Isso dá pra aprender!: a dança na Educação Integral

Detalhes bibliográficos
Ano de defesa: 2017
Autor(a) principal: Juliana Araujo de Paula
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://hdl.handle.net/1843/BUOS-AQPPRF
Resumo: Understanding the learning processes of dance in the context of the Integrated School Program (PEI) of the Municipal Network of Belo Horizonte is the objective of this paper. In order to describe and analyze the learning of dance, this paper counted on the focus of situated learning in practice communities (LAVE and WENGER, 1991) and the perspective of the education of attention (INGOLD, 2010). The study addresses learning as an inherent aspect of all social practice (LAVE and WENGER, 1991). From an ethnographic incursion into the universe of everyday urban dances practices in the context of PEI, this paper sought to reveal how the learning processes take place. In addition, interviews were conducted with the children who were part of the research group and with the Dance Teacher. The collectivity was fundamental in this process that involved, besides the school, other time and spaces, such as the experiences on the street, with groups and at home. The skill of the dance was constituted from the immersion in practice and, mainly, of the repetition and imitation. The dancer's constitution was continually given in that process in which dance (and its learning) emerged. It was, therefore, the construction of identities that in this specific case was the black identity.
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spelling Isso dá pra aprender!: a dança na Educação IntegralEducaçãoProfessores de dança Ensino profissionalEducação integral Belo Horizonte (MG)Dança na educaçãoProfessores de dança FormaçãoDança Estudo e ensinoDançaAprendizagemEducação IntegralUnderstanding the learning processes of dance in the context of the Integrated School Program (PEI) of the Municipal Network of Belo Horizonte is the objective of this paper. In order to describe and analyze the learning of dance, this paper counted on the focus of situated learning in practice communities (LAVE and WENGER, 1991) and the perspective of the education of attention (INGOLD, 2010). The study addresses learning as an inherent aspect of all social practice (LAVE and WENGER, 1991). From an ethnographic incursion into the universe of everyday urban dances practices in the context of PEI, this paper sought to reveal how the learning processes take place. In addition, interviews were conducted with the children who were part of the research group and with the Dance Teacher. The collectivity was fundamental in this process that involved, besides the school, other time and spaces, such as the experiences on the street, with groups and at home. The skill of the dance was constituted from the immersion in practice and, mainly, of the repetition and imitation. The dancer's constitution was continually given in that process in which dance (and its learning) emerged. It was, therefore, the construction of identities that in this specific case was the black identity.Universidade Federal de Minas Gerais2019-08-11T07:25:25Z2025-09-08T23:00:07Z2019-08-11T07:25:25Z2017-03-17info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/1843/BUOS-AQPPRFJuliana Araujo de Paulainfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2025-09-10T16:50:17Zoai:repositorio.ufmg.br:1843/BUOS-AQPPRFRepositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-10T16:50:17Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Isso dá pra aprender!: a dança na Educação Integral
title Isso dá pra aprender!: a dança na Educação Integral
spellingShingle Isso dá pra aprender!: a dança na Educação Integral
Juliana Araujo de Paula
Educação
Professores de dança Ensino profissional
Educação integral Belo Horizonte (MG)
Dança na educação
Professores de dança Formação
Dança Estudo e ensino
Dança
Aprendizagem
Educação Integral
title_short Isso dá pra aprender!: a dança na Educação Integral
title_full Isso dá pra aprender!: a dança na Educação Integral
title_fullStr Isso dá pra aprender!: a dança na Educação Integral
title_full_unstemmed Isso dá pra aprender!: a dança na Educação Integral
title_sort Isso dá pra aprender!: a dança na Educação Integral
author Juliana Araujo de Paula
author_facet Juliana Araujo de Paula
author_role author
dc.contributor.author.fl_str_mv Juliana Araujo de Paula
dc.subject.por.fl_str_mv Educação
Professores de dança Ensino profissional
Educação integral Belo Horizonte (MG)
Dança na educação
Professores de dança Formação
Dança Estudo e ensino
Dança
Aprendizagem
Educação Integral
topic Educação
Professores de dança Ensino profissional
Educação integral Belo Horizonte (MG)
Dança na educação
Professores de dança Formação
Dança Estudo e ensino
Dança
Aprendizagem
Educação Integral
description Understanding the learning processes of dance in the context of the Integrated School Program (PEI) of the Municipal Network of Belo Horizonte is the objective of this paper. In order to describe and analyze the learning of dance, this paper counted on the focus of situated learning in practice communities (LAVE and WENGER, 1991) and the perspective of the education of attention (INGOLD, 2010). The study addresses learning as an inherent aspect of all social practice (LAVE and WENGER, 1991). From an ethnographic incursion into the universe of everyday urban dances practices in the context of PEI, this paper sought to reveal how the learning processes take place. In addition, interviews were conducted with the children who were part of the research group and with the Dance Teacher. The collectivity was fundamental in this process that involved, besides the school, other time and spaces, such as the experiences on the street, with groups and at home. The skill of the dance was constituted from the immersion in practice and, mainly, of the repetition and imitation. The dancer's constitution was continually given in that process in which dance (and its learning) emerged. It was, therefore, the construction of identities that in this specific case was the black identity.
publishDate 2017
dc.date.none.fl_str_mv 2017-03-17
2019-08-11T07:25:25Z
2019-08-11T07:25:25Z
2025-09-08T23:00:07Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://hdl.handle.net/1843/BUOS-AQPPRF
url https://hdl.handle.net/1843/BUOS-AQPPRF
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Repositório Institucional da UFMG
collection Repositório Institucional da UFMG
repository.name.fl_str_mv Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv repositorio@ufmg.br
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