A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond
Ano de defesa: | 2014 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Goiás
|
Programa de Pós-Graduação: |
Programa de Pós-graduação em Letras e Linguística (FL)
|
Departamento: |
Faculdade de Letras - FL (RG)
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.bc.ufg.br/tede/handle/tede/4983 |
Resumo: | This dissertation has as main objective the course by the lyrical constitution of Mário de Andrade and Carlos Drummond, from the reading of three books of each author: Losango cáqui, Clã do jabuti, Remate de males; José e Rosa do povo. We will make this journey guided by the notion of lyrical subject, proposed by Combe (2009-2010) and author, proposed by Bakhtin (1997). Our aim is to find traces of these authors reflected in their lyrical creations. For this, we want to observe the correlation between poetic creation and experience of lived. We seek, in this case, map the route that the lyric subject makes in order to observe the choices that fall in this poetry. We believe that Mário and Drummond suffer the world in a wide open way. Thus, we hope to find subjectivities which are directed to another, in specific historical contexts. We aim to understand how the experience of lived influences literary choices of each poet. We also expect to find how the social problems are represented in this two poetic. The investigative process that we have adopted is divided in three steps. The first is to observe how the poems of Mario and Drummond achieve the other and the social problems. The second step is to analyze, from the three books of Mario, how will this path the lyric subject makes toward the other people as well as the connection with the Brazilian historical context. In the last step we find the lyrical subject of Drummond under the same perspective that we adopted with Mário, noting the similarities and differences between the two poets when they look for the other people. |
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Souza, Jamesson Buarque dehttp://lattes.cnpq.br/6538270791775139http://lattes.cnpq.br/8467259668793725Vieira, Priscila Cardoso2015-12-03T09:07:27Z2014-07-07VIEIRA, P. C. A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond. 2014. 109 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/4983This dissertation has as main objective the course by the lyrical constitution of Mário de Andrade and Carlos Drummond, from the reading of three books of each author: Losango cáqui, Clã do jabuti, Remate de males; José e Rosa do povo. We will make this journey guided by the notion of lyrical subject, proposed by Combe (2009-2010) and author, proposed by Bakhtin (1997). Our aim is to find traces of these authors reflected in their lyrical creations. For this, we want to observe the correlation between poetic creation and experience of lived. We seek, in this case, map the route that the lyric subject makes in order to observe the choices that fall in this poetry. We believe that Mário and Drummond suffer the world in a wide open way. Thus, we hope to find subjectivities which are directed to another, in specific historical contexts. We aim to understand how the experience of lived influences literary choices of each poet. We also expect to find how the social problems are represented in this two poetic. The investigative process that we have adopted is divided in three steps. The first is to observe how the poems of Mario and Drummond achieve the other and the social problems. The second step is to analyze, from the three books of Mario, how will this path the lyric subject makes toward the other people as well as the connection with the Brazilian historical context. In the last step we find the lyrical subject of Drummond under the same perspective that we adopted with Mário, noting the similarities and differences between the two poets when they look for the other people.Esta dissertação tem como objetivo geral analisar a constituição lírica de Mário de Andrade e de Carlos Drummond a partir da leitura de três livros de cada autor: Losango cáqui, Clã do jabuti, Remate de males; Sentimento do mundo, José e Rosa do povo. Faremos esse percurso guiados pela noção de sujeito lírico proposta por Combe (2009-2010) e pela noção de autor proposta por Bakhtin (1997). O nosso intuito é encontrar vestígios desses autores refletidos na criação lírica. Para isso, queremos observar a relação entre criação poética e experiência do vivido. Buscamos, nesse processo, mapear o percurso que o sujeito lírico faz a fim de observarmos as escolhas que recaem nessa poesia. Nosso pressuposto é o de que Mário e Drummond sofrem o mundo de maneira contingencialmente ampliada. Sendo assim, esperamos encontrar subjetividades que se dirijam ao outro, inseridas em contextos históricos específicos. Visamos a compreender como a experiência do vivido repercute nas escolhas literárias de cada poeta. Com isso, esperamos verificar também de que modo os problemas sociais ganham corpo nessas duas poéticas. O processo investigativo que adotamos está dividido em três etapas. A primeira consiste em observar de que maneira os poemas de Mário e de Drummond direcionam-se ao outro e aos problemas sociais. A segunda etapa consiste em analisar, a partir dos três livros de Mário, de que forma a subjetividade lírica direciona-se ao outro. E levaremos em conta a sua relação com o contexto social brasileiro. Na última etapa, nós analisamos o sujeito lírico drummondiano a partir da mesma perspectiva que adotamos na análise em relação a Mário, observando as semelhanças e as diferenças entre os dois poetas ao se direcionarem ao outro.