Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais

Detalhes bibliográficos
Ano de defesa: 2017
Autor(a) principal: Bulhões, Girlene Chagas lattes
Orientador(a): Oliveira, Vânia Dolores Estevam de lattes
Banca de defesa: Oliveira, Vânia Dolores Estevam de, Camargo, Robson Corrêa de, Chagas, Mario de Souza
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Performances Culturais (FCS)
Departamento: Faculdade de Ciências Sociais - FCS (RG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/9197
Resumo: Amidst its multiple tensions and meanings, museums are considered institutions in which our memories are kept and communicated so that we don’t lose sight of them. However, some of the museums, with a conscious intention or not, doing just the opposite: they silence the memories of certain subjects and social groups systematically and deliberately. Hence, they turn into Cultural Performances for the oblivion. Based, mainly, on studies of Cultural Performances, Social and Affective Museologies, Social Cartography, Queer Studies and on post-structuralist authors, in this dissertation, considerations will be made about this fact, which I consider to be a museum controversy, starting, mainly, from passages of greek and yoruba mythologies, concepts of Museum Pact, Social Drama, Mask, Façade, Scenario, Museum Selectivity, Museums/Museums Performances Arboreal and Rhizomatic, Affection, Rhizome and Art Brut.
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spelling Oliveira, Vânia Dolores Estevam dehttp://lattes.cnpq.br/1883361659918132Oliveira, Vânia Dolores Estevam deCamargo, Robson Corrêa deChagas, Mario de Souzahttp://lattes.cnpq.br/9050624213005867Bulhões, Girlene Chagas2019-01-07T12:22:13Z2017-06-30BULHÕES, G. C. Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais. 2017. 192 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/9197Amidst its multiple tensions and meanings, museums are considered institutions in which our memories are kept and communicated so that we don’t lose sight of them. However, some of the museums, with a conscious intention or not, doing just the opposite: they silence the memories of certain subjects and social groups systematically and deliberately. Hence, they turn into Cultural Performances for the oblivion. Based, mainly, on studies of Cultural Performances, Social and Affective Museologies, Social Cartography, Queer Studies and on post-structuralist authors, in this dissertation, considerations will be made about this fact, which I consider to be a museum controversy, starting, mainly, from passages of greek and yoruba mythologies, concepts of Museum Pact, Social Drama, Mask, Façade, Scenario, Museum Selectivity, Museums/Museums Performances Arboreal and Rhizomatic, Affection, Rhizome and Art Brut.Em meio às suas múltiplas tensões e significados, os museus são considerados instituições nas quais nossas memórias são guardadas e comunicadas para que não as percamos de vista. No entanto, alguns deles, com intenção consciente ou não, fazem justamente o contrário: silenciam sistemática e deliberadamente as lembranças de determinados assuntos e grupos socioculturais. Dessa forma, transformam-se em Performances Culturais para o esquecimento. Com base principalmente nos Estudos das Performances Culturais, nas Museologias Social e Afetiva, na Cartografia Social, nos Estudos Queer e em autoras e autores pós-estruturalistas, nesta dissertação teço considerações sobre esse fato, que considero ser uma controvérsia museal, a partir de passagens das mitologias grega e iorubá, dos conceitos de Pacto Museal, Drama Social, Máscara, Fachada, Cenário, Seletividade, Museus/Performances Museais Arbóreas e Rizomáticas, Afeto, Rizoma e Arte Bruta.Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEGapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPerformances culturaisMuseologia social e afetivaAfetoRizomaCultural performancesMuseology social and affectiveAffectionRhizomeCIENCIAS SOCIAIS APLICADAS::MUSEOLOGIAMuseus para o esquecimento: seletividade e memórias silenciadas nas performances museaisMuseums for forgottening: selectivity and silenced memories in museums performancesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis7907732215094011389600600600600-6965107611713429420-6657274258331888241-961409807440757778reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGCC-LICENSElicense_urllicense_urltext/plain; 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dc.title.eng.fl_str_mv Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais
dc.title.alternative.eng.fl_str_mv Museums for forgottening: selectivity and silenced memories in museums performances
title Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais
spellingShingle Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais
Bulhões, Girlene Chagas
Performances culturais
Museologia social e afetiva
Afeto
Rizoma
Cultural performances
Museology social and affective
Affection
Rhizome
CIENCIAS SOCIAIS APLICADAS::MUSEOLOGIA
title_short Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais
title_full Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais
title_fullStr Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais
title_full_unstemmed Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais
title_sort Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais
author Bulhões, Girlene Chagas
author_facet Bulhões, Girlene Chagas
author_role author
dc.contributor.advisor1.fl_str_mv Oliveira, Vânia Dolores Estevam de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/1883361659918132
dc.contributor.referee1.fl_str_mv Oliveira, Vânia Dolores Estevam de
dc.contributor.referee2.fl_str_mv Camargo, Robson Corrêa de
dc.contributor.referee3.fl_str_mv Chagas, Mario de Souza
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9050624213005867
dc.contributor.author.fl_str_mv Bulhões, Girlene Chagas
contributor_str_mv Oliveira, Vânia Dolores Estevam de
Oliveira, Vânia Dolores Estevam de
Camargo, Robson Corrêa de
Chagas, Mario de Souza
dc.subject.por.fl_str_mv Performances culturais
Museologia social e afetiva
Afeto
Rizoma
topic Performances culturais
Museologia social e afetiva
Afeto
Rizoma
Cultural performances
Museology social and affective
Affection
Rhizome
CIENCIAS SOCIAIS APLICADAS::MUSEOLOGIA
dc.subject.eng.fl_str_mv Cultural performances
Museology social and affective
Affection
Rhizome
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS::MUSEOLOGIA
description Amidst its multiple tensions and meanings, museums are considered institutions in which our memories are kept and communicated so that we don’t lose sight of them. However, some of the museums, with a conscious intention or not, doing just the opposite: they silence the memories of certain subjects and social groups systematically and deliberately. Hence, they turn into Cultural Performances for the oblivion. Based, mainly, on studies of Cultural Performances, Social and Affective Museologies, Social Cartography, Queer Studies and on post-structuralist authors, in this dissertation, considerations will be made about this fact, which I consider to be a museum controversy, starting, mainly, from passages of greek and yoruba mythologies, concepts of Museum Pact, Social Drama, Mask, Façade, Scenario, Museum Selectivity, Museums/Museums Performances Arboreal and Rhizomatic, Affection, Rhizome and Art Brut.
publishDate 2017
dc.date.issued.fl_str_mv 2017-06-30
dc.date.accessioned.fl_str_mv 2019-01-07T12:22:13Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.citation.fl_str_mv BULHÕES, G. C. Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais. 2017. 192 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2017.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/9197
identifier_str_mv BULHÕES, G. C. Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais. 2017. 192 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2017.
url http://repositorio.bc.ufg.br/tede/handle/tede/9197
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