Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais
| Ano de defesa: | 2017 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | , , |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Performances Culturais (FCS)
|
| Departamento: |
Faculdade de Ciências Sociais - FCS (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://repositorio.bc.ufg.br/tede/handle/tede/9197 |
Resumo: | Amidst its multiple tensions and meanings, museums are considered institutions in which our memories are kept and communicated so that we don’t lose sight of them. However, some of the museums, with a conscious intention or not, doing just the opposite: they silence the memories of certain subjects and social groups systematically and deliberately. Hence, they turn into Cultural Performances for the oblivion. Based, mainly, on studies of Cultural Performances, Social and Affective Museologies, Social Cartography, Queer Studies and on post-structuralist authors, in this dissertation, considerations will be made about this fact, which I consider to be a museum controversy, starting, mainly, from passages of greek and yoruba mythologies, concepts of Museum Pact, Social Drama, Mask, Façade, Scenario, Museum Selectivity, Museums/Museums Performances Arboreal and Rhizomatic, Affection, Rhizome and Art Brut. |
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Oliveira, Vânia Dolores Estevam dehttp://lattes.cnpq.br/1883361659918132Oliveira, Vânia Dolores Estevam deCamargo, Robson Corrêa deChagas, Mario de Souzahttp://lattes.cnpq.br/9050624213005867Bulhões, Girlene Chagas2019-01-07T12:22:13Z2017-06-30BULHÕES, G. C. Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais. 2017. 192 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/9197Amidst its multiple tensions and meanings, museums are considered institutions in which our memories are kept and communicated so that we don’t lose sight of them. However, some of the museums, with a conscious intention or not, doing just the opposite: they silence the memories of certain subjects and social groups systematically and deliberately. Hence, they turn into Cultural Performances for the oblivion. Based, mainly, on studies of Cultural Performances, Social and Affective Museologies, Social Cartography, Queer Studies and on post-structuralist authors, in this dissertation, considerations will be made about this fact, which I consider to be a museum controversy, starting, mainly, from passages of greek and yoruba mythologies, concepts of Museum Pact, Social Drama, Mask, Façade, Scenario, Museum Selectivity, Museums/Museums Performances Arboreal and Rhizomatic, Affection, Rhizome and Art Brut.Em meio às suas múltiplas tensões e significados, os museus são considerados instituições nas quais nossas memórias são guardadas e comunicadas para que não as percamos de vista. No entanto, alguns deles, com intenção consciente ou não, fazem justamente o contrário: silenciam sistemática e deliberadamente as lembranças de determinados assuntos e grupos socioculturais. Dessa forma, transformam-se em Performances Culturais para o esquecimento. Com base principalmente nos Estudos das Performances Culturais, nas Museologias Social e Afetiva, na Cartografia Social, nos Estudos Queer e em autoras e autores pós-estruturalistas, nesta dissertação teço considerações sobre esse fato, que considero ser uma controvérsia museal, a partir de passagens das mitologias grega e iorubá, dos conceitos de Pacto Museal, Drama Social, Máscara, Fachada, Cenário, Seletividade, Museus/Performances Museais Arbóreas e Rizomáticas, Afeto, Rizoma e Arte Bruta.Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEGapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPerformances culturaisMuseologia social e afetivaAfetoRizomaCultural performancesMuseology social and affectiveAffectionRhizomeCIENCIAS SOCIAIS APLICADAS::MUSEOLOGIAMuseus para o esquecimento: seletividade e memórias silenciadas nas performances museaisMuseums for forgottening: selectivity and silenced memories in museums performancesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis7907732215094011389600600600600-6965107611713429420-6657274258331888241-961409807440757778reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGCC-LICENSElicense_urllicense_urltext/plain; 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| dc.title.eng.fl_str_mv |
Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais |
| dc.title.alternative.eng.fl_str_mv |
Museums for forgottening: selectivity and silenced memories in museums performances |
| title |
Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais |
| spellingShingle |
Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais Bulhões, Girlene Chagas Performances culturais Museologia social e afetiva Afeto Rizoma Cultural performances Museology social and affective Affection Rhizome CIENCIAS SOCIAIS APLICADAS::MUSEOLOGIA |
| title_short |
Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais |
| title_full |
Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais |
| title_fullStr |
Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais |
| title_full_unstemmed |
Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais |
| title_sort |
Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais |
| author |
Bulhões, Girlene Chagas |
| author_facet |
Bulhões, Girlene Chagas |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Oliveira, Vânia Dolores Estevam de |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1883361659918132 |
| dc.contributor.referee1.fl_str_mv |
Oliveira, Vânia Dolores Estevam de |
| dc.contributor.referee2.fl_str_mv |
Camargo, Robson Corrêa de |
| dc.contributor.referee3.fl_str_mv |
Chagas, Mario de Souza |
| dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9050624213005867 |
| dc.contributor.author.fl_str_mv |
Bulhões, Girlene Chagas |
| contributor_str_mv |
Oliveira, Vânia Dolores Estevam de Oliveira, Vânia Dolores Estevam de Camargo, Robson Corrêa de Chagas, Mario de Souza |
| dc.subject.por.fl_str_mv |
Performances culturais Museologia social e afetiva Afeto Rizoma |
| topic |
Performances culturais Museologia social e afetiva Afeto Rizoma Cultural performances Museology social and affective Affection Rhizome CIENCIAS SOCIAIS APLICADAS::MUSEOLOGIA |
| dc.subject.eng.fl_str_mv |
Cultural performances Museology social and affective Affection Rhizome |
| dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::MUSEOLOGIA |
| description |
Amidst its multiple tensions and meanings, museums are considered institutions in which our memories are kept and communicated so that we don’t lose sight of them. However, some of the museums, with a conscious intention or not, doing just the opposite: they silence the memories of certain subjects and social groups systematically and deliberately. Hence, they turn into Cultural Performances for the oblivion. Based, mainly, on studies of Cultural Performances, Social and Affective Museologies, Social Cartography, Queer Studies and on post-structuralist authors, in this dissertation, considerations will be made about this fact, which I consider to be a museum controversy, starting, mainly, from passages of greek and yoruba mythologies, concepts of Museum Pact, Social Drama, Mask, Façade, Scenario, Museum Selectivity, Museums/Museums Performances Arboreal and Rhizomatic, Affection, Rhizome and Art Brut. |
| publishDate |
2017 |
| dc.date.issued.fl_str_mv |
2017-06-30 |
| dc.date.accessioned.fl_str_mv |
2019-01-07T12:22:13Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
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BULHÕES, G. C. Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais. 2017. 192 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2017. |
| dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/9197 |
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BULHÕES, G. C. Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais. 2017. 192 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2017. |
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Universidade Federal de Goiás |
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Universidade Federal de Goiás |
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