O unheimliche wunderkammer da bibliotheca abscondita
| Ano de defesa: | 2007 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Minas Gerais
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | https://hdl.handle.net/1843/JSSS-7WSH9Y |
Resumo: | ProcessesBelonginsand Works are silent characters that are congregated in the Third Edition of the First Catalogue of Privileged Belongings of the Unheimliche Wunderkammer of the Bibliotheca Abscondita, the bookobject that curiously is as much as starting point as also crown the end of this stage of inquiry in art. Tied for one same Property, in principle intangible to thejudgment, Processes and Works served themseves of the stories that PrecursoryBelongings had told to bring to the conscience this Property, to reveal the methods of this union, as well as inventing they own narrative. One was undertaken then into a strange reverse epic of discovery,from the place of the exotic turned to usual, to the place of the reason tranfigured in a fancy whim, where renascence and baroque collections and collectors appear, the Mirabilia become Unheimliche and the admitted errors turn into inquiry procedures. Like many stories of journeys and wonders of XVI and XVII centuries, one fulfilled the way of the immovable traveller, whose path was paved with the remnants of others as many speeches or, in the eventual gaps, to the imagination remained the task to sew the necessary bridges. |
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2019-08-12T11:37:23Z2025-09-09T00:28:04Z2019-08-12T11:37:23Z2007-12-12https://hdl.handle.net/1843/JSSS-7WSH9YProcessesBelonginsand Works are silent characters that are congregated in the Third Edition of the First Catalogue of Privileged Belongings of the Unheimliche Wunderkammer of the Bibliotheca Abscondita, the bookobject that curiously is as much as starting point as also crown the end of this stage of inquiry in art. Tied for one same Property, in principle intangible to thejudgment, Processes and Works served themseves of the stories that PrecursoryBelongings had told to bring to the conscience this Property, to reveal the methods of this union, as well as inventing they own narrative. One was undertaken then into a strange reverse epic of discovery,from the place of the exotic turned to usual, to the place of the reason tranfigured in a fancy whim, where renascence and baroque collections and collectors appear, the Mirabilia become Unheimliche and the admitted errors turn into inquiry procedures. Like many stories of journeys and wonders of XVI and XVII centuries, one fulfilled the way of the immovable traveller, whose path was paved with the remnants of others as many speeches or, in the eventual gaps, to the imagination remained the task to sew the necessary bridges.Universidade Federal de Minas GeraisMaravilhosoJorge Luiz BorgesGabinete de curiosidadesRodolfo IIThomas BrownePeter GreenawayAthanasius KircherColeçõesWunderkammerSurrealismoUlisse AldrovandiArtes visuaisMuseusColecionadoresUnheimlicheRuínas românticasJan SvankmajerColecionadores e coleções Séc XVI-XVIILivros artísticosGabinete de curiosidades Séc XVI-XVIIEstranhamentoO unheimliche wunderkammer da bibliotheca absconditainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisAdriana de Castro Dias Bicalhoinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGStephane Denis Albert Rene HuchetMaria Angelica Melendi de BiasizzoDaisy Leite TurrerSão personagens mudos os Pertences Processos e Obras que estão a se reunir na Terceira Edição do Primeiro Catálogo de Pertences Privilegiados do Unheimliche Wunderkammer da Bibliotheca Abscondita, o livroobjeto que curiosamente é tanto ponto de partida como também coroa o fim desta etapa de investigação em arte. Atados por uma mesma Propriedade, em princípio intangível ao juízo, serviramse Processos e Obras das histórias que contaram osPertences Precursores para trazer à consciência essa Propriedade, desvelar os métodos dessa união, bem como inventar sua própria narrativa. Empreendeuse então uma estranha epopéia dedescobrimento às avessas, do lugar do exótico tornado ordinário ao lugar da razão transfigurada em capricho extravagante, onde figuraram coleções e colecionadores renascentistas e barrocos, a Mirabilia tornada Unheimliche e os erros admitidos como procedimentos de investigação. A exemplo de muitos dos relatos de viagens e maravilhas dos séculos XVI e XVII, cumpriuse o percurso do viajante imóvel, cujo caminho foi pavimentado com os retalhos de outros tantos discursos ou, nas eventuais lacunas que se fizeram presentes, à imaginação restou a tarefa coser as pontes