Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG
| Ano de defesa: | 2023 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Minas Gerais
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
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| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | https://hdl.handle.net/1843/55971 |
Resumo: | This research aimed to investigate how the musical learning of the choir members of Coral São Pio X takes place, a sacred choir founded in 1959 in the historic city of Ouro Preto-MG. It is a choir that adopts a repertoire composed, in large part, of colonial sacred music and that has a great performance in the city's traditional religious festivities. The choir is made up of amateur singers and there is no formal structure for teaching music. The investigation used mixed method data collection techniques, collecting quantitative data through instruction and qualitative data through participant observation and semi-structured interviews. The methodological approach, however, was predominantly qualitative. The theoretical foundation sought support in the learning theories of Knud Illeris (2007, 2013) and Etienne Wenger (1998, 2013) which provided parameters for the development of analyzes on the learning processes in dialogue with authors in the areas of Music Education and Choral Singing (DIAS 2011; FIGUEIREDO, 1990; FIGUEIREDO, 2010; FUCCI AMATO, 2007; OLIVEIRA, 2011; SILVA, 2017; SWANWICK, 2003). For the discussion of the data we used the categories that emerged from the adopted theories, being the "learning dimensions" of Illeris's theory: content, incentive and interaction and the "components of the Social Theory of Learning" of Wenger: meaning, practice, community and identity. The results reflect the emotion of the emotional and motivational aspects of learning, as well as the sharing of knowledge, the helping relationships between the members and the conductor's action as a mediator of musical knowledge in the choir. |
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2023-07-07T23:03:37Z2025-09-09T00:07:38Z2023-07-07T23:03:37Z2023-05-31https://hdl.handle.net/1843/55971This research aimed to investigate how the musical learning of the choir members of Coral São Pio X takes place, a sacred choir founded in 1959 in the historic city of Ouro Preto-MG. It is a choir that adopts a repertoire composed, in large part, of colonial sacred music and that has a great performance in the city's traditional religious festivities. The choir is made up of amateur singers and there is no formal structure for teaching music. The investigation used mixed method data collection techniques, collecting quantitative data through instruction and qualitative data through participant observation and semi-structured interviews. The methodological approach, however, was predominantly qualitative. The theoretical foundation sought support in the learning theories of Knud Illeris (2007, 2013) and Etienne Wenger (1998, 2013) which provided parameters for the development of analyzes on the learning processes in dialogue with authors in the areas of Music Education and Choral Singing (DIAS 2011; FIGUEIREDO, 1990; FIGUEIREDO, 2010; FUCCI AMATO, 2007; OLIVEIRA, 2011; SILVA, 2017; SWANWICK, 2003). For the discussion of the data we used the categories that emerged from the adopted theories, being the "learning dimensions" of Illeris's theory: content, incentive and interaction and the "components of the Social Theory of Learning" of Wenger: meaning, practice, community and identity. The results reflect the emotion of the emotional and motivational aspects of learning, as well as the sharing of knowledge, the helping relationships between the members and the conductor's action as a mediator of musical knowledge in the choir.porUniversidade Federal de Minas GeraisCanto coralAprendizagem musicalCorais amadoresTeoria Social da AprendizagemCanto CoralMúsica sacraEducação musicalAprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MGinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisLuan Carlos Oliveirainfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGhttp://lattes.cnpq.br/0332404128572764Jussara Rodrigues Fernandinohttp://lattes.cnpq.br/4860345266508825Maria Tereza Mendes de CastroHeloísa Faria Braga FeichasEsta pesquisa teve como objetivo investigar como acontece o aprendizado musical dos coralistas integrantes do Coral São Pio X, um coro sacro fundado em 1959 na cidade histórica de Ouro Preto-MG. Trata-se de um coral que adota um repertório composto, em grande parte, pela música sacra colonial e que possui grande atuação nas tradicionais festividades religiosas da cidade. O coro é formado por cantores amadores e não há estrutura de ensino formal de música. A investigação empregou técnicas de coleta de dados via método misto, levantando dados quantitativos por meio de questionário e dados qualitativos por meio de observação participante e entrevista semiestruturada. A abordagem metodológica, no entanto, teve caráter predominantemente qualitativo. A fundamentação teórica buscou suporte nas teorias da aprendizagem de Knud Illeris (2007, 2013) e Etienne Wenger (1998, 2013) que