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2015-12-03T09:05:45Z No. of bitstreams: 2 Dissertação - Priscila Cardoso Vieira - 2014.pdf: 881835 bytes, checksum: d61ddde363f63fc59c43cfc0667728a6 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-12-03T09:07:27Z (GMT) No. of bitstreams: 2 Dissertação - Priscila Cardoso Vieira - 2014.pdf: 881835 bytes, checksum: d61ddde363f63fc59c43cfc0667728a6 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2015-12-03T09:07:27Z (GMT). No. of bitstreams: 2 Dissertação - Priscila Cardoso Vieira - 2014.pdf: 881835 bytes, checksum: d61ddde363f63fc59c43cfc0667728a6 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2014-07-07Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessSubjetividadeExperiência do vividoMário de AndradeDrummondSubjectivityExperience of livedMario de AndradeDrummondLINGUISTICA, LETRAS E ARTES::LINGUISTICAA presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummondinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-1403758209736362229600600600600-54178507046780729887955259954785510783-2555911436985713659reponame:Biblioteca Digital de Teses e Dissertações da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/a23f7047-784d-4010-862b-61ebfff973bb/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.bc.ufg.br/tede/bitstreams/f634d275-efe5-4c5c-bc07-26872dde3ebe/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-821468http://repositorio.bc.ufg.br/tede/bitstreams/dd252b77-b6d3-408d-b958-8e475f5880db/downloadae2fe251842ade1134c5d9bb99b6eefeMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-823148http://repositorio.bc.ufg.br/tede/bitstreams/9a00bcbc-f40b-4573-a46b-3545916345ac/download9da0b6dfac957114c6a7714714b86306MD54ORIGINALDissertação - Priscila Cardoso Vieira - 2014.pdfDissertação - Priscila Cardoso Vieira - 2014.pdfapplication/pdf881835http://repositorio.bc.ufg.br/tede/bitstreams/e63d032e-bda3-4306-b793-248849f033cd/downloadd61ddde363f63fc59c43cfc0667728a6MD55tede/49832015-12-03 07:07:27.852http://creativecommons.org/licenses/by-nc-nd/4.0/Acesso Abertoopen.accessoai:repositorio.bc.ufg.br:tede/4983http://repositorio.bc.ufg.br/tedeBiblioteca Digital de Teses e Dissertaçõeshttp://repositorio.bc.ufg.br/PUBhttps://repositorio.bc.ufg.br/tede_oai/requesttesesdissertacoes.bc@ufg.br ||tesesdissertacoes.bc@ufg.bropendoar:32082015-12-03T09:07:27Biblioteca Digital de Teses e Dissertações da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.por.fl_str_mv |
A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond |
title |
A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond |
spellingShingle |
A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond Vieira, Priscila Cardoso Subjetividade Experiência do vivido Mário de Andrade Drummond Subjectivity Experience of lived Mario de Andrade Drummond LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
title_short |
A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond |
title_full |
A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond |
title_fullStr |
A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond |
title_full_unstemmed |
A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond |
title_sort |
A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond |
author |
Vieira, Priscila Cardoso |
author_facet |
Vieira, Priscila Cardoso |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Souza, Jamesson Buarque de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6538270791775139 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/8467259668793725 |
dc.contributor.author.fl_str_mv |
Vieira, Priscila Cardoso |
contributor_str_mv |
Souza, Jamesson Buarque de |
dc.subject.por.fl_str_mv |
Subjetividade Experiência do vivido Mário de Andrade Drummond |
topic |
Subjetividade Experiência do vivido Mário de Andrade Drummond Subjectivity Experience of lived Mario de Andrade Drummond LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
dc.subject.eng.fl_str_mv |
Subjectivity Experience of lived Mario de Andrade Drummond |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
description |
This dissertation has as main objective the course by the lyrical constitution of Mário de Andrade and Carlos Drummond, from the reading of three books of each author: Losango cáqui, Clã do jabuti, Remate de males; José e Rosa do povo. We will make this journey guided by the notion of lyrical subject, proposed by Combe (2009-2010) and author, proposed by Bakhtin (1997). Our aim is to find traces of these authors reflected in their lyrical creations. For this, we want to observe the correlation between poetic creation and experience of lived. We seek, in this case, map the route that the lyric subject makes in order to observe the choices that fall in this poetry. We believe that Mário and Drummond suffer the world in a wide open way. Thus, we hope to find subjectivities which are directed to another, in specific historical contexts. We aim to understand how the experience of lived influences literary choices of each poet. We also expect to find how the social problems are represented in this two poetic. The investigative process that we have adopted is divided in three steps. The first is to observe how the poems of Mario and Drummond achieve the other and the social problems. The second step is to analyze, from the three books of Mario, how will this path the lyric subject makes toward the other people as well as the connection with the Brazilian historical context. In the last step we find the lyrical subject of Drummond under the same perspective that we adopted with Mário, noting the similarities and differences between the two poets when they look for the other people. |
publishDate |
2014 |
dc.date.issued.fl_str_mv |
2014-07-07 |
dc.date.accessioned.fl_str_mv |
2015-12-03T09:07:27Z |
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info:eu-repo/semantics/publishedVersion |
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dc.identifier.citation.fl_str_mv |
VIEIRA, P. C. A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond. 2014. 109 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/4983 |
identifier_str_mv |
VIEIRA, P. C. A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond. 2014. 109 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014. |
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http://repositorio.bc.ufg.br/tede/handle/tede/4983 |
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UFG |
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