Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG

Detalhes bibliográficos
Ano de defesa: 2023
Autor(a) principal: Luan Carlos Oliveira
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://hdl.handle.net/1843/55971
Resumo: This research aimed to investigate how the musical learning of the choir members of Coral São Pio X takes place, a sacred choir founded in 1959 in the historic city of Ouro Preto-MG. It is a choir that adopts a repertoire composed, in large part, of colonial sacred music and that has a great performance in the city's traditional religious festivities. The choir is made up of amateur singers and there is no formal structure for teaching music. The investigation used mixed method data collection techniques, collecting quantitative data through instruction and qualitative data through participant observation and semi-structured interviews. The methodological approach, however, was predominantly qualitative. The theoretical foundation sought support in the learning theories of Knud Illeris (2007, 2013) and Etienne Wenger (1998, 2013) which provided parameters for the development of analyzes on the learning processes in dialogue with authors in the areas of Music Education and Choral Singing (DIAS 2011; FIGUEIREDO, 1990; FIGUEIREDO, 2010; FUCCI AMATO, 2007; OLIVEIRA, 2011; SILVA, 2017; SWANWICK, 2003). For the discussion of the data we used the categories that emerged from the adopted theories, being the "learning dimensions" of Illeris's theory: content, incentive and interaction and the "components of the Social Theory of Learning" of Wenger: meaning, practice, community and identity. The results reflect the emotion of the emotional and motivational aspects of learning, as well as the sharing of knowledge, the helping relationships between the members and the conductor's action as a mediator of musical knowledge in the choir.
id UFMG_6fcb5fc3422ef902a2394791c30359de
oai_identifier_str oai:repositorio.ufmg.br:1843/55971
network_acronym_str UFMG
network_name_str Repositório Institucional da UFMG
repository_id_str
spelling 2023-07-07T23:03:37Z2025-09-09T00:07:38Z2023-07-07T23:03:37Z2023-05-31https://hdl.handle.net/1843/55971This research aimed to investigate how the musical learning of the choir members of Coral São Pio X takes place, a sacred choir founded in 1959 in the historic city of Ouro Preto-MG. It is a choir that adopts a repertoire composed, in large part, of colonial sacred music and that has a great performance in the city's traditional religious festivities. The choir is made up of amateur singers and there is no formal structure for teaching music. The investigation used mixed method data collection techniques, collecting quantitative data through instruction and qualitative data through participant observation and semi-structured interviews. The methodological approach, however, was predominantly qualitative. The theoretical foundation sought support in the learning theories of Knud Illeris (2007, 2013) and Etienne Wenger (1998, 2013) which provided parameters for the development of analyzes on the learning processes in dialogue with authors in the areas of Music Education and Choral Singing (DIAS 2011; FIGUEIREDO, 1990; FIGUEIREDO, 2010; FUCCI AMATO, 2007; OLIVEIRA, 2011; SILVA, 2017; SWANWICK, 2003). For the discussion of