Violão sem fronteiras: criações interpretativas em obras inspiradas na música folclórica sul-americana

• Ano de defesa: 2019
• Autor(a) principal: Marcos Matturro Foschiera
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais
• Palavras-chave em Português: Música para violão; Performance musical; Música folclórica - América do Sul
• Link de acesso: https://hdl.handle.net/1843/34211

In the present thesis I tried to elaborate interpretations of pieces that are part of the repertoire soloist for guitar and that were based on the folkloric South American genres zamba, candombe and tonada. Using the folkloric inspiration present in these works as the guiding thread for this creative process, I present possibilities for study and reflection on this specific type of repertoire. In order to do so, I sought to understand, incorporate and demonstrate performance practices typical of folk genres in order to include them in my interpretations, thus approaching the performance of works for solo guitar studied here from their folk music context. The theoretical referents of this work are authors like Cardoso (2006), Guestrin (2004), Brandão (1984) Ferreira (1997), Loyola (2006), Longo (2012), Cook Domenici (2012), Nevanlinna (2009), Almeida (2011), Bowen (1993) and Piedade (2011). As an artistic reference I mainly used the record production of musicians such as Villadangos (2002 and 2006), Méndez (2012), Falú (2005), Coronel (2009), Zanon (1997), Siewers, Azcano (2016), Rojas (2006), Moscardini (2005), Carlevaro (1986), Aguirre (2008), Sinesi (1996), Parra (1956 and 1959), Jara (1966, 1971 and 1975) and Contreras (2006). In addition to these authors, I took advantage of information gathered from video lessons, didactic material, articles, books, thesis and dissertations, scores, documentaries and other recordings of referents in this area. This creative construction was based on my artistic practice and the search for various sources of information. These were obtained, organized and/or developed through data collection and interpretation techniques linked to traditional scientific methodologies. As a product of this thesis, musical interpretations of works for guitar based on South American folk genres were developed, but mainly, the interpretative paths based on multiple sources of research are described here.