A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)
| Ano de defesa: | 2017 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Minas Gerais
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | https://hdl.handle.net/1843/BUOS-B2XKSK |
Resumo: | The dissertation presents a study around the performances of the batuque, located in the municipality of Ponto Chique in the north of Minas Gerais, and its implications for the culture category, for the local politics, and for the devenir quilombola of the group. Field research was conducted in the years 2015 and 2016 and incorporates data from an experience prior to the master's degree. The text proposes to discuss categories, models and montage of the performances of the batuqueiros against a process of change of status in which a practice initially considered as thing of weak people happens to become a strong, root culture. Through the dialogue with authors of contemporary anthropological and performance theories, we discuss notions such as representation, culture, music, theatricality, and drama. We verified that, instead of being subordinated to a fixed view of culture and tradition itself, the batuqueiros, through their representations or performances, open themselves to the condition of virtuality and mobility, invigorating social life. The batuque as a performance is invention, action, and repetition; the different forms of representation are possibilities of materialization of this fluid space where the vazanteiro culture is based. |
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A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)AntropologiaPerformance (Arte)MusicaCulturaBatuquePerformanceCultura vazanteiraThe dissertation presents a study around the performances of the batuque, located in the municipality of Ponto Chique in the north of Minas Gerais, and its implications for the culture category, for the local politics, and for the devenir quilombola of the group. Field research was conducted in the years 2015 and 2016 and incorporates data from an experience prior to the master's degree. The text proposes to discuss categories, models and montage of the performances of the batuqueiros against a process of change of status in which a practice initially considered as thing of weak people happens to become a strong, root culture. Through the dialogue with authors of contemporary anthropological and performance theories, we discuss notions such as representation, culture, music, theatricality, and drama. We verified that, instead of being subordinated to a fixed view of culture and tradition itself, the batuqueiros, through their representations or performances, open themselves to the condition of virtuality and mobility, invigorating social life. The batuque as a performance is invention, action, and repetition; the different forms of representation are possibilities of materialization of this fluid space where the vazanteiro culture is based.Universidade Federal de Minas Gerais2019-08-10T00:05:38Z2025-09-08T22:53:58Z2019-08-10T00:05:38Z2017-05-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/1843/BUOS-B2XKSKPamilla Vilas Boas Costa Ribeiroinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2025-09-08T22:53:58Zoai:repositorio.ufmg.br:1843/BUOS-B2XKSKRepositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-08T22:53:58Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false |
| dc.title.none.fl_str_mv |
A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG) |
| title |
A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG) |
| spellingShingle |
A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG) Pamilla Vilas Boas Costa Ribeiro Antropologia Performance (Arte) Musica Cultura Batuque Performance Cultura vazanteira |
| title_short |
A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG) |
| title_full |
A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG) |
| title_fullStr |
A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG) |
| title_full_unstemmed |
A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG) |
| title_sort |
A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG) |
| author |
Pamilla Vilas Boas Costa Ribeiro |
| author_facet |
Pamilla Vilas Boas Costa Ribeiro |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Pamilla Vilas Boas Costa Ribeiro |
| dc.subject.por.fl_str_mv |
Antropologia Performance (Arte) Musica Cultura Batuque Performance Cultura vazanteira |
| topic |
Antropologia Performance (Arte) Musica Cultura Batuque Performance Cultura vazanteira |
| description |
The dissertation presents a study around the performances of the batuque, located in the municipality of Ponto Chique in the north of Minas Gerais, and its implications for the culture category, for the local politics, and for the devenir quilombola of the group. Field research was conducted in the years 2015 and 2016 and incorporates data from an experience prior to the master's degree. The text proposes to discuss categories, models and montage of the performances of the batuqueiros against a process of change of status in which a practice initially considered as thing of weak people happens to become a strong, root culture. Through the dialogue with authors of contemporary anthropological and performance theories, we discuss notions such as representation, culture, music, theatricality, and drama. We verified that, instead of being subordinated to a fixed view of culture and tradition itself, the batuqueiros, through their representations or performances, open themselves to the condition of virtuality and mobility, invigorating social life. The batuque as a performance is invention, action, and repetition; the different forms of representation are possibilities of materialization of this fluid space where the vazanteiro culture is based. |
| publishDate |
2017 |
| dc.date.none.fl_str_mv |
2017-05-31 2019-08-10T00:05:38Z 2019-08-10T00:05:38Z 2025-09-08T22:53:58Z |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
| format |
masterThesis |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/1843/BUOS-B2XKSK |
| url |
https://hdl.handle.net/1843/BUOS-B2XKSK |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
| publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
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reponame:Repositório Institucional da UFMG instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
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Universidade Federal de Minas Gerais (UFMG) |
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UFMG |
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UFMG |
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Repositório Institucional da UFMG |
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Repositório Institucional da UFMG |
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Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG) |
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repositorio@ufmg.br |
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1856414076958146560 |