Portas: entre vias, saia são - performance de gente

Detalhes bibliográficos
Ano de defesa: 2024
Autor(a) principal: Santiago, Letícia Lemes lattes
Orientador(a): Lima, Marlini Dorneles de lattes
Banca de defesa: Lima, Marlini Dorneles de, Lotufo, Júlia Jenior, Souza, Newton Armani de
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Artes da Cena (EMAC)
Departamento: Escola de Música e Artes Cênicas - EMAC (RMG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/13370
Resumo: The study sought to promote performing arts among residents of the northwest region of Goiânia, adopting a workshop approach that culminated in an artistic performance. The central proposal of the research was the creation of a performance among the region’s residents. The research was based on the concepts of Spinoza’s “affects” and Bakhtin’s “voices”, paving the way for a deeper exploration through memory from somatic-performative research. This exploration involved the search for objects, actions, memories, stories and movements that held the desire to be shared. The main objective was to discover voices and affections that intertwine in the search for (re)creating through artistic performance. As a result, this research contributes to a deeper understanding of art as a means of expression, connection and personal development in collaboration with the local community. Therefore, when exploring voices and affections, a deep and meaningful journey is revealed that transcends the limits of the body and language. Voices, as individual and collective entities, and affects, as emotional drivers, merge in an exploration that echoes the rich diversity of human experience and its quest to (re)create through artistic performance.
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spelling Lima, Marlini Dorneles dehttp://lattes.cnpq.br/4182775556812377Lima, Marlini Dorneles deLotufo, Júlia JeniorSouza, Newton Armani dehttp://lattes.cnpq.br/1219603768114564Santiago, Letícia Lemes2024-09-18T15:52:12Z2024-09-18T15:52:12Z2024-02-26http://repositorio.bc.ufg.br/tede/handle/tede/13370The study sought to promote performing arts among residents of the northwest region of Goiânia, adopting a workshop approach that culminated in an artistic performance. The central proposal of the research was the creation of a performance among the region’s residents. The research was based on the concepts of Spinoza’s “affects” and Bakhtin’s “voices”, paving the way for a deeper exploration through memory from somatic-performative research. This exploration involved the search for objects, actions, memories, stories and movements that held the desire to be shared. The main objective was to discover voices and affections that intertwine in the search for (re)creating through artistic performance. As a result, this research contributes to a deeper understanding of art as a means of expression, connection and personal development in collaboration with the local community. Therefore, when exploring voices and affections, a deep and meaningful journey is revealed that transcends the limits of the body and language. Voices, as individual and collective entities, and affects, as emotional drivers, merge in an exploration that echoes the rich diversity of human experience and its quest to (re)create through artistic performance.O estudo buscou promover as artes performáticas junto aos residentes da região noroeste de Goiânia, adotando uma abordagem de oficina que culminou em uma performance artística. A proposta central da pesquisa foi a criação de uma performance envolvendo os moradores da região. A pesquisa fundamentou-se, inicialmente, no recorte dos conceitos de “afetos”, de Spinoza, e “vozes”, de Bakhtin, abrindo caminho para uma exploração mais profunda por meio da memória a partir da pesquisa somático-performativa. Isso envolveu a busca por objetos, ações, memórias, histórias e movimentos que detinham o desejo de serem compartilhados. O objetivo principal consistiu em descobrir vozes e afetos que se entrelaçam na busca pelo (re)criar por meio da performance artística. Como resultado, essa pesquisa contribui para a compreensão mais profunda da arte como meio de expressão, conexão e desenvolvimento pessoal em colaboração com a comunidade local. Portanto, ao se explorar as vozes e os afetos, revela-se uma jornada profunda e significativa que transcende os limites do corpo e da linguagem. As vozes, como entidades individuais e coletivas, e os afetos, como impulsionadores emocionais, fundem-se em uma exploração que ecoa a rica diversidade da experiência humana e a sua busca pelo (re)criar por meio da performance artística.porUniversidade Federal de GoiásPrograma de Pós-graduação em Artes da Cena (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RMG)SANTIAGO, L. L. Portas: entre vias, saia são - performance de gente. 2024. 