O “Choro”, de Octavio Maul, e o gênero choro: da análise e etnografia à edição de performance e composição

Detalhes bibliográficos
Ano de defesa: 2020
Autor(a) principal: Evan Alexander Megaro
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://hdl.handle.net/1843/62207
Resumo: Multi-natured study in five approaches (analytical, autoethnographic, pedagogical, philological and creative) on the performance practices of the choro genre with the objective of creating a foundation of the performance and teaching of the piece Choro, for solo piano, by Octavio Maul. Initially, there was a literature review on the choro genre, the composer and the primary sources, consisting of the score and two available recordings of the work, followed by a stylistic analysis of the score. Then, based on the perspective of both the foreign musician who necessitates an immersion in Brazilian culture, and the classical musician who intends to play works based on this popular genre, the researcher collected data by attending choro circles and taking private lessons on performance practices of three typical instruments do choro (the Brazillian tambourine, the seven-string guitar and the cavaquinho) with renowned teachers in Belo Horizonte. Two fronts in the realm of creative research were born out of this present study. First, a performance of Choro (Octavio Maul) was elaborated and documented on video based on the analysis of the primary sources and the knowledge accumulated in the field research on the choro presentations which gave rise to a Performance Edition (EdiP) of the work. Finally, a work for solo piano, Horizontando, was created, bringing together techniques and practices from the classical and popular musical fields, integrating the experiences throughout the writing of this thesis and that could also be used as didactic material.
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spelling O “Choro”, de Octavio Maul, e o gênero choro: da análise e etnografia à edição de performance e composiçãoPerformance musicalChoro (Música)Choro de Octavio MaulChorinhoChoro para piano soloPráticas de performance do choro e chorinhoMulti-natured study in five approaches (analytical, autoethnographic, pedagogical, philological and creative) on the performance practices of the choro genre with the objective of creating a foundation of the performance and teaching of the piece Choro, for solo piano, by Octavio Maul. Initially, there was a literature review on the choro genre, the composer and the primary sources, consisting of the score and two available recordings of the work, followed by a stylistic analysis of the score. Then, based on the perspective of both the foreign musician who necessitates an immersion in Brazilian culture, and the classical musician who intends to play works based on this popular genre, the researcher collected data by attending choro circles and taking private lessons on performance practices of three typical instruments do choro (the Brazillian tambourine, the seven-string guitar and the cavaquinho) with renowned teachers in Belo Horizonte. Two fronts in the realm of creative research were born out of this present study. First, a performance of Choro (Octavio Maul) was elaborated and documented on video based on the analysis of the primary sources and the knowledge accumulated in the field research on the choro presentations which gave rise to a Performance Edition (EdiP) of the work. Finally, a work for solo piano, Horizontando, was created, bringing together techniques and practices from the classical and popular musical fields, integrating the experiences throughout the writing of this thesis and that could also be used as didactic material.CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorUniversidade Federal de Minas Gerais2023-12-28T18:25:08Z2025-09-09T01:18:29Z2023-12-28T18:25:08Z2020-10-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisapplication/pdfhttps://hdl.handle.net/1843/62207porEvan Alexander Megaroinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2025-09-09T01:18:29Zoai:repositorio.ufmg.br:1843/62207Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-09T01:18:29Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv O “Choro”, de Octavio Maul, e o gênero choro: da análise e etnografia à edição de performance e composição
title O “Choro”, de Octavio Maul, e o gênero choro: da análise e etnografia à edição de performance e composição
spellingShingle O “Choro”, de Octavio Maul, e o gênero choro: da análise e etnografia à edição de performance e composição
Evan Alexander Megaro
Performance musical
Choro (Música)
Choro de Octavio Maul
Chorinho
Choro para piano solo
Práticas de performance do choro e chorinho
title_short O “Choro”, de Octavio Maul, e o gênero choro: da análise e etnografia à edição de performance e composição
title_full O “Choro”, de Octavio Maul, e o gênero choro: da análise e etnografia à edição de performance e composição
title_fullStr O “Choro”, de Octavio Maul, e o gênero choro: da análise e etnografia à edição de performance e composição
title_full_unstemmed O “Choro”, de Octavio Maul, e o gênero choro: da análise e etnografia à edição de performance e composição
title_sort O “Choro”, de Octavio Maul, e o gênero choro: da análise e etnografia à edição de performance e composição
author Evan Alexander Megaro
author_facet Evan Alexander Megaro
author_role author
dc.contributor.author.fl_str_mv Evan Alexander Megaro
dc.subject.por.fl_str_mv Performance musical
Choro (Música)
Choro de Octavio Maul
Chorinho
Choro para piano solo
Práticas de performance do choro e chorinho
topic Performance musical
Choro (Música)
Choro de Octavio Maul
Chorinho
Choro para piano solo
Práticas de performance do choro e chorinho
description Multi-natured study in five approaches (analytical, autoethnographic, pedagogical, philological and creative) on the performance practices of the choro genre with the objective of creating a foundation of the performance and teaching of the piece Choro, for solo piano, by Octavio Maul. Initially, there was a literature review on the choro genre, the composer and the primary sources, consisting of the score and two available recordings of the work, followed by a stylistic analysis of the score. Then, based on the perspective of both the foreign musician who necessitates an immersion in Brazilian culture, and the classical musician who intends to play works based on this popular genre, the researcher collected data by attending choro circles and taking private lessons on performance practices of three typical instruments do choro (the Brazillian tambourine, the seven-string guitar and the cavaquinho) with renowned teachers in Belo Horizonte. Two fronts in the realm of creative research were born out of this present study. First, a performance of Choro (Octavio Maul) was elaborated and documented on video based on the analysis of the primary sources and the knowledge accumulated in the field research on the choro presentations which gave rise to a Performance Edition (EdiP) of the work. Finally, a work for solo piano, Horizontando, was created, bringing together techniques and practices from the classical and popular musical fields, integrating the experiences throughout the writing of this thesis and that could also be used as didactic material.
publishDate 2020
dc.date.none.fl_str_mv 2020-10-13
2023-12-28T18:25:08Z
2023-12-28T18:25:08Z
2025-09-09T01:18:29Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
format doctoralThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://hdl.handle.net/1843/62207
url https://hdl.handle.net/1843/62207
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Repositório Institucional da UFMG
collection Repositório Institucional da UFMG
repository.name.fl_str_mv Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv repositorio@ufmg.br
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