Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes
| Ano de defesa: | 2025 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | , |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal do Espírito Santo
Mestrado em Comunicação e Territorialidades |
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Comunicação e Territorialidades
|
| Departamento: |
Centro de Artes
|
| País: |
BR
|
| Palavras-chave em Português: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://repositorio.ufes.br/handle/10/20801 |
Resumo: | This reception study proposes Instagram and TikTok stories as a hybrid genre between audiovisual and algorithms, researching their perception and consumption by adolescent women in public schools in Vitória, capital of Espírito Santo. The objective is to investigate the reception of stories content by adolescent women to understand how this consumption is configured and what the respondents' perceptions are about it. The quali-quantitative methodology involved bibliographic research, a reception study through data collection via surveys, and the application of the Delphi method. For the analysis, the Theory of Social Representations (Moscovici, 1961) was used, as well as concepts from Martín-Barbero's cartographic maps (2004), supplemented by specialist assessments on the main response axes obtained. It is concluded that this consumption 1) is predominantly passive, with a pseudo-appropriation of users in digital territories dominated by large technology companies without adequate regulation; 2) is conditioned by market standards guided by secret algorithms and by a self-regulatory advertising; 3) is profit-oriented throughout its entire production chain, from influencers and advertisers to the owners of the digital platforms, despite the harm it may cause to consumers (users), including their health. The adolescent’s perception of stories content is based on social representations that may 1) have harmful impacts on their development, affecting their health, self-esteem, sociability, independence, critical thinking, values, and relationships; 2) reinforce the creation of hyper-realities, in which the difference between reality and its representation is lost. Finally, the idea of 12 "algorithmic domestication" is proposed, through which digital platforms condition their users to dominant general views |
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Co-orientador1https://orcid.org/http://lattes.cnpq.br/Orientador1https://orcid.org/http://lattes.cnpq.br/Preti, Mariana Maurohttps://orcid.org/http://lattes.cnpq.br/1º membro da bancahttps://orcid.org/http://lattes.cnpq.br/2º membro da bancahttps://orcid.org/http://lattes.cnpq.br/2026-01-19T15:37:36Z2026-01-19T15:37:36Z2025-09-02This reception study proposes Instagram and TikTok stories as a hybrid genre between audiovisual and algorithms, researching their perception and consumption by adolescent women in public schools in Vitória, capital of Espírito Santo. The objective is to investigate the reception of stories content by adolescent women to understand how this consumption is configured and what the respondents' perceptions are about it. The quali-quantitative methodology involved bibliographic research, a reception study through data collection via surveys, and the application of the Delphi method. For the analysis, the Theory of Social Representations (Moscovici, 1961) was used, as well as concepts from Martín-Barbero's cartographic maps (2004), supplemented by specialist assessments on the main response axes obtained. It is concluded that this consumption 1) is predominantly passive, with a pseudo-appropriation of users in digital territories dominated by large technology companies without adequate regulation; 2) is conditioned by market standards guided by secret algorithms and by a self-regulatory advertising; 3) is profit-oriented throughout its entire production chain, from influencers and advertisers to the owners of the digital platforms, despite the harm it may cause to consumers (users), including their health. The adolescent’s perception of stories content is based on social representations that may 1) have harmful impacts on their development, affecting their health, self-esteem, sociability, independence, critical thinking, values, and relationships; 2) reinforce the creation of hyper-realities, in which the difference between reality and its representation is lost. Finally, the idea of 12 "algorithmic domestication" is proposed, through which digital platforms condition their users to dominant general viewsEste estudo de recepção propõe os stories do Instagram e TikTok como um gênero híbrido entre audiovisual e algoritmos, pesquisando sua percepção e consumo por mulheres adolescentes de escolas públicas de Vitória, capital do Espírito Santo. O objetivo é investigar a recepção de conteúdos do formato stories por parte de adolescentes mulheres para entender como se configura este consumo e quais são as percepções das respondentes acerca do que consomem. A metodologia quali-quantitativa envolveu pesquisa bibliográfica, estudo de recepção por meio da coleta de dados por surveys, além da aplicação do método Delphi. Para a análise, empregou-se a Teoria das Representações Sociais (Moscovici, 1961), bem como conceitos de mapas cartográficos de Martín-Barbero (2004), acrescidos de apreciações de especialistas sobre os principais eixos de respostas obtidas. Conclui-se que este consumo 1) se dá de forma majoritariamente passiva, com uma pseudo apropriação das usuárias em territórios digitais dominados por grandes empresas de tecnologia sem regulamentação adequada; 2) é condicionado por padrões de mercado orientados por algoritmos secretos e por uma publicidade autorregulatória; 3) é orientado ao lucro em toda a sua cadeia produtiva, dos influenciadores e anunciantes aos donos das plataformas digitais, à despeito dos prejuízos que possa causar nos consumidores (usuários), inclusive em sua saúde. A percepção das adolescentes sobre os conteúdos dos stories se dá a partir de representações sociais que podem 1) ter impactos nocivos em seu desenvolvimento, afetando sua saúde, autoestima, sociabilidade, independência, seu senso crítico, seus valores e seus relacionamentos; 2) reforçar a criação de hiper-realidades, em que a diferença entre a realidade e sua representação se perde. Por