A expressividade no choro: um estudo a partir de perspectivas da Etnomusicologia e da Fenomenologia

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Paulo Vinícius Amado
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Musica
Etnografia
Choro
Expressividade no choro
Etnomusicologia
Fenomenologia
Link de acesso: https://hdl.handle.net/1843/AAGS-9S2M2A
Resumo: The Choro (brazilian instrumental music) is characterized, according to scholars and enthusiast, by specific "gestures" of interpretation and musical expressiveness. The issue of musical expressiveness, therein, is the subject of the most discussed by thinkers and musicians from different eras, and the consensus on this topic has not been reached. About the Choro's specific musical expressiveness, the reality is no different. The objective of this work, thus, is try understand some of the characteristics in the context and Choro's musical expression and contribute, in some order, for your comprehension. In this way, the research revolves around an ethnographic-phenomenological account from field work conducted in the Belo Horizonte's Rodas de Choro. After that, the task is the development a closer relationship between epistemological notes arising from the complex formulation of the theoretical frameworks particularly the Ethnomusicology and Phenomenology and oriented literature's review; and effective realization a hearing-observation-participation in musical events, specifically "Rodas de Choro" in the Minas Gerais capital.
id UFMG_1e6bbcc968e5f3dd6bbdb3c029c08f50
oai_identifier_str oai:repositorio.ufmg.br:1843/AAGS-9S2M2A
network_acronym_str UFMG
network_name_str Repositório Institucional da UFMG
repository_id_str
spelling A expressividade no choro: um estudo a partir de perspectivas da Etnomusicologia e da FenomenologiaMusicaEtnografiaChoroExpressividade no choroEtnomusicologiaFenomenologiaThe Choro (brazilian instrumental music) is characterized, according to scholars and enthusiast, by specific "gestures" of interpretation and musical expressiveness. The issue of musical expressiveness, therein, is the subject of the most discussed by thinkers and musicians from different eras, and the consensus on this topic has not been reached. About the Choro's specific musical expressiveness, the reality is no different. The objective of this work, thus, is try understand some of the characteristics in the context and Choro's musical expression and contribute, in some order, for your comprehension. In this way, the research revolves around an ethnographic-phenomenological account from field work conducted in the Belo Horizonte's Rodas de Choro. After that, the task is the development a closer relationship between epistemological notes arising from the complex formulation of the theoretical frameworks particularly the Ethnomusicology and Phenomenology and oriented literature's review; and effective realization a hearing-observation-participation in musical events, specifically "Rodas de Choro" in the Minas Gerais capital.Universidade Federal de Minas Gerais2019-08-14T13:41:21Z2025-09-09T00:14:06Z2019-08-14T13:41:21Z2014-11-21info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/1843/AAGS-9S2M2APaulo Vinícius Amadoinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2025-09-09T00:14:06Zoai:repositorio.ufmg.br:1843/AAGS-9S2M2ARepositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-09T00:14:06Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv A expressividade no choro: um estudo a partir de perspectivas da Etnomusicologia e da Fenomenologia
title A expressividade no choro: um estudo a partir de perspectivas da Etnomusicologia e da Fenomenologia
spellingShingle A expressividade no choro: um estudo a partir de perspectivas da Etnomusicologia e da Fenomenologia
Paulo Vinícius Amado
Musica
Etnografia
Choro
Expressividade no choro
Etnomusicologia
Fenomenologia
title_short A expressividade no choro: um estudo a partir de perspectivas da Etnomusicologia e da Fenomenologia
title_full A expressividade no choro: um estudo a partir de perspectivas da Etnomusicologia e da Fenomenologia
title_fullStr A expressividade no choro: um estudo a partir de perspectivas da Etnomusicologia e da Fenomenologia
title_full_unstemmed A expressividade no choro: um estudo a partir de perspectivas da Etnomusicologia e da Fenomenologia
title_sort A expressividade no choro: um estudo a partir de perspectivas da Etnomusicologia e da Fenomenologia
author Paulo Vinícius Amado
author_facet Paulo Vinícius Amado
author_role author
dc.contributor.author.fl_str_mv Paulo Vinícius Amado
dc.subject.por.fl_str_mv Musica
Etnografia
Choro
Expressividade no choro
Etnomusicologia
Fenomenologia
topic Musica
Etnografia
Choro
Expressividade no choro
Etnomusicologia
Fenomenologia
description The Choro (brazilian instrumental music) is characterized, according to scholars and enthusiast, by specific "gestures" of interpretation and musical expressiveness. The issue of musical expressiveness, therein, is the subject of the most discussed by thinkers and musicians from different eras, and the consensus on this topic has not been reached. About the Choro's specific musical expressiveness, the reality is no different. The objective of this work, thus, is try understand some of the characteristics in the context and Choro's musical expression and contribute, in some order, for your comprehension. In this way, the research revolves around an ethnographic-phenomenological account from field work conducted in the Belo Horizonte's Rodas de Choro. After that, the task is the development a closer relationship between epistemological notes arising from the complex formulation of the theoretical frameworks particularly the Ethnomusicology and Phenomenology and oriented literature's review; and effective realization a hearing-observation-participation in musical events, specifically "Rodas de Choro" in the Minas Gerais capital.
publishDate 2014
dc.date.none.fl_str_mv 2014-11-21
2019-08-14T13:41:21Z
2019-08-14T13:41:21Z
2025-09-09T00:14:06Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://hdl.handle.net/1843/AAGS-9S2M2A
url https://hdl.handle.net/1843/AAGS-9S2M2A
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Repositório Institucional da UFMG
collection Repositório Institucional da UFMG
repository.name.fl_str_mv Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv repositorio@ufmg.br
_version_ 1856414057639182336

Registros relacionados