Portas: entre vias, saia são - performance de gente
| Ano de defesa: | 2024 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | , , |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Artes da Cena (EMAC)
|
| Departamento: |
Escola de Música e Artes Cênicas - EMAC (RMG)
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://repositorio.bc.ufg.br/tede/handle/tede/13370 |
Resumo: | The study sought to promote performing arts among residents of the northwest region of Goiânia, adopting a workshop approach that culminated in an artistic performance. The central proposal of the research was the creation of a performance among the region’s residents. The research was based on the concepts of Spinoza’s “affects” and Bakhtin’s “voices”, paving the way for a deeper exploration through memory from somatic-performative research. This exploration involved the search for objects, actions, memories, stories and movements that held the desire to be shared. The main objective was to discover voices and affections that intertwine in the search for (re)creating through artistic performance. As a result, this research contributes to a deeper understanding of art as a means of expression, connection and personal development in collaboration with the local community. Therefore, when exploring voices and affections, a deep and meaningful journey is revealed that transcends the limits of the body and language. Voices, as individual and collective entities, and affects, as emotional drivers, merge in an exploration that echoes the rich diversity of human experience and its quest to (re)create through artistic performance. |
| id |
UFG-2_3705f9b80c36cd15bb19242016affbc9 |
|---|---|
| oai_identifier_str |
oai:repositorio.bc.ufg.br:tede/13370 |
| network_acronym_str |
UFG-2 |
| network_name_str |
Repositório Institucional da UFG |
| repository_id_str |
|
| spelling |
Lima, Marlini Dorneles dehttp://lattes.cnpq.br/4182775556812377Lima, Marlini Dorneles deLotufo, Júlia JeniorSouza, Newton Armani dehttp://lattes.cnpq.br/1219603768114564Santiago, Letícia Lemes2024-09-18T15:52:12Z2024-09-18T15:52:12Z2024-02-26http://repositorio.bc.ufg.br/tede/handle/tede/13370The study sought to promote performing arts among residents of the northwest region of Goiânia, adopting a workshop approach that culminated in an artistic performance. The central proposal of the research was the creation of a performance among the region’s residents. The research was based on the concepts of Spinoza’s “affects” and Bakhtin’s “voices”, paving the way for a deeper exploration through memory from somatic-performative research. This exploration involved the search for objects, actions, memories, stories and movements that held the desire to be shared. The main objective was to discover voices and affections that intertwine in the search for (re)creating through artistic performance. As a result, this research contributes to a deeper understanding of art as a means of expression, connection and personal development in collaboration with the local community. Therefore, when exploring voices and affections, a deep and meaningful journey is revealed that transcends the limits of the body and language. Voices, as individual and collective entities, and affects, as emotional drivers, merge in an exploration that echoes the rich diversity of human experience and its quest to (re)create through artistic performance.O estudo buscou promover as artes performáticas junto aos residentes da região noroeste de Goiânia, adotando uma abordagem de oficina que culminou em uma performance artística. A proposta central da pesquisa foi a criação de uma performance envolvendo os moradores da região. A pesquisa fundamentou-se, inicialmente, no recorte dos conceitos de “afetos”, de Spinoza, e “vozes”, de Bakhtin, abrindo caminho para uma exploração mais profunda por meio da memória a partir da pesquisa somático-performativa. Isso envolveu a busca por objetos, ações, memórias, histórias e movimentos que detinham o desejo de serem compartilhados. O objetivo principal consistiu em descobrir vozes e afetos que se entrelaçam na busca pelo (re)criar por meio da performance artística. Como resultado, essa pesquisa contribui para a compreensão mais profunda da arte como meio de expressão, conexão e desenvolvimento pessoal em colaboração com a comunidade local. Portanto, ao se explorar as vozes e os afetos, revela-se uma jornada profunda e significativa que transcende os limites do corpo e da linguagem. As vozes, como entidades individuais e coletivas, e os afetos, como impulsionadores emocionais, fundem-se em uma exploração que ecoa a rica diversidade da experiência humana e a sua busca pelo (re)criar por meio da performance artística.porUniversidade Federal de GoiásPrograma de Pós-graduação em Artes da Cena (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RMG)SANTIAGO, L. L. Portas: entre vias, saia são - performance de gente. 2024. 158 f. Dissertação (Mestrado em Artes da Cena) - Escola de Música e Artes Cênicas, Universidade Federal de Goiás, Goiânia, 2024.Attribution-NonCommercial-NoDerivatives 4.0 Internationalinfo:eu-repo/semantics/openAccessPerformanceProcesso criativoVozes e afetosMemóriasComunidadePerformanceCreative processVoices and affectionsMemoriesCommunityLINGUISTICA, LETRAS E ARTES::ARTES::TEATROPortas: entre vias, saia são - performance de genteDoors: entre vias, saia são performance by peopleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/f69eed6a-2183-40b9-9889-27a30e7577db/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/013706c0-6726-4748-ba71-673f99df20e7/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Letícia Lemes Santiago - 2024.pdfDissertação - Letícia Lemes Santiago - 2024.pdfapplication/pdf99868280http://repositorio.bc.ufg.br/tede/bitstreams/b6bdfd69-ffd9-4c70-a916-3e14164e637e/download728f5bbeec20fcfb4c42e3e2f261516bMD53tede/133702024-09-18 12:52:12.3http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/13370http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttps://repositorio.bc.ufg.br/tedeserver/oai/requestgrt.bc@ufg.bropendoar:oai:repositorio.bc.ufg.br:tede/12342024-09-18T15:52:12Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