fim, propõe-se a ideia de “domesticação algorítmica”, por meio da qual as plataformas digitais condicionam seus usuários às visões gerais dominantesFapesTexthttp://repositorio.ufes.br/handle/10/20801porptUniversidade Federal do Espírito SantoMestrado em Comunicação e TerritorialidadesPrograma de Pós-Graduação em Comunicação e TerritorialidadesUFESBRCentro de Arteshttps://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessComunicaçãoStoriesInstagramTiktokPlataformas digitaisConsumoNarrativasRecepçãoAdolescentesPercepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)instname:Universidade Federal do Espírito Santo (UFES)instacron:UFESORIGINALMarianaMauroPreti-2025-Dissertacao.pdfMarianaMauroPreti-2025-Dissertacao.pdfapplication/pdf14517349http://repositorio.ufes.br/bitstreams/ac9765b6-edf4-4cee-92dc-1d7538f65871/download345c9294b78a324b35e91bd17b665bc6MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufes.br/bitstreams/da116a7b-6422-4b1b-86bf-41003d295994/download8a4605be74aa9ea9d79846c1fba20a33MD5210/208012026-01-19 12:42:37.868https://creativecommons.org/licenses/by-nc-nd/4.0/open accessoai:repositorio.ufes.br:10/20801http://repositorio.ufes.brRepositório InstitucionalPUBhttp://repositorio.ufes.br/oai/requestriufes@ufes.bropendoar:21082026-01-19T12:42:37Repositório Institucional da Universidade Federal do Espírito Santo (riUfes) - Universidade Federal do Espírito Santo (UFES)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 |
| dc.title.none.fl_str_mv |
Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes |
| title |
Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes |
| spellingShingle |
Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes Preti, Mariana Mauro Comunicação Stories Tiktok Plataformas digitais Consumo Narrativas Recepção Adolescentes |
| title_short |
Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes |
| title_full |
Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes |
| title_fullStr |
Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes |
| title_full_unstemmed |
Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes |
| title_sort |
Percepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes |
| author |
Preti, Mariana Mauro |
| author_facet |
Preti, Mariana Mauro |
| author_role |
author |
| dc.contributor.authorID.none.fl_str_mv |
https://orcid.org/ |
| dc.contributor.authorLattes.none.fl_str_mv |
http://lattes.cnpq.br/ |
| dc.contributor.advisor-co1.fl_str_mv |
Co-orientador1 |
| dc.contributor.advisor-co1ID.fl_str_mv |
https://orcid.org/ |
| dc.contributor.advisor-co1Lattes.fl_str_mv |
http://lattes.cnpq.br/ |
| dc.contributor.advisor1.fl_str_mv |
Orientador1 |
| dc.contributor.advisor1ID.fl_str_mv |
https://orcid.org/ |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/ |
| dc.contributor.author.fl_str_mv |
Preti, Mariana Mauro |
| dc.contributor.referee1.fl_str_mv |
1º membro da banca |
| dc.contributor.referee1ID.fl_str_mv |
https://orcid.org/ |
| dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/ |
| dc.contributor.referee2.fl_str_mv |
2º membro da banca |
| dc.contributor.referee2ID.fl_str_mv |
https://orcid.org/ |
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http://lattes.cnpq.br/ |
| contributor_str_mv |
Co-orientador1 Orientador1 1º membro da banca 2º membro da banca |
| dc.subject.cnpq.fl_str_mv |
Comunicação |
| topic |
Comunicação Stories Tiktok Plataformas digitais Consumo Narrativas Recepção Adolescentes |
| dc.subject.por.fl_str_mv |
Stories Tiktok Plataformas digitais Consumo Narrativas Recepção Adolescentes |
| description |
This reception study proposes Instagram and TikTok stories as a hybrid genre between audiovisual and algorithms, researching their perception and consumption by adolescent women in public schools in Vitória, capital of Espírito Santo. The objective is to investigate the reception of stories content by adolescent women to understand how this consumption is configured and what the respondents' perceptions are about it. The quali-quantitative methodology involved bibliographic research, a reception study through data collection via surveys, and the application of the Delphi method. For the analysis, the Theory of Social Representations (Moscovici, 1961) was used, as well as concepts from Martín-Barbero's cartographic maps (2004), supplemented by specialist assessments on the main response axes obtained. It is concluded that this consumption 1) is predominantly passive, with a pseudo-appropriation of users in digital territories dominated by large technology companies without adequate regulation; 2) is conditioned by market standards guided by secret algorithms and by a self-regulatory advertising; 3) is profit-oriented throughout its entire production chain, from influencers and advertisers to the owners of the digital platforms, despite the harm it may cause to consumers (users), including their health. The adolescent’s perception of stories content is based on social representations that may 1) have harmful impacts on their development, affecting their health, self-esteem, sociability, independence, critical thinking, values, and relationships; 2) reinforce the creation of hyper-realities, in which the difference between reality and its representation is lost. Finally, the idea of 12 "algorithmic domestication" is proposed, through which digital platforms condition their users to dominant general views |
| publishDate |
2025 |
| dc.date.issued.fl_str_mv |
2025-09-02 |
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2026-01-19T15:37:36Z |
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2026-01-19T15:37:36Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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por pt |
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Universidade Federal do Espírito Santo Mestrado em Comunicação e Territorialidades |
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Programa de Pós-Graduação em Comunicação e Territorialidades |
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UFES |
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BR |
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Centro de Artes |
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Universidade Federal do Espírito Santo Mestrado em Comunicação e Territorialidades |
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