Momentos significativos da poesia de Heleno Godoy: Os veículos, A casa e Lugar comum e outros poemas

• Ano de defesa: 2011
• Autor(a) principal: Procópio, Raphaela Pacelli
• Orientador(a): Yokozawa, Solange Fiuza Cardoso
• Banca de defesa: Yokozawa, Solange Fiuza Cardoso, Franchetti, Paulo, Souza, Jamesson Buarque de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Letras e Linguística (FL)
• Departamento: Faculdade de Letras - FL (RG)
• País: Brasil
• Palavras-chave em Português: Heleno Godoy; Modernidade lírica; Poesia brasileira; Poesia em Goiás
• Palavras-chave em Inglês: Heleno Godoy; Modern lyrical; Brazilian poetry; Poetry in Goiás
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/5580

In order to conduct a more vertical on the work of Heleno Godoy, it is proposed in this paper follow three fundamental moments of poetic trajectory of the author, trying to observe what changes and what remains as a trace constituent of godoyana poetry. The first moment concerns The vehicles (1968), a book in which one perceives the profound influence on the poet rookie brought the avant-garde praxis proposals. The second moment is represented by the book The house (1992), in which the poet, in a tradition cabralian avoids explicit expressions of subjectivity, and turns to the world of objects, more specifically to the subject home. The third last moment considerer that is Common place and other poems (2005), a book that apparently defies the project by the poetic diction godoyano very personal poems that most features, but that by taking the humor as a strategy of poetic reinvention the contents of memory, ends by stating the poet's voice, always averse to the shedding sentimental. This dissertation indicates those moments of poetry Godoy not as phases, but as process of walking, watching the construction of the poet's creative project. With this, you can see how you set up the individual voice, that is, the traits that characterize the poetry godoyana. These traits that make up the unique voice of the artist eventually connect it to a literary tradition. Thereby, this work resorts to a comparative perspective, comparing the poetry the author with national poets from the canon on which their lyrical approach, as is the case of Carlos Drummond de Andrade and João Cabral de Melo Neto. Through this comparative perspective, it is intended Heleno Godoy situate in the panorama of modern brazilian poetry.