Insecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções

Detalhes bibliográficos
Ano de defesa: 2025
Autor(a) principal: Cypriano, Dyone Arruda
Orientador(a): Alves, Gabriela Santos lattes
Banca de defesa: Silva, Maria Lucia da lattes, Opolski, Débora Regina
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal do Espírito Santo
Mestrado em Comunicação e Territorialidades
Programa de Pós-Graduação: Programa de Pós-Graduação em Comunicação e Territorialidades
Departamento: Centro de Artes
País: BR
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.ufes.br/handle/10/20664
Resumo: The objective of this dissertation is to analyze and reflect on the protagonism of Black women in the American fictional television series Insecure, focusing particularly on its first season, released in 2016, and on the insertion of songs featuring female voices throughout the episodes. The study examines not only the leading roles of Issa Dee, played by Issa Rae, and Molly Carter, played by Yvonne Orji, but also the supporting characters Kelli Prenny and Tiffany DuBois, analyzing their dramatic actions, highlighting spoken/sung melodies (especially in rap style), and how songs are integrated into the episodes or the season’s narrative arc. The theoretical framework of this research is grounded in contemporary strands of Black feminism, drawing on both American and Brazilian thinkers such as bell hooks and Lélia Gonzalez, among others. The methodology, with a qualitative approach, employs film and sound analysis of the Insecure series corpus. This analysis focuses on narrative elements that address a range of themes and issues central to the experiences of Black women, including loneliness, silencing, labor struggles, sexism, the search for care and belonging, and the complexities of relationships. To that end, the research concentrates on sung speech/voice-melody, the selection of frames, and the choice of songs featuring female voices. The breakdown of these elements will help reveal the complex experience of Black women and their representation in serial fiction.
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spelling Alves, Gabriela Santoshttps://orcid.org/0000-0001-5243-7499http://lattes.cnpq.br/5801228543473679Cypriano, Dyone Arrudahttps://orcid.org/0009-0008-6921-8776http://lattes.cnpq.br/7728174011599896Silva, Maria Lucia dahttps://orcid.org/0000-0001-5340-3135Opolski, Débora Reginahttps://orcid.org/0000-0002-7784-3626http://lattes.cnpq.br/5694754137339356 2025-12-03T21:15:29Z2025-12-03T21:15:29Z2025-08-13The objective of this dissertation is to analyze and reflect on the protagonism of Black women in the American fictional television series Insecure, focusing particularly on its first season, released in 2016, and on the insertion of songs featuring female voices throughout the episodes. The study examines not only the leading roles of Issa Dee, played by Issa Rae, and Molly Carter, played by Yvonne Orji, but also the supporting characters Kelli Prenny and Tiffany DuBois, analyzing their dramatic actions, highlighting spoken/sung melodies (especially in rap style), and how songs are integrated into the episodes or the season’s narrative arc. The theoretical framework of this research is grounded in contemporary strands of Black feminism, drawing on both American and Brazilian thinkers such as bell hooks and Lélia Gonzalez, among others. The methodology, with a qualitative approach, employs film and sound analysis of the Insecure series corpus. This analysis focuses on narrative elements that address a range of themes and issues central to the experiences of Black women, including loneliness, silencing, labor struggles, sexism, the search for care and belonging, and the complexities of relationships. To that end, the research concentrates on sung speech/voice-melody, the selection of frames, and the choice of songs featuring female voices. The breakdown of these elements will help reveal the complex experience of Black women and their representation in serial fiction.O objetivo desta dissertação é analisar e refletir sobre o protagonismo das mulheres negras presente na narrativa seriada americana de ficção Insecure, evidenciando a sua primeira temporada, lançada em 2016, e analisar inserção de canções com vozes de mulheres durante os episódios. O estudo foca tanto no protagonismo de Issa Dee, interpretada por Issa Rae, e de Molly Carter, interpretada por Yvonne Orji, quanto das coadjuvantes Kelli Prenny e Tiffany DuBois analisando as ações dramáticas, destacando as falas/melodias cantadas (especialmente no estilo de rap) e como a canção é inserida nos episódios ou no arco da temporada. Deste modo, o quadro teórico desta pesquisa é a vertente do feminismo negro nas correntes contemporâneas, utilizando autoras norte-americanas e brasileiras, como: bell hooks e Lélia Gonzalez, entre outras A metodologia, de abordagem qualitativa, emprega a análise fílmica-sonora do corpus da série Insecure. Esta análise consiste em avaliar elementos narrativos que abordam temas/dramas diversos da experiência da mulher negra, como a solidão, o silenciamento, questões de trabalho, machismo, busca por acolhimento e complexidades nos relacionamentos. Para tanto, a pesquisa se dedica à fala cantada/voz-melodia, à seleção de frames e à escolha de canções com vozes femininas. Desse modo, o desmembramento desses elementos permitirá evidenciar a complexa experiência