Configurações identitárias na arte contemporânea : a Bienal de São Paulo, de 1998
Ano de defesa: | 2006 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Programa de Pós-graduação em Letras
letras |
Programa de Pós-Graduação: |
Não Informado pela instituição
|
Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
|
Palavras-chave em Português: | |
Link de acesso: | https://app.uff.br/riuff/handle/1/21042 |
Resumo: | The present thesis analyses texts and works of art belonging in the four catalogues of the XXIV Bienal de São Paulo, held in 1998, in that city. The Manifesto Antropófago, by Oswald de Andrade (1928) was chosen as the theme of the event. Thus, the trustees selected works from different countries and organized them under various perspectives raised by multiple views on anthropophagi and cannibalism. If, on the one hand, the reading on the present day of the inspiring text of the Semana de Arte Moderna raise queries about the claim of a national identity in the field of arts, the trustees enhance in the other hand these complex relations therefore, the exhibition questions, the process that involve economical domination, as the case of African artists, that disclose the violence exploitation process carried out in that continent until forms of dialogue between works of art from distinct origins and historical moments, using varied definitions such as contamination, insertions, punctuations, presences. More over, the considerations raised by the Bienal point out to, ultimately, to love relationships, blurring and intercultural dimensions, to the blurring of territorial frontiers and the erasing of the subject in the big urban centers, pointing the complexities involved in the identity and otherness relations in contemporary scenario. The corpus is constituted by texts (produced by Brazilian and foreign trustees, as well as essays, poems, fragments of texts by other authors, selected by the trustees) and reproductions of the formerly referred works, both part of the Bienal s catalogue. The presupposition that guides the present reading is the assumption that the identity claimed by the Brazilian Modernists in the first half of the XX th century, once elected as a theme, gains news meanings produced by contemporary artists. Once discourses on globalization claim for a new world order, the reconfiguration of power and decentralization of the nation states, productions and reflection on contemporary art point out new meanings for the motion of national , new identitary shapes. As theorical support, the thesis selected the discursive semiotics. As a theory of all languages and systems of signification, semiotics supports the reading of verbal and nonverbal texts, affording considerations in which the underlying principle is syncretism, on the effects of meaning produced by crossing of different languages since the analysis of discourses on contemporaneity is a priority, and thus the aspects related to ideology are privileged, the thesis also benefits from the contribution of French Discourse Analysis and theories arming at globalization and identity. |
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Configurações identitárias na arte contemporânea : a Bienal de São Paulo, de 1998Semiótica e literaturaArte modernaSéculo XXSão Paulo (SP)ExposiçãoIdentidade SemióticaBienal de São PauloArte contemporâneaIdentidadeIdeologiaanálise do discursoSemioticsContemporary artIdentityIdeologyCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASThe present thesis analyses texts and works of art belonging in the four catalogues of the XXIV Bienal de São Paulo, held in 1998, in that city. The Manifesto Antropófago, by Oswald de Andrade (1928) was chosen as the theme of the event. Thus, the trustees selected works from different countries and organized them under various perspectives raised by multiple views on anthropophagi and cannibalism. If, on the one hand, the reading on the present day of the inspiring text of the Semana de Arte Moderna raise queries about the claim of a national identity in the field of arts, the trustees enhance in the other hand these complex relations therefore, the exhibition questions, the process that involve economical domination, as the case of African artists, that disclose the violence exploitation process carried out in that continent until forms of dialogue between works of art from distinct origins and historical moments, using varied definitions such as contamination, insertions, punctuations, presences. More over, the considerations raised by the Bienal point out to, ultimately, to love relationships, blurring and intercultural dimensions, to the blurring of territorial frontiers and the erasing of the subject in the big urban centers, pointing the complexities involved in the identity and otherness relations in contemporary scenario. The corpus is constituted by texts (produced by Brazilian and foreign trustees, as well as essays, poems, fragments of texts by other authors, selected by the trustees) and reproductions of the formerly referred works, both part of the Bienal s catalogue. The presupposition that guides the present reading is the assumption that the identity claimed by the Brazilian Modernists in the first half of the XX th century, once elected as a theme, gains news meanings produced by contemporary artists. Once discourses on globalization claim for a new world order, the reconfiguration of power and decentralization of the nation states, productions and reflection on contemporary art point out new meanings for the motion of national , new identitary