the data we used the categories that emerged from the adopted theories, being the "learning dimensions" of Illeris's theory: content, incentive and interaction and the "components of the Social Theory of Learning" of Wenger: meaning, practice, community and identity. The results reflect the emotion of the emotional and motivational aspects of learning, as well as the sharing of knowledge, the helping relationships between the members and the conductor's action as a mediator of musical knowledge in the choir.porUniversidade Federal de Minas GeraisCanto coralAprendizagem musicalCorais amadoresTeoria Social da AprendizagemCanto CoralMúsica sacraEducação musicalAprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MGinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisLuan Carlos Oliveirainfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGhttp://lattes.cnpq.br/0332404128572764Jussara Rodrigues Fernandinohttp://lattes.cnpq.br/4860345266508825Maria Tereza Mendes de CastroHeloísa Faria Braga FeichasEsta pesquisa teve como objetivo investigar como acontece o aprendizado musical dos coralistas integrantes do Coral São Pio X, um coro sacro fundado em 1959 na cidade histórica de Ouro Preto-MG. Trata-se de um coral que adota um repertório composto, em grande parte, pela música sacra colonial e que possui grande atuação nas tradicionais festividades religiosas da cidade. O coro é formado por cantores amadores e não há estrutura de ensino formal de música. A investigação empregou técnicas de coleta de dados via método misto, levantando dados quantitativos por meio de questionário e dados qualitativos por meio de observação participante e entrevista semiestruturada. A abordagem metodológica, no entanto, teve caráter predominantemente qualitativo. A fundamentação teórica buscou suporte nas teorias da aprendizagem de Knud Illeris (2007, 2013) e Etienne Wenger (1998, 2013) que proporcionaram parâmetros para o desenvolvimento das análises relativas aos processos de aprendizagem em diálogo com autores das áreas de Educação Musical e Canto Coral (DIAS 2011; FIGUEIREDO, 1990; FIGUEIREDO, 2010; FUCCI AMATO, 2007; OLIVEIRA, 2011; SILVA, 2017; SWANWICK, 2003). Para a discussão dos dados utilizamos as categorias que emergiram das teorias adotadas, sendo as “dimensões da aprendizagem” da teoria de Illeris: conteúdo, incentivo e interação e os “componentes da Teoria Social da Aprendizagem” de Wenger: significado, prática, comunidade e identidade. Os resultados refletem a relevância dos aspectos emocionais e de motivação sobre o aprendizado, bem como o compartilhamento de saberes, as relações de ajuda entre os integrantes e a ação do regente como mediador dos saberes musicais no coro.BrasilMUSICA - ESCOLA DE MUSICAPrograma de Pós-Graduação em MúsicaUFMGORIGINALDissertação - Luan Carlos - VERSÃO FINAL REPOSITORIO.pdfapplication/pdf3581576https://repositorio.ufmg.br//bitstreams/85a99b3a-203c-4656-a83a-fb917041bbb5/downloadc3b1751fda0dbce1b52c79df4143b564MD51trueAnonymousREADLICENSElicense.txttext/plain2118https://repositorio.ufmg.br//bitstreams/3859442e-8b10-47c7-acac-f921a7049f51/downloadcda590c95a0b51b4d15f60c9642ca272MD52falseAnonymousREAD1843/559712025-09-08 