necessárias.UFMGORIGINALadrianadiasbicalho.pdfapplication/pdf13428133https://repositorio.ufmg.br//bitstreams/13d52557-bb02-466e-9e2b-a366408e06dc/download5639121741cbae5b2d8561a21a18b8bfMD51trueAnonymousREADTEXTadrianadiasbicalho.pdf.txttext/plain288957https://repositorio.ufmg.br//bitstreams/fc5e3b98-59c3-4f81-8383-8384d7adaa3e/downloadd19262392778c51c64c72d31197086b4MD52falseAnonymousREADTHUMBNAILadrianadiasbicalho.pdf.jpgadrianadiasbicalho.pdf.jpgGenerated Thumbnailimage/jpeg2175https://repositorio.ufmg.br//bitstreams/2f278bad-dda6-4938-90f1-bff6dbe15600/downloada443d5086062b611156f185a7c83840cMD53falseAnonymousREAD1843/JSSS-7WSH9Y2025-09-09 15:16:06.619open.accessoai:repositorio.ufmg.br:1843/JSSS-7WSH9Yhttps://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-09T18:16:06Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false |
| dc.title.none.fl_str_mv |
O unheimliche wunderkammer da bibliotheca abscondita |
| title |
O unheimliche wunderkammer da bibliotheca abscondita |
| spellingShingle |
O unheimliche wunderkammer da bibliotheca abscondita Adriana de Castro Dias Bicalho Colecionadores e coleções Séc XVI-XVII Livros artísticos Gabinete de curiosidades Séc XVI-XVII Estranhamento Maravilhoso Jorge Luiz Borges Gabinete de curiosidades Rodolfo II Thomas Browne Peter Greenaway Athanasius Kircher Coleções Wunderkammer Surrealismo Ulisse Aldrovandi Artes visuais Museus Colecionadores Unheimliche Ruínas românticas Jan Svankmajer |
| title_short |
O unheimliche wunderkammer da bibliotheca abscondita |
| title_full |
O unheimliche wunderkammer da bibliotheca abscondita |
| title_fullStr |
O unheimliche wunderkammer da bibliotheca abscondita |
| title_full_unstemmed |
O unheimliche wunderkammer da bibliotheca abscondita |
| title_sort |
O unheimliche wunderkammer da bibliotheca abscondita |
| author |
Adriana de Castro Dias Bicalho |
| author_facet |
Adriana de Castro Dias Bicalho |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Adriana de Castro Dias Bicalho |
| dc.subject.por.fl_str_mv |
Colecionadores e coleções Séc XVI-XVII Livros artísticos Gabinete de curiosidades Séc XVI-XVII Estranhamento |
| topic |
Colecionadores e coleções Séc XVI-XVII Livros artísticos Gabinete de curiosidades Séc XVI-XVII Estranhamento Maravilhoso Jorge Luiz Borges Gabinete de curiosidades Rodolfo II Thomas Browne Peter Greenaway Athanasius Kircher Coleções Wunderkammer Surrealismo Ulisse Aldrovandi Artes visuais Museus Colecionadores Unheimliche Ruínas românticas Jan Svankmajer |
| dc.subject.other.none.fl_str_mv |
Maravilhoso Jorge Luiz Borges Gabinete de curiosidades Rodolfo II Thomas Browne Peter Greenaway Athanasius Kircher Coleções Wunderkammer Surrealismo Ulisse Aldrovandi Artes visuais Museus Colecionadores Unheimliche Ruínas românticas Jan Svankmajer |
| description |
ProcessesBelonginsand Works are silent characters that are congregated in the Third Edition of the First Catalogue of Privileged Belongings of the Unheimliche Wunderkammer of the Bibliotheca Abscondita, the bookobject that curiously is as much as starting point as also crown the end of this stage of inquiry in art. Tied for one same Property, in principle intangible to thejudgment, Processes and Works served themseves of the stories that PrecursoryBelongings had told to bring to the conscience this Property, to reveal the methods of this union, as well as inventing they own narrative. One was undertaken then into a strange reverse epic of discovery,from the place of the exotic turned to usual, to the place of the reason tranfigured in a fancy whim, where renascence and baroque collections and collectors appear, the Mirabilia become Unheimliche and the admitted errors turn into inquiry procedures. Like many stories of journeys and wonders of XVI and XVII centuries, one fulfilled the way of the immovable traveller, whose path was paved with the remnants of others as many speeches or, in the eventual gaps, to the imagination remained the task to sew the necessary bridges. |
| publishDate |
2007 |
| dc.date.issued.fl_str_mv |
2007-12-12 |
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2019-08-12T11:37:23Z 2025-09-09T00:28:04Z |
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2019-08-12T11:37:23Z |
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info:eu-repo/semantics/publishedVersion |
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por |
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info:eu-repo/semantics/openAccess |
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Universidade Federal de Minas Gerais |
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