ARTE CANELA RAMKOKAMEKRÁ: POÉTICAS DA RESISTÊNCIA

• Ano de defesa: 2024
• Autor(a) principal: AROUCHA, Letícia Leite Saboia Rabelo
• Orientador(a): MENENDEZ, Larissa Lacerda
• Banca de defesa: MENENDEZ, Larissa Lacerda , ZORZAL, Ricieri Carlini , PANET, Rose-France de Farias
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Maranhão
• Programa de Pós-Graduação: PROGRAMA DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE/CCH
• Departamento: DEPARTAMENTO DE ARTES/CCH
• País: Brasil
• Palavras-chave em Português: Arte Indígena; Cestaria; Canela Ramkokamekrá; Ensino de Artes
• Palavras-chave em Inglês: Indigenous Art; Basketry; Canela Ramkokamekrá; Arte Teaching
• Área do conhecimento CNPq: Artes
• Link de acesso: https://tedebc.ufma.br/jspui/handle/tede/5669

This work is about analyzing the artistic elaboration of basketry of the indigenous people Canela Ramkoamekrá, because this kowledge could be a better way to help us understand the contempo rary indegenous art scene in Brazil.The methods employed were bibliographic, documentary, exploratory, interdisciplinary, and qualitative research. It was used the visual record of the Canela Ramkokamekrá basketry collection at the Maranhão Natural History and Archeology Research Center.The aim is to analyze how the artistic elaboration of indigenous Canela Ramkokamekrá basketry can help us understand their culture. Authors such as Darcy Ribeiro (2021; 2017), Berta Ribeiro (1987;1980), Crocker(1990), Nimuendajú (1946), Menendez (2011;2019;2021), Boas (2015), Rolande (2013), Oliveira (2018), Krenak(2019), present theoretical conceptions about indigenous people that can help to build a profile of the Canela people and their culture and it also helps to understand the scene of contemporary indigenous art in Brazil through the exhibitions " Véxoa: Nós sabemos", "Móquém Surarî, and the 34th " Bienal de São Paulo". The authors studied in the other stage of research are: Berbert (2021), Bienal (2021),Dinato (2019), Esbell (2018), Baniwa (2022), Gell (2021), Goldstein (2021), Krenak (2022), Lagrou (2009), Marques (2018), Moquem (2021),Oliveira (2022), Terena(2020;2021).We conclused that basketry of indigenous people was not exposed at recent art events, exhibitions and museums.