158 f. Dissertação (Mestrado em Artes da Cena) - Escola de Música e Artes Cênicas, Universidade Federal de Goiás, Goiânia, 2024.Attribution-NonCommercial-NoDerivatives 4.0 Internationalinfo:eu-repo/semantics/openAccessPerformanceProcesso criativoVozes e afetosMemóriasComunidadePerformanceCreative processVoices and affectionsMemoriesCommunityLINGUISTICA, LETRAS E ARTES::ARTES::TEATROPortas: entre vias, saia são - performance de genteDoors: entre vias, saia são performance by peopleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/f69eed6a-2183-40b9-9889-27a30e7577db/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/013706c0-6726-4748-ba71-673f99df20e7/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Letícia Lemes Santiago - 2024.pdfDissertação - Letícia Lemes Santiago - 2024.pdfapplication/pdf99868280http://repositorio.bc.ufg.br/tede/bitstreams/b6bdfd69-ffd9-4c70-a916-3e14164e637e/download728f5bbeec20fcfb4c42e3e2f261516bMD53tede/133702024-09-18 12:52:12.3http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/13370http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttps://repositorio.bc.ufg.br/tedeserver/oai/requestgrt.bc@ufg.bropendoar:oai:repositorio.bc.ufg.br:tede/12342024-09-18T15:52:12Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.none.fl_str_mv Portas: entre vias, saia são - performance de gente
dc.title.alternative.eng.fl_str_mv Doors: entre vias, saia são performance by people
title Portas: entre vias, saia são - performance de gente
spellingShingle Portas: entre vias, saia são - performance de gente
Santiago, Letícia Lemes
Performance
Processo criativo
Vozes e afetos
Memórias
Comunidade
Performance
Creative process
Voices and affections
Memories
Community
LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO
title_short Portas: entre vias, saia são - performance de gente
title_full Portas: entre vias, saia são - performance de gente
title_fullStr Portas: entre vias, saia são - performance de gente
title_full_unstemmed Portas: entre vias, saia são - performance de gente
title_sort Portas: entre vias, saia são - performance de gente
author Santiago, Letícia Lemes
author_facet Santiago, Letícia Lemes
author_role author
dc.contributor.advisor1.fl_str_mv Lima, Marlini Dorneles de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4182775556812377
dc.contributor.referee1.fl_str_mv Lima, Marlini Dorneles de
dc.contributor.referee2.fl_str_mv Lotufo, Júlia Jenior
dc.contributor.referee3.fl_str_mv Souza, Newton Armani de
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/1219603768114564
dc.contributor.author.fl_str_mv Santiago, Letícia Lemes
contributor_str_mv Lima, Marlini Dorneles de
Lima, Marlini Dorneles de
Lotufo, Júlia Jenior
Souza, Newton Armani de
dc.subject.por.fl_str_mv Performance
Processo criativo
Vozes e afetos
Memórias
Comunidade
topic Performance
Processo criativo
Vozes e afetos
Memórias
Comunidade
Performance
Creative process
Voices and affections
Memories
Community
LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO
dc.subject.eng.fl_str_mv Performance
Creative process
Voices and affections
Memories
Community
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO
description The study sought to promote performing arts among residents of the northwest region of Goiânia, adopting a workshop approach that culminated in an artistic performance. The central proposal of the research was the creation of a performance among the region’s residents. The research was based on the concepts of Spinoza’s “affects” and Bakhtin’s “voices”, paving the way for a deeper exploration through memory from somatic-performative research. This exploration involved the search for objects, actions, memories, stories and movements that held the desire to be shared. The main objective was to discover voices and affections that intertwine in the search for (re)creating through artistic performance. As a result, this research contributes to a deeper understanding of art as a means of expression, connection and personal development in collaboration with the local community. Therefore, when exploring voices and affections, a deep and meaningful journey is revealed that transcends the limits of the body and language. Voices, as individual and collective entities, and affects, as emotional drivers, merge in an exploration that echoes the rich diversity of human experience and its quest to (re)create through artistic performance.
publishDate 2024
dc.date.accessioned.fl_str_mv 2024-09-18T15:52:12Z
dc.date.available.fl_str_mv 2024-09-18T15:52:12Z
dc.date.issued.fl_str_mv 2024-02-26
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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status_str publishedVersion
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/13370
url http://repositorio.bc.ufg.br/tede/handle/tede/13370
dc.language.iso.fl_str_mv por
language por
dc.relation.references.none.fl_str_mv SANTIAGO, L. L. Portas: entre vias, saia são - performance de gente. 2024. 158 f. Dissertação (Mestrado em Artes da Cena) - Escola de Música e Artes Cênicas, Universidade Federal de Goiás, Goiânia, 2024.
dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Artes da Cena (EMAC)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Música e Artes Cênicas - EMAC (RMG)
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFG
instname:Universidade Federal de Goiás (UFG)
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instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Repositório Institucional da UFG
collection Repositório Institucional da UFG
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