As conversas de Edifício Master: entre o mundo e a cena
| Ano de defesa: | 2020 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | , , , |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| dARK ID: | ark:/38995/001300000ccbr |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Performances Culturais (FCS)
|
| Departamento: |
Faculdade de Ciências Sociais - FCS (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://repositorio.bc.ufg.br/tede/handle/tede/10905 |
Resumo: | The research aims to examine the trajectory of the concepts of staging and performance in the documentary through the work from the maturity of Brazilian filmmaker Eduardo Coutinho: Edificio Master (2002). In this film, we are able to comprehend the director’s creation process, it’s unique relationship with the documentary characters and his conception about the devices. Our hypothesis is that Coutinho’s conversation cinema, which finds its maturity on movies like Edificio Master, articulates staging strategies to certain procedures that aim to create a fissure in what is real, allowing for the emergence of a liminal space, between the everyday and the performative space. A place of invention among those who film and those who are filmed. An interweave of performance as defined by Brasil (2011): the gesture before the mise en scène. This work explores how Eduardo Coutinho, prominent name of the conversation cinema, enables, in the final phase of his work, the dialogue between contemporary documentary thought and practice and performance theory. |
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Oliveira, Rodrigo Cássiohttp://lattes.cnpq.br/0545897116631093Nogueira, Lisandro Magalhãeshttp://lattes.cnpq.br/6994570742767643Oliveira, Rodrigo CássioNogueira, Lisandro MagalhãesChristino, DanielSilva, Joanise Levy dahttp://lattes.cnpq.br/1270130596816236Nakamura, Lucas Hideki da Silva2020-10-30T14:14:48Z2020-10-30T14:14:48Z2020-08-19NAKAMURA, L. H. S. As conversas de Edifício Master: entre o mundo e a cena. 2020.151 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2020.http://repositorio.bc.ufg.br/tede/handle/tede/10905ark:/38995/001300000ccbrThe research aims to examine the trajectory of the concepts of staging and performance in the documentary through the work from the maturity of Brazilian filmmaker Eduardo Coutinho: Edificio Master (2002). In this film, we are able to comprehend the director’s creation process, it’s unique relationship with the documentary characters and his conception about the devices. Our hypothesis is that Coutinho’s conversation cinema, which finds its maturity on movies like Edificio Master, articulates staging strategies to certain procedures that aim to create a fissure in what is real, allowing for the emergence of a liminal space, between the everyday and the performative space. A place of invention among those who film and those who are filmed. An interweave of performance as defined by Brasil (2011): the gesture before the mise en scène. This work explores how Eduardo Coutinho, prominent name of the conversation cinema, enables, in the final phase of his work, the dialogue between contemporary documentary thought and practice and performance theory.A pesquisa tem por objetivo investigar a trajetória dos conceitos de encenação e performance no documentário a partir da obra de maturidade do cineasta brasileiro Eduardo Coutinho: Edifício Master (2002). Neste filme, podemos compreender o processo de criação do diretor, a relação singular com os personagens do documentário e sua concepção acerca dos dispositivos. Nossa hipótese é de que o cinema de conversa de Coutinho, que encontra sua maturidade em filmes como Edifício Master, articula estratégias de encenação a certos procedimentos que visam criar uma fissura no real, possibilitando a emergência de um espaço liminar, entre o espaço cotidiano e o espaço performativo, um lugar de invenção entre quem filma e quem é filmado. Um entrelugar da performance, como define Brasil (2011): o gesto diante da mise en scène. Este trabalho explora como Eduardo Coutinho, expoente do cinema de conversação, possibilita, na fase final da sua obra, o diálogo entre o pensamento e a prática do documentário contemporâneo e a teoria da performance.Fundação de Amparo à Pesquisa do Estado de GoiásporUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalinfo:eu-repo/semantics/openAccessDocumentárioPerformanceEduardo CoutinhoMise en scèneDocumentaryPerformanceEduardo CoutinhoMise en scèneOUTROS::CIENCIAS SOCIAISAs conversas de Edifício Master: entre o mundo e a cenaConversations in Master Building: between the world and the sceneinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis76500500500500109353reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/37af1400-7c39-4b16-a952-43d472914b66/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/1b8fce45-f9a9-4541-bc08-fa30a7a86cd6/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Lucas Hideki da Silva Nakamura - 2020.pdfDissertação - Lucas Hideki da Silva Nakamura - 2020.pdfapplication/pdf1986788http://repositorio.bc.ufg.br/tede/bitstreams/fe73daed-8e1e-4bdb-a6a1-87d5a0fc0e9c/downloadf688dd134d473464f68ea058e8268854MD53tede/109052020-10-30 11:14:49.677http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/10905http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttps://repositorio.bc.ufg.br/tedeserver/oai/requestgrt.bc@ufg.bropendoar:oai:repositorio.bc.ufg.br:tede/12342020-10-30T14:14:49Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
