208012026-01-19 12:42:37.868https://creativecommons.org/licenses/by-nc-nd/4.0/open accessoai:repositorio.ufes.br:10/20801http://repositorio.ufes.brRepositório InstitucionalPUBhttp://repositorio.ufes.br/oai/requestriufes@ufes.bropendoar:21082026-01-19T12:42:37Repositório Institucional da Universidade Federal do Espírito Santo (riUfes) - Universidade Federal do Espírito Santo (UFES)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
dc.title.none.fl_str_mv Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes
title Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes
spellingShingle Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes
Preti, Mariana Mauro
Comunicação
Stories
Instagram
Tiktok
Plataformas digitais
Consumo
Narrativas
Recepção
Adolescentes
title_short Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes
title_full Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes
title_fullStr Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes
title_full_unstemmed Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes
title_sort Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes
author Preti, Mariana Mauro
author_facet Preti, Mariana Mauro
author_role author
dc.contributor.authorID.none.fl_str_mv https://orcid.org/
dc.contributor.authorLattes.none.fl_str_mv http://lattes.cnpq.br/
dc.contributor.advisor-co1.fl_str_mv Co-orientador1
dc.contributor.advisor-co1ID.fl_str_mv https://orcid.org/
dc.contributor.advisor-co1Lattes.fl_str_mv http://lattes.cnpq.br/
dc.contributor.advisor1.fl_str_mv Orientador1
dc.contributor.advisor1ID.fl_str_mv https://orcid.org/
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/
dc.contributor.author.fl_str_mv Preti, Mariana Mauro
dc.contributor.referee1.fl_str_mv 1º membro da banca
dc.contributor.referee1ID.fl_str_mv https://orcid.org/
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/
dc.contributor.referee2.fl_str_mv 2º membro da banca
dc.contributor.referee2ID.fl_str_mv https://orcid.org/
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/
contributor_str_mv Co-orientador1
Orientador1
1º membro da banca
2º membro da banca
dc.subject.cnpq.fl_str_mv Comunicação
topic Comunicação
Stories
Instagram
Tiktok
Plataformas digitais
Consumo
Narrativas
Recepção
Adolescentes
dc.subject.por.fl_str_mv Stories
Instagram
Tiktok
Plataformas digitais
Consumo
Narrativas
Recepção
Adolescentes
description This reception study proposes Instagram and TikTok stories as a hybrid genre between audiovisual and algorithms, researching their perception and consumption by adolescent women in public schools in Vitória, capital of Espírito Santo. The objective is to investigate the reception of stories content by adolescent women to understand how this consumption is configured and what the respondents' perceptions are about it. The quali-quantitative methodology involved bibliographic research, a reception study through data collection via surveys, and the application of the Delphi method. For the analysis, the Theory of Social Representations (Moscovici, 1961) was used, as well as concepts from Martín-Barbero's cartographic maps (2004), supplemented by specialist assessments on the main response axes obtained. It is concluded that this consumption 1) is predominantly passive, with a pseudo-appropriation of users in digital territories dominated by large technology companies without adequate regulation; 2) is conditioned by market standards guided by secret algorithms and by a self-regulatory advertising; 3) is profit-oriented throughout its entire production chain, from influencers and advertisers to the owners of the digital platforms, despite the harm it may cause to consumers (users), including their health. The adolescent’s perception of stories content is based on social representations that may 1) have harmful impacts on their development, affecting their health, self-esteem, sociability, independence, critical thinking, values, and relationships; 2) reinforce the creation of hyper-realities, in which the difference between reality and its representation is lost. Finally, the idea of 12 "algorithmic domestication" is proposed, through which digital platforms condition their users to dominant general views
publishDate 2025
dc.date.issued.fl_str_mv 2025-09-02
dc.date.accessioned.fl_str_mv 2026-01-19T15:37:36Z
dc.date.available.fl_str_mv 2026-01-19T15:37:36Z
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url http://repositorio.ufes.br/handle/10/20801
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dc.publisher.none.fl_str_mv Universidade Federal do Espírito Santo
Mestrado em Comunicação e Territorialidades
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Comunicação e Territorialidades
dc.publisher.initials.fl_str_mv UFES
dc.publisher.country.fl_str_mv BR
dc.publisher.department.fl_str_mv Centro de Artes
publisher.none.fl_str_mv Universidade Federal do Espírito Santo
Mestrado em Comunicação e Territorialidades
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