shapes. As theorical support, the thesis selected the discursive semiotics. As a theory of all languages and systems of signification, semiotics supports the reading of verbal and nonverbal texts, affording considerations in which the underlying principle is syncretism, on the effects of meaning produced by crossing of different languages since the analysis of discourses on contemporaneity is a priority, and thus the aspects related to ideology are privileged, the thesis also benefits from the contribution of French Discourse Analysis and theories arming at globalization and identity.Este trabalho analisa textos e obras inseridos nos quatro catálogos da XXIV Bienal de São Paulo, realizada em 1998. Tomando como mote o Manifesto Antropófago, de Oswald de Andrade (1928), os curadores selecionaram obras de diferentes países, organizando-as sob as mais diversas perspectivas suscitadas por múltiplos olhares em torno da antropofagia e do canibalismo. Se, de imediato, a atualização do texto do idealizador da Semana de Arte Moderna remete a questionamentos em torno da afirmação de uma identidade nacional no campo das artes, a curadoria complexifica essas relações. Assim, a exposição problematiza, desde os processos que envolvem a dominação econômica, como no caso dos artistas africanos, que denunciam todo o violento processo de exploração sofrido pelos países daquele continente, até formas de diálogo entre as produções artísticas de distintas origens e momentos históricos, utilizando-se para isso das mais diferentes definições: contágios, contaminações, inserções, pontuações, presenças. As reflexões suscitadas pela mostra remetem ainda às relações amorosas e às dinâmicas interculturais, à diluição das fronteiras territoriais e ao apagamento dos sujeitos nas grandes cidades, pontuando as complexidades que envolvem as relações entre identidade e alteridade na contemporaneidade. O corpus é composto pelos textos (produzidos por curadores brasileiros e estrangeiros, além de ensaios, poemas e fragmentos de textos de outros autores, selecionados pela curadoria geral) e reproduções das obras, ambos inseridos nos catálogos da mostra. O pressuposto que orienta leitura deste trabalho é o de que a identidade preconizada pelos modernistas brasileiros da primeira metade do século XX ganha novos sentidos quando produções artísticas das últimas décadas a elegem como tema. À medida que discursos em torno da globalização preconizam uma nova ordem mundial, pela reconfiguração do poder e descentralidade dos estados nacionais, as produções e reflexões em torno da arte contemporânea apontam novos sentidos para o nacional, novas conformações identitárias, remetendo o dizer a sua inscrição em diferentes formações discursivas. Como fundamentação teórica, o trabalho emprega a semiótica discursiva. Como teoria de todas as linguagens e sistemas de significação, a semiótica oferece suporte para leitura de textos verbais e não- verbais, proporcionando reflexões, a partir do que compreende como sincretismo, sobre os efeitos de sentido produzidos pelo entrecruzamento de diferentes linguagens. Na medida em que prioriza a análise de discursos sobre a contemporaneidade, privilegiando aspectos relativos à ideologia, o trabalho se vale ainda as contribuições da Análise do Discurso francesa e de teóricos que se voltam para as temáticas da globalização e da identidade.Programa de Pós-graduação em LetrasletrasOliveira, Lucia Teixeira de Siqueira eCPF:00984532122http://lattes.cnpq.br/2414938366375414Gomes, Regina SouzaCPF:90067678422http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4777203U1Souza, Roberto Acízelo Quelha deCPF:08120065422http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4783241U3Vereza, Solange CoelhoCPF:56389756422http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4781522P3Silva, Wagner RodriguesCPF:08590800722http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4766147Z0Silva, Luiza Helena Oliveira da2021-03-10T20:51:50Z2007-03-212021-03-10T20:51:50Z2006-10-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisapplication/pdfhttps://app.uff.br/riuff/handle/1/21042porCC-BY-SAinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da Universidade Federal Fluminense (RIUFF)instname:Universidade Federal Fluminense (UFF)instacron:UFF2021-03-10T20:51:50Zoai:app.uff.br:1/21042Repositório InstitucionalPUBhttps://app.uff.br/oai/requestriuff@id.uff.bropendoar:21202021-03-10T20:51:50Repositório Institucional da Universidade Federal Fluminense (RIUFF) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Configurações identitárias na arte contemporânea : a Bienal de São Paulo, de 1998 |
title |
Configurações identitárias na arte contemporânea : a Bienal de São Paulo, de 1998 |
spellingShingle |
Configurações identitárias na arte contemporânea : a Bienal de São Paulo, de 1998 Silva, Luiza Helena Oliveira da Semiótica e literatura Arte moderna Século XX São Paulo (SP) Exposição Identidade Semiótica Bienal de São Paulo Arte contemporânea Identidade Ideologia análise do discurso Semiotics Contemporary art Identity Ideology CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Configurações identitárias na arte contemporânea : a Bienal de São Paulo, de 1998 |
title_full |
Configurações identitárias na arte contemporânea : a Bienal de São Paulo, de 1998 |
title_fullStr |
Configurações identitárias na arte contemporânea : a Bienal de São Paulo, de 1998 |
title_full_unstemmed |
Configurações identitárias na arte contemporânea : a Bienal de São Paulo, de 1998 |
title_sort |
Configurações identitárias na arte contemporânea : a Bienal de São Paulo, de 1998 |
