O entre-lugar das performances culturais nas sessões de cinema na cidade de Goyaz de 1909 a 1937

• Ano de defesa: 2019
• Autor(a) principal: Lima, Lázaro Ribeiro de
• Orientador(a): Camargo, Goiandira de Fátima Ortiz de
• Banca de defesa: Camargo, Goiandira de Fátima Ortiz de, Abdala Junior, Roberto, Silva, Neemias Oliveira da, Siqueira, Ebe Maria de Lima, Tamaso, Isabela Maria
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Performances Culturais (FCS)
• Departamento: Faculdade de Ciências Sociais - FCS (RG)
• País: Brasil
• Palavras-chave em Português: Cinema em Goiás; Memória; Performances
• Palavras-chave em Inglês: Cinema in Goiás; Performances; Memory
• Área do conhecimento CNPq: OUTROS::CIENCIAS SOCIAIS
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/10076

The present research aims to safeguard the memories of the first cinemas of the State of Goiás, inaugurated in the then capital city of Goyaz, between 1909 and 1937. During this period the capital counted on the following Cinema Theaters: São Joaquim, Goyano, Luzo Brasileiro, Iris, Ideal and Progress. We emphasize among the numerous cultural performances brought to the stages of these amusement houses the orchestras that made the live sounding below the screen of projection. In addition to these moments during the exhibitions, the audience still had performances by several artists between one projection and another, among which we highlight the young singer Santinha Marques who from the transfer of the capital went to the great centers of the country in search of visibility and performance. We seek to establish a dialogue between history, cinema and cultural performances for the development of this research. We will use documents from the collections of the Frei Simão Dorvi Foundation, Lyceu de Goyaz, Culture Point Image of Memory, among others. The methodology to be used is analytical, theoretical, critical and interpretive. This study also covers the reading and analysis of catalogs of films exhibited at the time, the records that the local and national press left about this period and photographs of the historical and personal collection of Vilabian families. He will be supported by the theoreticians: Richard Shechner (2012), Zeca Ligiéro (2006), Jorge Glusberg (2011), Jörn Rüsen (2015), Ecléa Bosi (2003), Belkiss Spencière Carneiro de Mendonça (1981) and others.