da mulher negra e sua representação na ficção seriada.Fundação de Amparo à Pesquisa e Inovação do Espírito Santo (FAPES)Texthttp://repositorio.ufes.br/handle/10/20664porUniversidade Federal do Espírito SantoMestrado em Comunicação e TerritorialidadesPrograma de Pós-Graduação em Comunicação e TerritorialidadesUFESBRCentro de ArtesComunicaçãoRepresentatividadeFeminismo negroMulheres negrasInsecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas cançõesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)instname:Universidade Federal do Espírito Santo (UFES)instacron:UFESLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufes.br/bitstreams/c546db7b-109c-4497-a5eb-80ea1cba9569/download8a4605be74aa9ea9d79846c1fba20a33MD51ORIGINALDyoneArrudaCypriano-2025-Dissertacao.pdfDyoneArrudaCypriano-2025-Dissertacao.pdfapplication/pdf4418053http://repositorio.ufes.br/bitstreams/300e36c0-e117-49d2-8f64-8998b0d99810/download25435cd20803bec40e90d28a4cdd0c21MD52THUMBNAILMockup acadêmico ins.pngimage/png2841630http://repositorio.ufes.br/bitstreams/396106f2-2358-48a4-97b5-421a1072a1df/download070c632c5e6149a00b0f01609e4a5d80MD5310/206642025-12-03 18:33:44.608oai:repositorio.ufes.br:10/20664http://repositorio.ufes.brRepositório InstitucionalPUBhttp://repositorio.ufes.br/oai/requestriufes@ufes.bropendoar:21082025-12-03T18:33:44Repositório Institucional da Universidade Federal do Espírito Santo (riUfes) - Universidade Federal do Espírito Santo (UFES)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
dc.title.none.fl_str_mv Insecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções
title Insecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções
spellingShingle Insecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções
Cypriano, Dyone Arruda
Comunicação
Representatividade
Feminismo negro
Mulheres negras
title_short Insecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções
title_full Insecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções
title_fullStr Insecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções
title_full_unstemmed Insecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções
title_sort Insecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções
author Cypriano, Dyone Arruda
author_facet Cypriano, Dyone Arruda
author_role author
dc.contributor.authorID.none.fl_str_mv https://orcid.org/0009-0008-6921-8776
dc.contributor.authorLattes.none.fl_str_mv http://lattes.cnpq.br/7728174011599896
dc.contributor.advisor1.fl_str_mv Alves, Gabriela Santos
dc.contributor.advisor1ID.fl_str_mv https://orcid.org/0000-0001-5243-7499
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/5801228543473679
dc.contributor.author.fl_str_mv Cypriano, Dyone Arruda
dc.contributor.referee1.fl_str_mv Silva, Maria Lucia da
dc.contributor.referee1ID.fl_str_mv https://orcid.org/0000-0001-5340-3135
dc.contributor.referee2.fl_str_mv Opolski, Débora Regina
dc.contributor.referee2ID.fl_str_mv https://orcid.org/0000-0002-7784-3626
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/5694754137339356
contributor_str_mv Alves, Gabriela Santos
Silva, Maria Lucia da
Opolski, Débora Regina
dc.subject.cnpq.fl_str_mv Comunicação
topic Comunicação
Representatividade
Feminismo negro
Mulheres negras
dc.subject.por.fl_str_mv Representatividade
Feminismo negro
Mulheres negras
description The objective of this dissertation is to analyze and reflect on the protagonism of Black women in the American fictional television series Insecure, focusing particularly on its first season, released in 2016, and on the insertion of songs featuring female voices throughout the episodes. The study examines not only the leading roles of Issa Dee, played by Issa Rae, and Molly Carter, played by Yvonne Orji, but also the supporting characters Kelli Prenny and Tiffany DuBois, analyzing their dramatic actions, highlighting spoken/sung melodies (especially in rap style), and how songs are integrated into the episodes or the season’s narrative arc. The theoretical framework of this research is grounded in contemporary strands of Black feminism, drawing on both American and Brazilian thinkers such as bell hooks and Lélia Gonzalez, among others. The methodology, with a qualitative approach, employs film and sound analysis of the Insecure series corpus. This analysis focuses on narrative elements that address a range of themes and issues central to the experiences of Black women, including loneliness, silencing, labor struggles, sexism, the search for care and belonging, and the complexities of relationships. To that end, the research concentrates on sung speech/voice-melody, the selection of frames, and the choice of songs featuring female voices. The breakdown of these elements will help reveal the complex experience of Black women and their representation in serial fiction.
publishDate 2025
dc.date.accessioned.fl_str_mv 2025-12-03T21:15:29Z
dc.date.available.fl_str_mv 2025-12-03T21:15:29Z
dc.date.issued.fl_str_mv 2025-08-13
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dc.publisher.none.fl_str_mv Universidade Federal do Espírito Santo
Mestrado em Comunicação e Territorialidades
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dc.publisher.country.fl_str_mv BR
dc.publisher.department.fl_str_mv Centro de Artes
publisher.none.fl_str_mv Universidade Federal do Espírito Santo
Mestrado em Comunicação e Territorialidades
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