| dc.title.pt_BR.fl_str_mv |
As conversas de Edifício Master: entre o mundo e a cena |
| dc.title.alternative.eng.fl_str_mv |
Conversations in Master Building: between the world and the scene |
| title |
As conversas de Edifício Master: entre o mundo e a cena |
| spellingShingle |
As conversas de Edifício Master: entre o mundo e a cena Nakamura, Lucas Hideki da Silva Documentário Performance Eduardo Coutinho Mise en scène Documentary Performance Eduardo Coutinho Mise en scène OUTROS::CIENCIAS SOCIAIS |
| title_short |
As conversas de Edifício Master: entre o mundo e a cena |
| title_full |
As conversas de Edifício Master: entre o mundo e a cena |
| title_fullStr |
As conversas de Edifício Master: entre o mundo e a cena |
| title_full_unstemmed |
As conversas de Edifício Master: entre o mundo e a cena |
| title_sort |
As conversas de Edifício Master: entre o mundo e a cena |
| author |
Nakamura, Lucas Hideki da Silva |
| author_facet |
Nakamura, Lucas Hideki da Silva |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Oliveira, Rodrigo Cássio |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0545897116631093 |
| dc.contributor.advisor-co1.fl_str_mv |
Nogueira, Lisandro Magalhães |
| dc.contributor.advisor-co1Lattes.fl_str_mv |
http://lattes.cnpq.br/6994570742767643 |
| dc.contributor.referee1.fl_str_mv |
Oliveira, Rodrigo Cássio |
| dc.contributor.referee2.fl_str_mv |
Nogueira, Lisandro Magalhães |
| dc.contributor.referee3.fl_str_mv |
Christino, Daniel |
| dc.contributor.referee4.fl_str_mv |
Silva, Joanise Levy da |
| dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1270130596816236 |
| dc.contributor.author.fl_str_mv |
Nakamura, Lucas Hideki da Silva |
| contributor_str_mv |
Oliveira, Rodrigo Cássio Nogueira, Lisandro Magalhães Oliveira, Rodrigo Cássio Nogueira, Lisandro Magalhães Christino, Daniel Silva, Joanise Levy da |
| dc.subject.por.fl_str_mv |
Documentário Performance Eduardo Coutinho Mise en scène |
| topic |
Documentário Performance Eduardo Coutinho Mise en scène Documentary Performance Eduardo Coutinho Mise en scène OUTROS::CIENCIAS SOCIAIS |
| dc.subject.eng.fl_str_mv |
Documentary Performance Eduardo Coutinho Mise en scène |
| dc.subject.cnpq.fl_str_mv |
OUTROS::CIENCIAS SOCIAIS |
| description |
The research aims to examine the trajectory of the concepts of staging and performance in the documentary through the work from the maturity of Brazilian filmmaker Eduardo Coutinho: Edificio Master (2002). In this film, we are able to comprehend the director’s creation process, it’s unique relationship with the documentary characters and his conception about the devices. Our hypothesis is that Coutinho’s conversation cinema, which finds its maturity on movies like Edificio Master, articulates staging strategies to certain procedures that aim to create a fissure in what is real, allowing for the emergence of a liminal space, between the everyday and the performative space. A place of invention among those who film and those who are filmed. An interweave of performance as defined by Brasil (2011): the gesture before the mise en scène. This work explores how Eduardo Coutinho, prominent name of the conversation cinema, enables, in the final phase of his work, the dialogue between contemporary documentary thought and practice and performance theory. |
| publishDate |
2020 |
| dc.date.accessioned.fl_str_mv |
2020-10-30T14:14:48Z |
| dc.date.available.fl_str_mv |
2020-10-30T14:14:48Z |
| dc.date.issued.fl_str_mv |
2020-08-19 |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
| format |
masterThesis |
| status_str |
publishedVersion |
| dc.identifier.citation.fl_str_mv |
NAKAMURA, L. H. S. As conversas de Edifício Master: entre o mundo e a cena. 2020.151 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2020. |
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http://repositorio.bc.ufg.br/tede/handle/tede/10905 |
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ark:/38995/001300000ccbr |
| identifier_str_mv |
NAKAMURA, L. H. S. As conversas de Edifício Master: entre o mundo e a cena. 2020.151 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2020. ark:/38995/001300000ccbr |
| url |
http://repositorio.bc.ufg.br/tede/handle/tede/10905 |
| dc.language.iso.fl_str_mv |
por |
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por |
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76 |
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500 500 500 500 |
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10 |
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935 |
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3 |
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Attribution-NonCommercial-NoDerivatives 4.0 International info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International |
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openAccess |
| dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
| dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Performances Culturais (FCS) |
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UFG |
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Brasil |
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Faculdade de Ciências Sociais - FCS (RG) |
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Universidade Federal de Goiás |
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