| dc.title.none.fl_str_mv |
Portas: entre vias, saia são - performance de gente |
| dc.title.alternative.eng.fl_str_mv |
Doors: entre vias, saia são performance by people |
| title |
Portas: entre vias, saia são - performance de gente |
| spellingShingle |
Portas: entre vias, saia são - performance de gente Santiago, Letícia Lemes Performance Processo criativo Vozes e afetos Memórias Comunidade Performance Creative process Voices and affections Memories Community LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO |
| title_short |
Portas: entre vias, saia são - performance de gente |
| title_full |
Portas: entre vias, saia são - performance de gente |
| title_fullStr |
Portas: entre vias, saia são - performance de gente |
| title_full_unstemmed |
Portas: entre vias, saia são - performance de gente |
| title_sort |
Portas: entre vias, saia são - performance de gente |
| author |
Santiago, Letícia Lemes |
| author_facet |
Santiago, Letícia Lemes |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Lima, Marlini Dorneles de |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4182775556812377 |
| dc.contributor.referee1.fl_str_mv |
Lima, Marlini Dorneles de |
| dc.contributor.referee2.fl_str_mv |
Lotufo, Júlia Jenior |
| dc.contributor.referee3.fl_str_mv |
Souza, Newton Armani de |
| dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1219603768114564 |
| dc.contributor.author.fl_str_mv |
Santiago, Letícia Lemes |
| contributor_str_mv |
Lima, Marlini Dorneles de Lima, Marlini Dorneles de Lotufo, Júlia Jenior Souza, Newton Armani de |
| dc.subject.por.fl_str_mv |
Performance Processo criativo Vozes e afetos Memórias Comunidade |
| topic |
Performance Processo criativo Vozes e afetos Memórias Comunidade Performance Creative process Voices and affections Memories Community LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO |
| dc.subject.eng.fl_str_mv |
Performance Creative process Voices and affections Memories Community |
| dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO |
| description |
The study sought to promote performing arts among residents of the northwest region of Goiânia, adopting a workshop approach that culminated in an artistic performance. The central proposal of the research was the creation of a performance among the region’s residents. The research was based on the concepts of Spinoza’s “affects” and Bakhtin’s “voices”, paving the way for a deeper exploration through memory from somatic-performative research. This exploration involved the search for objects, actions, memories, stories and movements that held the desire to be shared. The main objective was to discover voices and affections that intertwine in the search for (re)creating through artistic performance. As a result, this research contributes to a deeper understanding of art as a means of expression, connection and personal development in collaboration with the local community. Therefore, when exploring voices and affections, a deep and meaningful journey is revealed that transcends the limits of the body and language. Voices, as individual and collective entities, and affects, as emotional drivers, merge in an exploration that echoes the rich diversity of human experience and its quest to (re)create through artistic performance. |
| publishDate |
2024 |
| dc.date.accessioned.fl_str_mv |
2024-09-18T15:52:12Z |
| dc.date.available.fl_str_mv |
2024-09-18T15:52:12Z |
| dc.date.issued.fl_str_mv |
2024-02-26 |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
| format |
masterThesis |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/13370 |
| url |
http://repositorio.bc.ufg.br/tede/handle/tede/13370 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.references.none.fl_str_mv |
SANTIAGO, L. L. Portas: entre vias, saia são - performance de gente. 2024. 158 f. Dissertação (Mestrado em Artes da Cena) - Escola de Música e Artes Cênicas, Universidade Federal de Goiás, Goiânia, 2024. |
| dc.rights.driver.fl_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International |
| eu_rights_str_mv |
openAccess |
| dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
| dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Artes da Cena (EMAC) |
| dc.publisher.initials.fl_str_mv |
UFG |
| dc.publisher.country.fl_str_mv |
Brasil |
| dc.publisher.department.fl_str_mv |
Escola de Música e Artes Cênicas - EMAC (RMG) |
| publisher.none.fl_str_mv |
Universidade Federal de Goiás |
| dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
| instname_str |
Universidade Federal de Goiás (UFG) |
| instacron_str |
UFG |
| institution |
UFG |
| reponame_str |
Repositório Institucional da UFG |
| collection |
Repositório Institucional da UFG |
| bitstream.url.fl_str_mv |
http://repositorio.bc.ufg.br/tede/bitstreams/f69eed6a-2183-40b9-9889-27a30e7577db/download http://repositorio.bc.ufg.br/tede/bitstreams/013706c0-6726-4748-ba71-673f99df20e7/download http://repositorio.bc.ufg.br/tede/bitstreams/b6bdfd69-ffd9-4c70-a916-3e14164e637e/download |
| bitstream.checksum.fl_str_mv |
8a4605be74aa9ea9d79846c1fba20a33 4460e5956bc1d1639be9ae6146a50347 728f5bbeec20fcfb4c42e3e2f261516b |
| bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 |
| repository.name.fl_str_mv |
Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
| repository.mail.fl_str_mv |
grt.bc@ufg.br |
| _version_ |
1861293754961362944 |