A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)

Detalhes bibliográficos
Ano de defesa: 2017
Autor(a) principal: Pamilla Vilas Boas Costa Ribeiro
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://hdl.handle.net/1843/BUOS-B2XKSK
Resumo: The dissertation presents a study around the performances of the batuque, located in the municipality of Ponto Chique in the north of Minas Gerais, and its implications for the culture category, for the local politics, and for the devenir quilombola of the group. Field research was conducted in the years 2015 and 2016 and incorporates data from an experience prior to the master's degree. The text proposes to discuss categories, models and montage of the performances of the batuqueiros against a process of change of status in which a practice initially considered as thing of weak people happens to become a strong, root culture. Through the dialogue with authors of contemporary anthropological and performance theories, we discuss notions such as representation, culture, music, theatricality, and drama. We verified that, instead of being subordinated to a fixed view of culture and tradition itself, the batuqueiros, through their representations or performances, open themselves to the condition of virtuality and mobility, invigorating social life. The batuque as a performance is invention, action, and repetition; the different forms of representation are possibilities of materialization of this fluid space where the vazanteiro culture is based.
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spelling A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)AntropologiaPerformance (Arte)MusicaCulturaBatuquePerformanceCultura vazanteiraThe dissertation presents a study around the performances of the batuque, located in the municipality of Ponto Chique in the north of Minas Gerais, and its implications for the culture category, for the local politics, and for the devenir quilombola of the group. Field research was conducted in the years 2015 and 2016 and incorporates data from an experience prior to the master's degree. The text proposes to discuss categories, models and montage of the performances of the batuqueiros against a process of change of status in which a practice initially considered as thing of weak people happens to become a strong, root culture. Through the dialogue with authors of contemporary anthropological and performance theories, we discuss notions such as representation, culture, music, theatricality, and drama. We verified that, instead of being subordinated to a fixed view of culture and tradition itself, the batuqueiros, through their representations or performances, open themselves to the condition of virtuality and mobility, invigorating social life. The batuque as a performance is invention, action, and repetition; the different forms of representation are possibilities of materialization of this fluid space where the vazanteiro culture is based.Universidade Federal de Minas Gerais2019-08-10T00:05:38Z2025-09-08T22:53:58Z2019-08-10T00:05:38Z2017-05-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/1843/BUOS-B2XKSKPamilla Vilas Boas Costa Ribeiroinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2025-09-08T22:53:58Zoai:repositorio.ufmg.br:1843/BUOS-B2XKSKRepositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-08T22:53:58Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)
title A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)
spellingShingle A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)
Pamilla Vilas Boas Costa Ribeiro
Antropologia
Performance (Arte)
Musica
Cultura
Batuque
Performance
Cultura vazanteira
title_short A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)
title_full A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)
title_fullStr A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)
title_full_unstemmed A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)
title_sort A vida é um remanso: performance, cultura e política no batuque de Ponto Chique (MG)
author Pamilla Vilas Boas Costa Ribeiro
author_facet Pamilla Vilas Boas Costa Ribeiro
author_role author
dc.contributor.author.fl_str_mv Pamilla Vilas Boas Costa Ribeiro
dc.subject.por.fl_str_mv Antropologia
Performance (Arte)
Musica
Cultura
Batuque
Performance
Cultura vazanteira
topic Antropologia
Performance (Arte)
Musica
Cultura
Batuque
Performance
Cultura vazanteira
description The dissertation presents a study around the performances of the batuque, located in the municipality of Ponto Chique in the north of Minas Gerais, and its implications for the culture category, for the local politics, and for the devenir quilombola of the group. Field research was conducted in the years 2015 and 2016 and incorporates data from an experience prior to the master's degree. The text proposes to discuss categories, models and montage of the performances of the batuqueiros against a process of change of status in which a practice initially considered as thing of weak people happens to become a strong, root culture. Through the dialogue with authors of contemporary anthropological and performance theories, we discuss notions such as representation, culture, music, theatricality, and drama. We verified that, instead of being subordinated to a fixed view of culture and tradition itself, the batuqueiros, through their representations or performances, open themselves to the condition of virtuality and mobility, invigorating social life. The batuque as a performance is invention, action, and repetition; the different forms of representation are possibilities of materialization of this fluid space where the vazanteiro culture is based.
publishDate 2017
dc.date.none.fl_str_mv 2017-05-31
2019-08-10T00:05:38Z
2019-08-10T00:05:38Z
2025-09-08T22:53:58Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://hdl.handle.net/1843/BUOS-B2XKSK
url https://hdl.handle.net/1843/BUOS-B2XKSK
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Repositório Institucional da UFMG
collection Repositório Institucional da UFMG
repository.name.fl_str_mv Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv repositorio@ufmg.br
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