Atos de fala e referenciação na (des)construção de faces públicas nos “bastidores” de notícias políticas

• Ano de defesa: 2021
• Autor(a) principal: Marlow, Rosani Muniz
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Doutorado em Estudos Linguísticos; Centro de Ciências Humanas e Naturais; UFES; Programa de Pós-Graduação em Linguística
• Palavras-chave em Português: Atos de fala; referenciação; bastidores; (des)construção de face; fake off; subject.br-rjbn; Linguística
• Link de acesso: http://repositorio.ufes.br/handle/10/15612

The technological evolution has transformed journalistic work, created new forms of interaction and gave visibility to misinformation phenomena; “backstage” is, in journalistic practice, one of the most recurrent jargons; the off source is, for the journalist, a legal resource for accessing confidential information of public interest; facts and public personalities are narrated in the news with the purpose of informing the reader; journalism establishes specific editorials, such as politics, to specialize its work. With this scenario, this research aimed to understand the strength and effect of the off source statement, using the term “backstage” in political news about the public image of politicians in general. In this sense, the theories of speech acts, by Austin (1998) and Searle (1981), and the theories of the face, by Goffman (1975, 2011) and Brown and Levinson (1987), expanded by the studies of (im) politeness, from the field of Pragmatics and New Pragmatics, presented by Seara (2014, 2017), Marlangeon (2017) and Rajagopalan (2010, 2017), in addition to the referential processes of Textual Linguistics, according to Koch (2011, 2013), Marcuschi ( 2004, 2006), Lins and Capistrano Junior (2017), became the basis for the analysis of political news in digital journalism. It was necessary to consider concepts such as identity, otherness, freedom of expression, ethics and social capital, with an impact on the perception and (re)construction of reality and the image of the other, with Martino (2014), Schimitz (2011), Marques and Matos (2011), and UNESCO (2019). In a quali-quantitative approach, using Marlow's (2016) off categories, the research result confirmed the tendency of the “backstage” statements of the off to put into practice speaking projects of deconstruction of public personalities, but the preservation of the face as well was observed. Furthermore, the analysis noticed evidences of an approximation of the off with disinformation phenomenon and proposed the concept of fake-off. Furthermore, the (de)construction of the other's face related to the use of the “backstage” jargon was also undertaken by the journalist and other referents of the news. However, the responsibility for such acts remains with the journalist, as it is this professional's prerogative to inform with impartiality and ethics, although the practice reinterprets deontology, just as news reinterprets reality.