Isso dá pra aprender!: a dança na Educação Integral
| Ano de defesa: | 2017 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Minas Gerais
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | https://hdl.handle.net/1843/BUOS-AQPPRF |
Resumo: | Understanding the learning processes of dance in the context of the Integrated School Program (PEI) of the Municipal Network of Belo Horizonte is the objective of this paper. In order to describe and analyze the learning of dance, this paper counted on the focus of situated learning in practice communities (LAVE and WENGER, 1991) and the perspective of the education of attention (INGOLD, 2010). The study addresses learning as an inherent aspect of all social practice (LAVE and WENGER, 1991). From an ethnographic incursion into the universe of everyday urban dances practices in the context of PEI, this paper sought to reveal how the learning processes take place. In addition, interviews were conducted with the children who were part of the research group and with the Dance Teacher. The collectivity was fundamental in this process that involved, besides the school, other time and spaces, such as the experiences on the street, with groups and at home. The skill of the dance was constituted from the immersion in practice and, mainly, of the repetition and imitation. The dancer's constitution was continually given in that process in which dance (and its learning) emerged. It was, therefore, the construction of identities that in this specific case was the black identity. |
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Isso dá pra aprender!: a dança na Educação IntegralEducaçãoProfessores de dança Ensino profissionalEducação integral Belo Horizonte (MG)Dança na educaçãoProfessores de dança FormaçãoDança Estudo e ensinoDançaAprendizagemEducação IntegralUnderstanding the learning processes of dance in the context of the Integrated School Program (PEI) of the Municipal Network of Belo Horizonte is the objective of this paper. In order to describe and analyze the learning of dance, this paper counted on the focus of situated learning in practice communities (LAVE and WENGER, 1991) and the perspective of the education of attention (INGOLD, 2010). The study addresses learning as an inherent aspect of all social practice (LAVE and WENGER, 1991). From an ethnographic incursion into the universe of everyday urban dances practices in the context of PEI, this paper sought to reveal how the learning processes take place. In addition, interviews were conducted with the children who were part of the research group and with the Dance Teacher. The collectivity was fundamental in this process that involved, besides the school, other time and spaces, such as the experiences on the street, with groups and at home. The skill of the dance was constituted from the immersion in practice and, mainly, of the repetition and imitation. The dancer's constitution was continually given in that process in which dance (and its learning) emerged. It was, therefore, the construction of identities that in this specific case was the black identity.Universidade Federal de Minas Gerais2019-08-11T07:25:25Z2025-09-08T23:00:07Z2019-08-11T07:25:25Z2017-03-17info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/1843/BUOS-AQPPRFJuliana Araujo de Paulainfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2025-09-10T16:50:17Zoai:repositorio.ufmg.br:1843/BUOS-AQPPRFRepositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-10T16:50:17Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false |
| dc.title.none.fl_str_mv |
Isso dá pra aprender!: a dança na Educação Integral |
| title |
Isso dá pra aprender!: a dança na Educação Integral |
| spellingShingle |
Isso dá pra aprender!: a dança na Educação Integral Juliana Araujo de Paula Educação Professores de dança Ensino profissional Educação integral Belo Horizonte (MG) Dança na educação Professores de dança Formação Dança Estudo e ensino Dança Aprendizagem Educação Integral |
| title_short |
Isso dá pra aprender!: a dança na Educação Integral |
| title_full |
Isso dá pra aprender!: a dança na Educação Integral |
| title_fullStr |
Isso dá pra aprender!: a dança na Educação Integral |
| title_full_unstemmed |
Isso dá pra aprender!: a dança na Educação Integral |
| title_sort |
Isso dá pra aprender!: a dança na Educação Integral |
| author |
Juliana Araujo de Paula |
| author_facet |
Juliana Araujo de Paula |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Juliana Araujo de Paula |
| dc.subject.por.fl_str_mv |
Educação Professores de dança Ensino profissional Educação integral Belo Horizonte (MG) Dança na educação Professores de dança Formação Dança Estudo e ensino Dança Aprendizagem Educação Integral |
| topic |
Educação Professores de dança Ensino profissional Educação integral Belo Horizonte (MG) Dança na educação Professores de dança Formação Dança Estudo e ensino Dança Aprendizagem Educação Integral |
| description |
Understanding the learning processes of dance in the context of the Integrated School Program (PEI) of the Municipal Network of Belo Horizonte is the objective of this paper. In order to describe and analyze the learning of dance, this paper counted on the focus of situated learning in practice communities (LAVE and WENGER, 1991) and the perspective of the education of attention (INGOLD, 2010). The study addresses learning as an inherent aspect of all social practice (LAVE and WENGER, 1991). From an ethnographic incursion into the universe of everyday urban dances practices in the context of PEI, this paper sought to reveal how the learning processes take place. In addition, interviews were conducted with the children who were part of the research group and with the Dance Teacher. The collectivity was fundamental in this process that involved, besides the school, other time and spaces, such as the experiences on the street, with groups and at home. The skill of the dance was constituted from the immersion in practice and, mainly, of the repetition and imitation. The dancer's constitution was continually given in that process in which dance (and its learning) emerged. It was, therefore, the construction of identities that in this specific case was the black identity. |
| publishDate |
2017 |
| dc.date.none.fl_str_mv |
2017-03-17 2019-08-11T07:25:25Z 2019-08-11T07:25:25Z 2025-09-08T23:00:07Z |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
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https://hdl.handle.net/1843/BUOS-AQPPRF |
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https://hdl.handle.net/1843/BUOS-AQPPRF |
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por |
| language |
por |
| dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
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Universidade Federal de Minas Gerais |
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reponame:Repositório Institucional da UFMG instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
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Universidade Federal de Minas Gerais (UFMG) |
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UFMG |
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UFMG |
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Repositório Institucional da UFMG |
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Repositório Institucional da UFMG |
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Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG) |
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repositorio@ufmg.br |
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1856413924380901376 |