A Suça em Natividade: festa, batuque e ancestralidade

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Rosa, Eloisa Marqies lattes
Orientador(a): Rios, Sebastião lattes
Banca de defesa: Rios, Sebastião, Real, Márcio Penna Corte, Veloso, Jorge das Graças, Silva, Renata de Lima
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Performance Cultural (EMAC)
Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
País: Brasil
Palavras-chave em Português:
Suça
Batuque
Ancestralidade
Palavras-chave em Inglês:
Suça
Batuque
Ancestry
Área do conhecimento CNPq:
ARTES::EDUCACAO ARTISTICA
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/5544
Resumo: This work is the result of a study of the performance of the Suça in the city of Natividade, in the state of Tocantins, Brazil. The Suça is a performance of the black population of the region and involves dancing, singing and playing drums and other instruments. The performance takes place in the mining settlement areas in the center and southeast regions of Tocantins and north of Goiás. In the scope of this study, the Suça was analyzed as a manifestation of “crossroads” created by the intersection between the batuque (traditional drumming) of the black Brazilian cultures and the Christian devotion. On one hand there is the Folia of the Holy Spirit, context in which the Suça often happens as a legacy of the parties of Brazilian Colonial times. On the other hand, there are the batuques, forged in the midst of the African-Brazilian culture, such as the Southeast Jongos and the Tambor de Crioula (Creole drums) in the state of Maranhão, which are cited in this work as means of building a strategy for the understanding of the Suça as batuque. The ethnographic experience with the Suça, the suceiros and the Folia of the Holy Spirit in Natividade is narrated with the poetic license of a fieldwork that, due to its centrality in the body, had a character of aesthetic experience.
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spelling Rios, Sebastiãohttp://lattes.cnpq.br/7078983629857043Silva, Renata de Limahttp://lattes.cnpq.br/9684039080990993Rios, SebastiãoReal, Márcio Penna CorteVeloso, Jorge das GraçasSilva, Renata de Limahttp://lattes.cnpq.br/7374553716892113Rosa, Eloisa Marqies2016-05-06T11:47:38Z2015-08-28ROSA, E. M. A Suça em Natividade: festa, batuque e ancestralidade. 2015. 122 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/5544This work is the result of a study of the performance of the Suça in the city of Natividade, in the state of Tocantins, Brazil. The Suça is a performance of the black population of the region and involves dancing, singing and playing drums and other instruments. The performance takes place in the mining settlement areas in the center and southeast regions of Tocantins and north of Goiás. In the scope of this study, the Suça was analyzed as a manifestation of “crossroads” created by the intersection between the batuque (traditional drumming) of the black Brazilian cultures and the Christian devotion. On one hand there is the Folia of the Holy Spirit, context in which the Suça often happens as a legacy of the parties of Brazilian Colonial times. On the other hand, there are the batuques, forged in the midst of the African-Brazilian culture, such as the Southeast Jongos and the Tambor de Crioula (Creole drums) in the state of Maranhão, which are cited in this work as means of building a strategy for the understanding of the Suça as batuque. The ethnographic experience with the Suça, the suceiros and the Folia of the Holy Spirit in Natividade is narrated with the poetic license of a fieldwork that, due to its centrality in the body, had a character of aesthetic experience.A presente dissertação é fruto de um estudo da performance da Suça na cidade de Natividade, estado do Tocantins. A Suça é uma performance negra que envolve dança, canto e percussão de tambores entre outros instrumentos e acontece na região de colonização mineradora, no centro e sudeste do Tocantins e norte de Goiás. No contexto deste trabalho, a Suça de Natividade foi analisada como uma manifestação de “encruzilhada” na intersecção entre o batuque do negro e a devoção cristã. De um lado a Folia do Divino Espírito Santo, contexto em que a Suça frequentemente acontece, como herança das festas do Brasil Colonial. De outro lado, os batuques, forjados no bojo da cultura afro-brasileira, tais quais os Jongos do Sudeste e o Tambor de Crioula do Maranhão, que nesse trabalho são evocados como estratégia de criação de nexos para compreensão da Suça como batuque. A experiência etnográfica com a Suça, os suceiros e a Folia do Divino Espírito Santo de Natividade é narrada com a licença poética de uma pesquisa de campo que, por sua centralidade no corpo, teve caráter de vivência estética.Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2016-05-05T20:53:17Z No. of bitstreams: 2 Dissertação - Eloisa Marques Rosa - 2015.pdf: 4594085 bytes, checksum: 56d28f42ff6f85669cb7c1d174884451 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-05-06T11:47:38Z (GMT) No. of bitstreams: 2 Dissertação - Eloisa Marques Rosa - 2015.pdf: 4594085 bytes, checksum: 56d28f42ff6f85669cb7c1d174884451 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2016-05-06T11:47:38Z (GMT). No. of bitstreams: 2 Dissertação - Eloisa Marques Rosa - 2015.pdf: 4594085 bytes, checksum: 56d28f42ff6f85669cb7c1d174884451 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2015-08-28Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEGapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Performance Cultural (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessSuçaBatuqueAncestralidadeSuçaBatuqueAncestryARTES::EDUCACAO ARTISTICAA Suça em Natividade: festa, batuque e ancestralidadeThe Suça in Natividade: party, batuque (traditional drumming) and ancestryinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis630093844374387306600600600600-1800367251745901470-2314416125660895568-961409807440757778reponame:Biblioteca Digital de Teses e Dissertações da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv A Suça em Natividade: festa, batuque e ancestralidade
dc.title.alternative.eng.fl_str_mv The Suça in Natividade: party, batuque (traditional drumming) and ancestry
title A Suça em Natividade: festa, batuque e ancestralidade
spellingShingle A Suça em Natividade: festa, batuque e ancestralidade
Rosa, Eloisa Marqies
Suça
Batuque
Ancestralidade
Suça
Batuque
Ancestry
ARTES::EDUCACAO ARTISTICA
title_short A Suça em Natividade: festa, batuque e ancestralidade
title_full A Suça em Natividade: festa, batuque e ancestralidade
title_fullStr A Suça em Natividade: festa, batuque e ancestralidade
title_full_unstemmed A Suça em Natividade: festa, batuque e ancestralidade
title_sort A Suça em Natividade: festa, batuque e ancestralidade
author Rosa, Eloisa Marqies
author_facet Rosa, Eloisa Marqies
author_role author
dc.contributor.advisor1.fl_str_mv Rios, Sebastião
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/7078983629857043
dc.contributor.advisor-co1.fl_str_mv Silva, Renata de Lima
dc.contributor.advisor-co1Lattes.fl_str_mv http://lattes.cnpq.br/9684039080990993
dc.contributor.referee1.fl_str_mv Rios, Sebastião
dc.contributor.referee2.fl_str_mv Real, Márcio Penna Corte
dc.contributor.referee3.fl_str_mv Veloso, Jorge das Graças
dc.contributor.referee4.fl_str_mv Silva, Renata de Lima
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/7374553716892113
dc.contributor.author.fl_str_mv Rosa, Eloisa Marqies
contributor_str_mv Rios, Sebastião
Silva, Renata de Lima
Rios, Sebastião
Real, Márcio Penna Corte
Veloso, Jorge das Graças
Silva, Renata de Lima
dc.subject.por.fl_str_mv Suça
Batuque
Ancestralidade
topic Suça
Batuque
Ancestralidade
Suça
Batuque
Ancestry
ARTES::EDUCACAO ARTISTICA
dc.subject.eng.fl_str_mv Suça
Batuque
Ancestry
dc.subject.cnpq.fl_str_mv ARTES::EDUCACAO ARTISTICA
description This work is the result of a study of the performance of the Suça in the city of Natividade, in the state of Tocantins, Brazil. The Suça is a performance of the black population of the region and involves dancing, singing and playing drums and other instruments. The performance takes place in the mining settlement areas in the center and southeast regions of Tocantins and north of Goiás. In the scope of this study, the Suça was analyzed as a manifestation of “crossroads” created by the intersection between the batuque (traditional drumming) of the black Brazilian cultures and the Christian devotion. On one hand there is the Folia of the Holy Spirit, context in which the Suça often happens as a legacy of the parties of Brazilian Colonial times. On the other hand, there are the batuques, forged in the midst of the African-Brazilian culture, such as the Southeast Jongos and the Tambor de Crioula (Creole drums) in the state of Maranhão, which are cited in this work as means of building a strategy for the understanding of the Suça as batuque. The ethnographic experience with the Suça, the suceiros and the Folia of the Holy Spirit in Natividade is narrated with the poetic license of a fieldwork that, due to its centrality in the body, had a character of aesthetic experience.
publishDate 2015
dc.date.issued.fl_str_mv 2015-08-28
dc.date.accessioned.fl_str_mv 2016-05-06T11:47:38Z
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dc.identifier.citation.fl_str_mv ROSA, E. M. A Suça em Natividade: festa, batuque e ancestralidade. 2015. 122 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/5544
identifier_str_mv ROSA, E. M. A Suça em Natividade: festa, batuque e ancestralidade. 2015. 122 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.
url http://repositorio.bc.ufg.br/tede/handle/tede/5544
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