proporcionaram parâmetros para o desenvolvimento das análises relativas aos processos de aprendizagem em diálogo com autores das áreas de Educação Musical e Canto Coral (DIAS 2011; FIGUEIREDO, 1990; FIGUEIREDO, 2010; FUCCI AMATO, 2007; OLIVEIRA, 2011; SILVA, 2017; SWANWICK, 2003). Para a discussão dos dados utilizamos as categorias que emergiram das teorias adotadas, sendo as “dimensões da aprendizagem” da teoria de Illeris: conteúdo, incentivo e interação e os “componentes da Teoria Social da Aprendizagem” de Wenger: significado, prática, comunidade e identidade. Os resultados refletem a relevância dos aspectos emocionais e de motivação sobre o aprendizado, bem como o compartilhamento de saberes, as relações de ajuda entre os integrantes e a ação do regente como mediador dos saberes musicais no coro.BrasilMUSICA - ESCOLA DE MUSICAPrograma de Pós-Graduação em MúsicaUFMGORIGINALDissertação - Luan Carlos - VERSÃO FINAL REPOSITORIO.pdfapplication/pdf3581576https://repositorio.ufmg.br//bitstreams/85a99b3a-203c-4656-a83a-fb917041bbb5/downloadc3b1751fda0dbce1b52c79df4143b564MD51trueAnonymousREADLICENSElicense.txttext/plain2118https://repositorio.ufmg.br//bitstreams/3859442e-8b10-47c7-acac-f921a7049f51/downloadcda590c95a0b51b4d15f60c9642ca272MD52falseAnonymousREAD1843/559712025-09-08 21:07:38.121open.accessoai:repositorio.ufmg.br:1843/55971https://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-09T00:07:38Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)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 |
| dc.title.none.fl_str_mv |
Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG |
| title |
Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG |
| spellingShingle |
Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG Luan Carlos Oliveira Canto Coral Música sacra Educação musical Canto coral Aprendizagem musical Corais amadores Teoria Social da Aprendizagem |
| title_short |
Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG |
| title_full |
Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG |
| title_fullStr |
Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG |
| title_full_unstemmed |
Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG |
| title_sort |
Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG |
| author |
Luan Carlos Oliveira |
| author_facet |
Luan Carlos Oliveira |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Luan Carlos Oliveira |
| dc.subject.por.fl_str_mv |
Canto Coral Música sacra Educação musical |
| topic |
Canto Coral Música sacra Educação musical Canto coral Aprendizagem musical Corais amadores Teoria Social da Aprendizagem |
| dc.subject.other.none.fl_str_mv |
Canto coral Aprendizagem musical Corais amadores Teoria Social da Aprendizagem |
| description |
This research aimed to investigate how the musical learning of the choir members of Coral São Pio X takes place, a sacred choir founded in 1959 in the historic city of Ouro Preto-MG. It is a choir that adopts a repertoire composed, in large part, of colonial sacred music and that has a great performance in the city's traditional religious festivities. The choir is made up of amateur singers and there is no formal structure for teaching music. The investigation used mixed method data collection techniques, collecting quantitative data through instruction and qualitative data through participant observation and semi-structured interviews. The methodological approach, however, was predominantly qualitative. The theoretical foundation sought support in the learning theories of Knud Illeris (2007, 2013) and Etienne Wenger (1998, 2013) which provided parameters for the development of analyzes on the learning processes in dialogue with authors in the areas of Music Education and Choral Singing (DIAS 2011; FIGUEIREDO, 1990; FIGUEIREDO, 2010; FUCCI AMATO, 2007; OLIVEIRA, 2011; SILVA, 2017; SWANWICK, 2003). For the discussion of the data we used the categories that emerged from the adopted theories, being the "learning dimensions" of Illeris's theory: content, incentive and interaction and the "components of the Social Theory of Learning" of Wenger: meaning, practice, community and identity. The results reflect the emotion of the emotional and motivational aspects of learning, as well as the sharing of knowledge, the helping relationships between the members and the conductor's action as a mediator of musical knowledge in the choir. |
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2023 |
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2023-07-07T23:03:37Z 2025-09-09T00:07:38Z |
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2023-07-07T23:03:37Z |
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2023-05-31 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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https://hdl.handle.net/1843/55971 |
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por |
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por |
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Universidade Federal de Minas Gerais |
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Universidade Federal de Minas Gerais |
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