QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer
| Ano de defesa: | 2023 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | , , |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
|
| Departamento: |
Faculdade de Artes Visuais - FAV (RMG)
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://repositorio.bc.ufg.br/tede/handle/tede/13550 |
Resumo: | How do experiences affect this subjective relationship with Becos da Codorna and Rua do Lazer, in the city of Goiânia? And what about the people who attend this place? Or with the graffiti present on them? Based on these questions and the walker's methodology, this dissertation was narrated. Therefore, I invite you to walk with me through these alleys, in order to understand the social and visual relationships we have in these places, and also to understand the artistic, political and social occupations that have resulted in their different perspectives. Along this research, I present the relationship of this theme with Visual Culture, as well as key concepts of image, memory and place. Then, I talk about these alleys and their formative process, being that of Codorna, which has this place for loading and unloading merchandise, for parking and, later, museum/cultural equipment, transformed based on occupations of the Hip Hop community, while those on Rua do Lazer, revitalized after so many years, have a relationship with the local community, going through other processes. Finally, I expose these experiences lived in a post-pandemic world by different people, collectives, businesses that demonstrate these visual and political social perspectives. |
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Ferreira, Glauco Batistahttp://lattes.cnpq.br/2193871294419921Ferreira, Glauco BatistaWichers, Camila Azevedo de MoraesAbreu, Carla Luzia dehttp://lattes.cnpq.br/5982199746637790Silva, Gabriela Neres Batista2024-10-18T16:41:43Z2024-10-18T16:41:43Z2023-11-30NERES, Gabriela. QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer. 2023. 117 f. Dissertação (Mestrado em Arte e Cultura Visual) - Faculdade de Artes Visuais, Universidade Federal de Goiás, Goiânia, 2023.http://repositorio.bc.ufg.br/tede/handle/tede/13550How do experiences affect this subjective relationship with Becos da Codorna and Rua do Lazer, in the city of Goiânia? And what about the people who attend this place? Or with the graffiti present on them? Based on these questions and the walker's methodology, this dissertation was narrated. Therefore, I invite you to walk with me through these alleys, in order to understand the social and visual relationships we have in these places, and also to understand the artistic, political and social occupations that have resulted in their different perspectives. Along this research, I present the relationship of this theme with Visual Culture, as well as key concepts of image, memory and place. Then, I talk about these alleys and their formative process, being that of Codorna, which has this place for loading and unloading merchandise, for parking and, later, museum/cultural equipment, transformed based on occupations of the Hip Hop community, while those on Rua do Lazer, revitalized after so many years, have a relationship with the local community, going through other processes. Finally, I expose these experiences lived in a post-pandemic world by different people, collectives, businesses that demonstrate these visual and political social perspectives.Como as experiências afetam essa relação subjetiva com os Becos da Codorna e da rua do Lazer, na cidade de Goiânia? E com as pessoas que frequentam este lugar? Ou com os graffitis presentes nelas? Com base nestes questionamentos e na metodologia do caminhante, esta dissertação foi sendo narrada. Por isso, os/as convido a caminhar comigo por estes becos, a fim de compreender as relações sociais e visuais que temos nestes lugares, de forma a perceber as ocupações artísticas, políticas e sociais que acarretaram em seus diversos olhares. No trajeto feito durante esta pesquisa, apresento a relação deste tema com a Cultura Visual, assim como conceitos chave de imagem, memória e lugar. Em seguida, narro sobre estes becos e seu processo formativo, sendo o da Codorna que possui este lugar de carga e descarga de mercadoria, para estacionamento e, posteriormente, museu/equipamento cultural, transformados com base em ocupações da comunidade do Hip Hop, enquanto os da Rua do Lazer, revitalizado depois de tantos anos, possui uma relação com a comunidade local, passando por outros processos. Por fim, exponho estas experiências vividas em um mundo pós-pandêmico por diferentes pessoas, coletivos, comércios demonstrem estes olhares visuais e político sociais.OutroporUniversidade Federal de GoiásPrograma de Pós-graduação em Arte e Cultura Visual (FAV)UFGBrasilFaculdade de Artes Visuais - FAV (RMG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalinfo:eu-repo/semantics/openAccessExperiênciaBeco da Codorna e da Rua do LazerOlharesCaminharExperienceGazesWalkingCIENCIAS SOCIAIS APLICADAS::COMUNICACAO::COMUNICACAO VISUALQUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do LazerWhat is it? experiences in Beco da Codorna and the alleys of Lazer Streetinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/be47dd77-34ef-4e26-a14b-54ceda5e46dd/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/fa46f5fc-c5cc-4f6a-afd1-28a469693b72/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Gabriela Neres Batista Silva - 2023.pdfDissertação - Gabriela Neres Batista Silva - 2023.pdfapplication/pdf28733539http://repositorio.bc.ufg.br/tede/bitstreams/9bda05aa-649c-4019-89b0-0c5d265aeded/download134202e7162f52732a6dc32401017df6MD53tede/135502024-10-18 13:41:43.606http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/13550http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttps://repositorio.bc.ufg.br/tedeserver/oai/requestgrt.bc@ufg.bropendoar:oai:repositorio.bc.ufg.br:tede/12342024-10-18T16:41:43Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
