A cena performativa nua: uma perspectiva de gênero

Detalhes bibliográficos
Ano de defesa: 2022
Autor(a) principal: Mariana Teixeira de Paula
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://hdl.handle.net/1843/59179
Resumo: The present study seeks to investigate nudity in contemporary, scenic and performative works, authored by women and non-binary people. In order to reflect on the ways in which the naked body is presented, the construction of female representations in theatrical performances and in Brazilian television and cinematographic media is resorted to, taking heed to feminist criticisms about the objectification and docility of the image of women. Starting from the profound artistic transformations of the 20th century and the centrality of the body in artistic creation, this research locates in the attributes of performance art opportunities for the creation of other imagery narratives, in line with the transfigurations of the notion of gender, which is so effervescent today. Perceiving the performative scene as a profanatory space of the established social dynamics, with a misogynist and arbitrary character, works that elaborate the image of the body as a confrontation and questioning resource about gender relations are discussed. To this end, this study utilizes a bibliographic review on nudity, a critical reflection of works from the performative scene in Belo Horizonte between 2012 and 2020 and a presentation of practical developments of the author's creation, impacted and guided by that.
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spelling 2023-10-05T11:24:53Z2025-09-08T23:05:28Z2023-10-05T11:24:53Z2022-08-29https://hdl.handle.net/1843/59179The present study seeks to investigate nudity in contemporary, scenic and performative works, authored by women and non-binary people. In order to reflect on the ways in which the naked body is presented, the construction of female representations in theatrical performances and in Brazilian television and cinematographic media is resorted to, taking heed to feminist criticisms about the objectification and docility of the image of women. Starting from the profound artistic transformations of the 20th century and the centrality of the body in artistic creation, this research locates in the attributes of performance art opportunities for the creation of other imagery narratives, in line with the transfigurations of the notion of gender, which is so effervescent today. Perceiving the performative scene as a profanatory space of the established social dynamics, with a misogynist and arbitrary character, works that elaborate the image of the body as a confrontation and questioning resource about gender relations are discussed. To this end, this study utilizes a bibliographic review on nudity, a critical reflection of works from the performative scene in Belo Horizonte between 2012 and 2020 and a presentation of practical developments of the author's creation, impacted and guided by that.CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorporUniversidade Federal de Minas GeraisNudezAtuação performativaArte da performancePerformatividade de gêneroArte feministaNudezPerformance (Arte)Relações de gêneroCritica de arte feministaA cena performativa nua: uma perspectiva de gêneroinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisMariana Teixeira de Paulainfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGhttp://lattes.cnpq.br/6796087295533408Maria Beatriz Braga Mendonçahttp://lattes.cnpq.br/9423809653679928Maria Brígida de MirandaLúcia Regina Vieira RomanoO presente estudo busca investigar a nudez em trabalhos contemporâneos, cênicos e performativos, de autoria de mulheres e pessoas não binárias. Para refletir sobre os caminhos de apresentação do corpo despido, recorre-se à construção de representações femininas em atuações teatrais e em mídias televisivas e cinematográficas brasileiras, atentando-se às críticas feministas sobre a objetificação e docilização da imagem da mulher. Partindo das profundas transformações artísticas do século XX e da centralidade do corpo na criação artística, essa dissertação localiza nos atributos da arte da performance oportunidades para a criação de outras narrativas imagéticas, consonantes com as transfigurações da noção de gênero, tão efervescente na atualidade. Percebendo a cena performativa como espaço profanatório das dinâmicas sociais estabelecidas, de caráter misógino e arbitrário, discute-se trabalhos que elaboram a imagem do corpo como recurso de confronto e questionamento acerca das relações de gênero. Para tal, utiliza-se revisão bibliográfica sobre nudez, reflexão crítica de trabalhos da cena performativa de Belo Horizonte entre 2012 e 2020 e apresentação de desdobramentos práticos de criação da autora por isso impactado e orientado.https://orcid.org/0000-0002-1149-6385BrasilEBA - ESCOLA DE BELAS ARTESPrograma de Pós-Graduação em ArtesUFMGORIGINALDISSERTAÇÃO Mariana Teixeira.pdfapplication/pdf29602912https://repositorio.ufmg.br//bitstreams/1c22ad4b-7086-49d1-8e5a-7bdba7f971e3/download91fea86b88e8a133c95d584f146f40b0MD51trueAnonymousREADLICENSElicense.txttext/plain2118https://repositorio.ufmg.br//bitstreams/cd3c6152-0822-42ca-997e-07d3f694ff57/downloadcda590c95a0b51b4d15f60c9642ca272MD52falseAnonymousREAD1843/591792025-09-08 20:05:28.362open.accessoai:repositorio.ufmg.br:1843/59179https://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-08T23:05:28Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)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
dc.title.none.fl_str_mv A cena performativa nua: uma perspectiva de gênero
title A cena performativa nua: uma perspectiva de gênero
spellingShingle A cena performativa nua: uma perspectiva de gênero
Mariana Teixeira de Paula
Nudez
Performance (Arte)
Relações de gênero
Critica de arte feminista
Nudez
Atuação performativa
Arte da performance
Performatividade de gênero
Arte feminista
title_short A cena performativa nua: uma perspectiva de gênero
title_full A cena performativa nua: uma perspectiva de gênero
title_fullStr A cena performativa nua: uma perspectiva de gênero
title_full_unstemmed A cena performativa nua: uma perspectiva de gênero
title_sort A cena performativa nua: uma perspectiva de gênero
author Mariana Teixeira de Paula
author_facet Mariana Teixeira de Paula
author_role author
dc.contributor.author.fl_str_mv Mariana Teixeira de Paula
dc.subject.por.fl_str_mv Nudez
Performance (Arte)
Relações de gênero
Critica de arte feminista
topic Nudez
Performance (Arte)
Relações de gênero
Critica de arte feminista
Nudez
Atuação performativa
Arte da performance
Performatividade de gênero
Arte feminista
dc.subject.other.none.fl_str_mv Nudez
Atuação performativa
Arte da performance
Performatividade de gênero
Arte feminista
description The present study seeks to investigate nudity in contemporary, scenic and performative works, authored by women and non-binary people. In order to reflect on the ways in which the naked body is presented, the construction of female representations in theatrical performances and in Brazilian television and cinematographic media is resorted to, taking heed to feminist criticisms about the objectification and docility of the image of women. Starting from the profound artistic transformations of the 20th century and the centrality of the body in artistic creation, this research locates in the attributes of performance art opportunities for the creation of other imagery narratives, in line with the transfigurations of the notion of gender, which is so effervescent today. Perceiving the performative scene as a profanatory space of the established social dynamics, with a misogynist and arbitrary character, works that elaborate the image of the body as a confrontation and questioning resource about gender relations are discussed. To this end, this study utilizes a bibliographic review on nudity, a critical reflection of works from the performative scene in Belo Horizonte between 2012 and 2020 and a presentation of practical developments of the author's creation, impacted and guided by that.
publishDate 2022
dc.date.issued.fl_str_mv 2022-08-29
dc.date.accessioned.fl_str_mv 2023-10-05T11:24:53Z
2025-09-08T23:05:28Z
dc.date.available.fl_str_mv 2023-10-05T11:24:53Z
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
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