21:07:38.121open.accessoai:repositorio.ufmg.br:1843/55971https://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-09T00:07:38Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)falseTElDRU7Dh0EgREUgRElTVFJJQlVJw4fDg08gTsODTy1FWENMVVNJVkEgRE8gUkVQT1NJVMOTUklPIElOU1RJVFVDSU9OQUwgREEgVUZNRwoKQ29tIGEgYXByZXNlbnRhw6fDo28gZGVzdGEgbGljZW7Dp2EsIHZvY8OqIChvIGF1dG9yIChlcykgb3UgbyB0aXR1bGFyIGRvcyBkaXJlaXRvcyBkZSBhdXRvcikgY29uY2VkZSBhbyBSZXBvc2l0w7NyaW8gSW5zdGl0dWNpb25hbCBkYSBVRk1HIChSSS1VRk1HKSBvIGRpcmVpdG8gbsOjbyBleGNsdXNpdm8gZSBpcnJldm9nw6F2ZWwgZGUgcmVwcm9kdXppciBlL291IGRpc3RyaWJ1aXIgYSBzdWEgcHVibGljYcOnw6NvIChpbmNsdWluZG8gbyByZXN1bW8pIHBvciB0b2RvIG8gbXVuZG8gbm8gZm9ybWF0byBpbXByZXNzbyBlIGVsZXRyw7RuaWNvIGUgZW0gcXVhbHF1ZXIgbWVpbywgaW5jbHVpbmRvIG9zIGZvcm1hdG9zIMOhdWRpbyBvdSB2w61kZW8uCgpWb2PDqiBkZWNsYXJhIHF1ZSBjb25oZWNlIGEgcG9sw610aWNhIGRlIGNvcHlyaWdodCBkYSBlZGl0b3JhIGRvIHNldSBkb2N1bWVudG8gZSBxdWUgY29uaGVjZSBlIGFjZWl0YSBhcyBEaXJldHJpemVzIGRvIFJJLVVGTUcuCgpWb2PDqiBjb25jb3JkYSBxdWUgbyBSZXBvc2l0w7NyaW8gSW5zdGl0dWNpb25hbCBkYSBVRk1HIHBvZGUsIHNlbSBhbHRlcmFyIG8gY29udGXDumRvLCB0cmFuc3BvciBhIHN1YSBwdWJsaWNhw6fDo28gcGFyYSBxdWFscXVlciBtZWlvIG91IGZvcm1hdG8gcGFyYSBmaW5zIGRlIHByZXNlcnZhw6fDo28uCgpWb2PDqiB0YW1iw6ltIGNvbmNvcmRhIHF1ZSBvIFJlcG9zaXTDs3JpbyBJbnN0aXR1Y2lvbmFsIGRhIFVGTUcgcG9kZSBtYW50ZXIgbWFpcyBkZSB1bWEgY8OzcGlhIGRlIHN1YSBwdWJsaWNhw6fDo28gcGFyYSBmaW5zIGRlIHNlZ3VyYW7Dp2EsIGJhY2stdXAgZSBwcmVzZXJ2YcOnw6NvLgoKVm9jw6ogZGVjbGFyYSBxdWUgYSBzdWEgcHVibGljYcOnw6NvIMOpIG9yaWdpbmFsIGUgcXVlIHZvY8OqIHRlbSBvIHBvZGVyIGRlIGNvbmNlZGVyIG9zIGRpcmVpdG9zIGNvbnRpZG9zIG5lc3RhIGxpY2Vuw6dhLiBWb2PDqiB0YW1iw6ltIGRlY2xhcmEgcXVlIG8gZGVww7NzaXRvIGRlIHN1YSBwdWJsaWNhw6fDo28gbsOjbywgcXVlIHNlamEgZGUgc2V1IGNvbmhlY2ltZW50bywgaW5mcmluZ2UgZGlyZWl0b3MgYXV0b3JhaXMgZGUgbmluZ3XDqW0uCgpDYXNvIGEgc3VhIHB1YmxpY2HDp8OjbyBjb250ZW5oYSBtYXRlcmlhbCBxdWUgdm9jw6ogbsOjbyBwb3NzdWkgYSB0aXR1bGFyaWRhZGUgZG9zIGRpcmVpdG9zIGF1dG9yYWlzLCB2b2PDqiBkZWNsYXJhIHF1ZSBvYnRldmUgYSBwZXJtaXNzw6NvIGlycmVzdHJpdGEgZG8gZGV0ZW50b3IgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIHBhcmEgY29uY2VkZXIgYW8gUmVwb3NpdMOzcmlvIEluc3RpdHVjaW9uYWwgZGEgVUZNRyBvcyBkaXJlaXRvcyBhcHJlc2VudGFkb3MgbmVzdGEgbGljZW7Dp2EsIGUgcXVlIGVzc2UgbWF0ZXJpYWwgZGUgcHJvcHJpZWRhZGUgZGUgdGVyY2Vpcm9zIGVzdMOhIGNsYXJhbWVudGUgaWRlbnRpZmljYWRvIGUgcmVjb25oZWNpZG8gbm8gdGV4dG8gb3Ugbm8gY29udGXDumRvIGRhIHB1YmxpY2HDp8OjbyBvcmEgZGVwb3NpdGFkYS4KCkNBU08gQSBQVUJMSUNBw4fDg08gT1JBIERFUE9TSVRBREEgVEVOSEEgU0lETyBSRVNVTFRBRE8gREUgVU0gUEFUUk9Dw41OSU8gT1UgQVBPSU8gREUgVU1BIEFHw4pOQ0lBIERFIEZPTUVOVE8gT1UgT1VUUk8gT1JHQU5JU01PLCBWT0PDiiBERUNMQVJBIFFVRSBSRVNQRUlUT1UgVE9ET1MgRSBRVUFJU1FVRVIgRElSRUlUT1MgREUgUkVWSVPDg08gQ09NTyBUQU1Cw4lNIEFTIERFTUFJUyBPQlJJR0HDh8OVRVMgRVhJR0lEQVMgUE9SIENPTlRSQVRPIE9VIEFDT1JETy4KCk8gUmVwb3NpdMOzcmlvIEluc3RpdHVjaW9uYWwgZGEgVUZNRyBzZSBjb21wcm9tZXRlIGEgaWRlbnRpZmljYXIgY2xhcmFtZW50ZSBvIHNldSBub21lKHMpIG91IG8ocykgbm9tZXMocykgZG8ocykgZGV0ZW50b3IoZXMpIGRvcyBkaXJlaXRvcyBhdXRvcmFpcyBkYSBwdWJsaWNhw6fDo28sIGUgbsOjbyBmYXLDoSBxdWFscXVlciBhbHRlcmHDp8OjbywgYWzDqW0gZGFxdWVsYXMgY29uY2VkaWRhcyBwb3IgZXN0YSBsaWNlbsOnYS4K
dc.title.none.fl_str_mv Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG
title Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG
spellingShingle Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG
Luan Carlos Oliveira
Canto Coral
Música sacra
Educação musical
Canto coral
Aprendizagem musical
Corais amadores
Teoria Social da Aprendizagem
title_short Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG
title_full Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG
title_fullStr Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG
title_full_unstemmed Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG
title_sort Aprendizagem musical na prática coral: estudo de um coro sacro da cidade de Ouro Preto-MG
author Luan Carlos Oliveira
author_facet Luan Carlos Oliveira
author_role author
dc.contributor.author.fl_str_mv Luan Carlos Oliveira
dc.subject.por.fl_str_mv Canto Coral
Música sacra
Educação musical
topic Canto Coral
Música sacra
Educação musical
Canto coral
Aprendizagem musical
Corais amadores
Teoria Social da Aprendizagem
dc.subject.other.none.fl_str_mv Canto coral
Aprendizagem musical
Corais amadores
Teoria Social da Aprendizagem
description This research aimed to investigate how the musical learning of the choir members of Coral São Pio X takes place, a sacred choir founded in 1959 in the historic city of Ouro Preto-MG. It is a choir that adopts a repertoire composed, in large part, of colonial sacred music and that has a great performance in the city's traditional religious festivities. The choir is made up of amateur singers and there is no formal structure for teaching music. The investigation used mixed method data collection techniques, collecting quantitative data through instruction and qualitative data through participant observation and semi-structured interviews. The methodological approach, however, was predominantly qualitative. The theoretical foundation sought support in the learning theories of Knud Illeris (2007, 2013) and Etienne Wenger (1998, 2013) which provided parameters for the development of analyzes on the learning processes in dialogue with authors in the areas of Music Education and Choral Singing (DIAS 2011; FIGUEIREDO, 1990; FIGUEIREDO, 2010; FUCCI AMATO, 2007; OLIVEIRA, 2011; SILVA, 2017; SWANWICK, 2003). For the discussion of the data we used the categories that emerged from the adopted theories, being the "learning dimensions" of Illeris's theory: content, incentive and interaction and the "components of the Social Theory of Learning" of Wenger: meaning, practice, community and identity. The results reflect the emotion of the emotional and motivational aspects of learning, as well as the sharing of knowledge, the helping relationships between the members and the conductor's action as a mediator of musical knowledge in the choir.
publishDate 2023
dc.date.accessioned.fl_str_mv 2023-07-07T23:03:37Z
2025-09-09T00:07:38Z
dc.date.available.fl_str_mv 2023-07-07T23:03:37Z
dc.date.issued.fl_str_mv 2023-05-31
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://hdl.handle.net/1843/55971
url https://hdl.handle.net/1843/55971
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Repositório Institucional da UFMG
collection Repositório Institucional da UFMG
bitstream.url.fl_str_mv https://repositorio.ufmg.br//bitstreams/85a99b3a-203c-4656-a83a-fb917041bbb5/download
https://repositorio.ufmg.br//bitstreams/3859442e-8b10-47c7-acac-f921a7049f51/download
bitstream.checksum.fl_str_mv c3b1751fda0dbce1b52c79df4143b564
cda590c95a0b51b4d15f60c9642ca272
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
repository.name.fl_str_mv Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv repositorio@ufmg.br
_version_ 1862105926330220544