| dc.title.none.fl_str_mv |
QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer |
| dc.title.alternative.eng.fl_str_mv |
What is it? experiences in Beco da Codorna and the alleys of Lazer Street |
| title |
QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer |
| spellingShingle |
QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer Silva, Gabriela Neres Batista Experiência Beco da Codorna e da Rua do Lazer Olhares Caminhar Experience Gazes Walking CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::COMUNICACAO VISUAL |
| title_short |
QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer |
| title_full |
QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer |
| title_fullStr |
QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer |
| title_full_unstemmed |
QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer |
| title_sort |
QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer |
| author |
Silva, Gabriela Neres Batista |
| author_facet |
Silva, Gabriela Neres Batista |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Ferreira, Glauco Batista |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2193871294419921 |
| dc.contributor.referee1.fl_str_mv |
Ferreira, Glauco Batista |
| dc.contributor.referee2.fl_str_mv |
Wichers, Camila Azevedo de Moraes |
| dc.contributor.referee3.fl_str_mv |
Abreu, Carla Luzia de |
| dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5982199746637790 |
| dc.contributor.author.fl_str_mv |
Silva, Gabriela Neres Batista |
| contributor_str_mv |
Ferreira, Glauco Batista Ferreira, Glauco Batista Wichers, Camila Azevedo de Moraes Abreu, Carla Luzia de |
| dc.subject.por.fl_str_mv |
Experiência Beco da Codorna e da Rua do Lazer Olhares Caminhar |
| topic |
Experiência Beco da Codorna e da Rua do Lazer Olhares Caminhar Experience Gazes Walking CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::COMUNICACAO VISUAL |
| dc.subject.eng.fl_str_mv |
Experience Gazes Walking |
| dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::COMUNICACAO VISUAL |
| description |
How do experiences affect this subjective relationship with Becos da Codorna and Rua do Lazer, in the city of Goiânia? And what about the people who attend this place? Or with the graffiti present on them? Based on these questions and the walker's methodology, this dissertation was narrated. Therefore, I invite you to walk with me through these alleys, in order to understand the social and visual relationships we have in these places, and also to understand the artistic, political and social occupations that have resulted in their different perspectives. Along this research, I present the relationship of this theme with Visual Culture, as well as key concepts of image, memory and place. Then, I talk about these alleys and their formative process, being that of Codorna, which has this place for loading and unloading merchandise, for parking and, later, museum/cultural equipment, transformed based on occupations of the Hip Hop community, while those on Rua do Lazer, revitalized after so many years, have a relationship with the local community, going through other processes. Finally, I expose these experiences lived in a post-pandemic world by different people, collectives, businesses that demonstrate these visual and political social perspectives. |
| publishDate |
2023 |
| dc.date.issued.fl_str_mv |
2023-11-30 |
| dc.date.accessioned.fl_str_mv |
2024-10-18T16:41:43Z |
| dc.date.available.fl_str_mv |
2024-10-18T16:41:43Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
| dc.identifier.citation.fl_str_mv |
NERES, Gabriela. QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer. 2023. 117 f. Dissertação (Mestrado em Arte e Cultura Visual) - Faculdade de Artes Visuais, Universidade Federal de Goiás, Goiânia, 2023. |
| dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/13550 |
| identifier_str_mv |
NERES, Gabriela. QUE PARADA É ESSA? experiências no Beco da Codorna e nos becos da Rua do Lazer. 2023. 117 f. Dissertação (Mestrado em Arte e Cultura Visual) - Faculdade de Artes Visuais, Universidade Federal de Goiás, Goiânia, 2023. |
| url |
http://repositorio.bc.ufg.br/tede/handle/tede/13550 |
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por |
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por |
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Attribution-NonCommercial-NoDerivatives 4.0 International |
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openAccess |
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Universidade Federal de Goiás |
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Programa de Pós-graduação em Arte e Cultura Visual (FAV) |
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UFG |
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Brasil |
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Faculdade de Artes Visuais - FAV (RMG) |
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Universidade Federal de Goiás |
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