author |
Silva, Luiza Helena Oliveira da |
author_facet |
Silva, Luiza Helena Oliveira da |
author_role |
author |
dc.contributor.none.fl_str_mv |
Oliveira, Lucia Teixeira de Siqueira e CPF:00984532122 http://lattes.cnpq.br/2414938366375414 Gomes, Regina Souza CPF:90067678422 http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4777203U1 Souza, Roberto Acízelo Quelha de CPF:08120065422 http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4783241U3 Vereza, Solange Coelho CPF:56389756422 http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4781522P3 Silva, Wagner Rodrigues CPF:08590800722 http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4766147Z0 |
dc.contributor.author.fl_str_mv |
Silva, Luiza Helena Oliveira da |
dc.subject.por.fl_str_mv |
Semiótica e literatura Arte moderna Século XX São Paulo (SP) Exposição Identidade Semiótica Bienal de São Paulo Arte contemporânea Identidade Ideologia análise do discurso Semiotics Contemporary art Identity Ideology CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
topic |
Semiótica e literatura Arte moderna Século XX São Paulo (SP) Exposição Identidade Semiótica Bienal de São Paulo Arte contemporânea Identidade Ideologia análise do discurso Semiotics Contemporary art Identity Ideology CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
The present thesis analyses texts and works of art belonging in the four catalogues of the XXIV Bienal de São Paulo, held in 1998, in that city. The Manifesto Antropófago, by Oswald de Andrade (1928) was chosen as the theme of the event. Thus, the trustees selected works from different countries and organized them under various perspectives raised by multiple views on anthropophagi and cannibalism. If, on the one hand, the reading on the present day of the inspiring text of the Semana de Arte Moderna raise queries about the claim of a national identity in the field of arts, the trustees enhance in the other hand these complex relations therefore, the exhibition questions, the process that involve economical domination, as the case of African artists, that disclose the violence exploitation process carried out in that continent until forms of dialogue between works of art from distinct origins and historical moments, using varied definitions such as contamination, insertions, punctuations, presences. More over, the considerations raised by the Bienal point out to, ultimately, to love relationships, blurring and intercultural dimensions, to the blurring of territorial frontiers and the erasing of the subject in the big urban centers, pointing the complexities involved in the identity and otherness relations in contemporary scenario. The corpus is constituted by texts (produced by Brazilian and foreign trustees, as well as essays, poems, fragments of texts by other authors, selected by the trustees) and reproductions of the formerly referred works, both part of the Bienal s catalogue. The presupposition that guides the present reading is the assumption that the identity claimed by the Brazilian Modernists in the first half of the XX th century, once elected as a theme, gains news meanings produced by contemporary artists. Once discourses on globalization claim for a new world order, the reconfiguration of power and decentralization of the nation states, productions and reflection on contemporary art point out new meanings for the motion of national , new identitary shapes. As theorical support, the thesis selected the discursive semiotics. As a theory of all languages and systems of signification, semiotics supports the reading of verbal and nonverbal texts, affording considerations in which the underlying principle is syncretism, on the effects of meaning produced by crossing of different languages since the analysis of discourses on contemporaneity is a priority, and thus the aspects related to ideology are privileged, the thesis also benefits from the contribution of French Discourse Analysis and theories arming at globalization and identity. |
publishDate |
2006 |
dc.date.none.fl_str_mv |
2006-10-31 2007-03-21 2021-03-10T20:51:50Z 2021-03-10T20:51:50Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/doctoralThesis |
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doctoralThesis |
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publishedVersion |
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https://app.uff.br/riuff/handle/1/21042 |
url |
https://app.uff.br/riuff/handle/1/21042 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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CC-BY-SA info:eu-repo/semantics/openAccess |
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CC-BY-SA |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-graduação em Letras letras |
publisher.none.fl_str_mv |
Programa de Pós-graduação em Letras letras |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da Universidade Federal Fluminense (RIUFF) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
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UFF |
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UFF |
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Repositório Institucional da Universidade Federal Fluminense (RIUFF) |
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Repositório Institucional da Universidade Federal Fluminense (RIUFF) |
repository.name.fl_str_mv |
Repositório Institucional da Universidade Federal Fluminense (RIUFF) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
riuff@id.uff.br |
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