Realizadoras capixabas: o cinema de mulheres no Espírito Santo em três gerações

• Ano de defesa: 2021
• Autor(a) principal: Aguiar, Raysa Calegari
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Mestrado em Comunicação e Territorialidades; Centro de Artes; UFES; Programa de Pós-Graduação em Comunicação e Territorialidades
• Palavras-chave em Português: ABD Capixaba; cinema de mulheres; diretoras; revista milímetros; subject.br-rjbn; Comunicação
• Link de acesso: http://repositorio.ufes.br/handle/10/14916

This presents and analyse the audiovisual production made by women in the state of Espírito Santo - Brazil. The first chapter segments this production into three generations: the first comprises women who started their productions from 1989 to 1997. The second generation runs from 1998 to 2010. And the third and last, from 2011 to 2019. The proposed layout comes, in large part, from the crossing of data present in the articles and cast & crew of films published in ten editions of the Revista Milímetros, the capixaba audiovisual magazine, which were edited and distributed by the Brazilian Association of Documentarians and Short Filmmakers of Espírito Santo - ABD Capixaba between 2008 and 2019 and the book Plano Geral, a panoramic catalog work on the capixaba audiovisual production written by Prof. Dr. Erly Vieira Junior, one of the elements that make up the theoretical framework of the research. In the next chapter, the dissertation goes deeper into the history of ABD Capixaba and its catalog publication, Revista Milímetros. At this moment, the numbers of female production in the state are analyzed and a comparison is made with the numbers related to male production. For this analysis, the proportions presented by the GEMAA Bulletin on representation in the Brazilian audiovisual are taken into account. In the last chapter, interviews conducted with eight capixaba women filmmakers who cohabited the competitive exhibition held by ABD throughout its existence are discussed. The filmmakers with the greatest number of works participating in the Exhibitions and also black filmmakers from each generation were selected. Among the topics discussed with the interviewees are the motivations for their entry into the audiovisual sector, difficulties throughout their career, and other perceptions that confirm or not the data presented in the previous chapters. The interviews are fully transcribed in the work's appendices. From the conclusions reached in the research, the confirmation of the generational division in the reports of the filmmakers, the importance of public policies of inclusion for the diversification of the sector and the existence of other research corpuses that can be investigated for the consolidation of the panorama of women's cinema of Espírito Santo stand out.