O tempero da arte no feitio da vida: movimentos de uma sapataria artesanal sob medida
| Ano de defesa: | 2022 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Minas Gerais
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | https://hdl.handle.net/1843/48101 |
Resumo: | From the category of "minor art", the shoemaking reaches Art and weaves conversations with Dance, Music, Fashion, Science and Ancestral Knowledge. The concept-practice of the Beauty of Bones is the core and seed in the research: it consists in the commitment to maintain the integrity of bone structures through careful provision of my own footwear, which consists in handmade shoes made under measure. Inspired by the relational objects of Lygia Clark and the psychomagic of Alejandro Jodorowsky, the pieces combine the symbolic and aesthetic dimensions of the shoes and their sensitive affectations, with the pragmatism of foot protection that must permeate the shoes made, first of all, to put on, but also to enhance the artistic expression and vitality of being. To put on your own shoes, first, and aware of the benefits achieved, also to the others: this is the po-ethics proposal of this work. The production of handmade shoes under measure is linked to body production, cultivation of thought seeds, biointeraction in the territory and nutrition of human and non-human relations: to life itself. |
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2022-12-16T13:06:21Z2025-09-09T01:00:19Z2022-12-16T13:06:21Z2022-06-03https://hdl.handle.net/1843/48101From the category of "minor art", the shoemaking reaches Art and weaves conversations with Dance, Music, Fashion, Science and Ancestral Knowledge. The concept-practice of the Beauty of Bones is the core and seed in the research: it consists in the commitment to maintain the integrity of bone structures through careful provision of my own footwear, which consists in handmade shoes made under measure. Inspired by the relational objects of Lygia Clark and the psychomagic of Alejandro Jodorowsky, the pieces combine the symbolic and aesthetic dimensions of the shoes and their sensitive affectations, with the pragmatism of foot protection that must permeate the shoes made, first of all, to put on, but also to enhance the artistic expression and vitality of being. To put on your own shoes, first, and aware of the benefits achieved, also to the others: this is the po-ethics proposal of this work. The production of handmade shoes under measure is linked to body production, cultivation of thought seeds, biointeraction in the territory and nutrition of human and non-human relations: to life itself.CNPq - Conselho Nacional de Desenvolvimento Científico e TecnológicoporUniversidade Federal de Minas Geraishttp://creativecommons.org/licenses/by-nc-nd/3.0/pt/info:eu-repo/semantics/openAccessSapatariaExpressividadeArte e estética do cuidadoCalçados sob medidaPés descalçosArtePerformance (Arte)Expressão corporalPercepçãoEstéticaForma (Estética)CalçadosO tempero da arte no feitio da vida: movimentos de uma sapataria artesanal sob medidaThe spice of art in the creation of life: movements of a handmade undermeasure shoemakinginfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisJuliana Fonseca Martinsreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGhttp://lattes.cnpq.br/4418367597658124Maria Elisa Martins Campos do Amaralhttp://lattes.cnpq.br/0503430227642752Wagner Leite VianaLuiz Guilherme de Barros Falcão VergaraJoice Saturnino de OliveiraDo lugar de “arte menor” a sapataria alcança a Arte e tece conversas com a Dança, a Música, a Moda, a Ciência e os Saberes Ancestrais. A prática-conceito da Beleza dos Ossos é cerne e semente da pesquisa: consiste no compromisso de manter a integridade das estruturas ósseas através do provimento cuidadoso do próprio calçamento, com calçados sob medida confeccionados artesanalmente. Inspiradas pelos objetos relacionais de Lygia Clark e pela psicomagia de Alejandro Jodorowsky, as peças aliam às dimensões simbólicas e estéticas dos calçados e às suas afetações sensíveis, o pragmatismo da proteção aos pés que deve permear um calçado feito, antes de tudo, para calçar- se, mas também para potencializar a expressão artística e a vitalidade do ser. Calçar primeiramente a si, e ciente dos benefícios alcançados, também às outras: eis a proposta po-ética deste trabalho. A produção de calçados artesanais sob medida se vincula à produção do corpo, ao cultivo de sementes de pensamento, à biointeração no território e à nutrição das relações humanas e não humanas: à vida em si.https://orcid.org/0000-0003-3646-1696BrasilEBA - ESCOLA DE BELAS ARTESPrograma de Pós-Graduação em ArtesUFMGORIGINALDissertação Sapataria 2022_VFbbl.pdfapplication/pdf13546560https://repositorio.ufmg.br//bitstreams/9dfa5460-e139-4202-a2fa-42e0e3d255aa/download431cd2458ab35dcde8c324c11099173dMD51trueAnonymousREADCC-LICENSElicense_rdfapplication/octet-stream811https://repositorio.ufmg.br//bitstreams/8779dcc3-fe6e-4d9c-b15e-76daeea3141d/downloadcfd6801dba008cb6adbd9838b81582abMD52falseAnonymousREADLICENSElicense.txttext/plain2118https://repositorio.ufmg.br//bitstreams/7fc37ff8-364d-4c18-a2af-286350ed6dd2/downloadcda590c95a0b51b4d15f60c9642ca272MD53falseAnonymousREAD1843/481012025-09-08 22:00:19.186http://creativecommons.org/licenses/by-nc-nd/3.0/pt/Acesso Abertoopen.accessoai:repositorio.ufmg.br:1843/48101https://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-09T01:00:19Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)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 |
| dc.title.none.fl_str_mv |
O tempero da arte no feitio da vida: movimentos de uma sapataria artesanal sob medida |
| dc.title.alternative.none.fl_str_mv |
The spice of art in the creation of life: movements of a handmade undermeasure shoemaking |
| title |
O tempero da arte no feitio da vida: movimentos de uma sapataria artesanal sob medida |
| spellingShingle |
O tempero da arte no feitio da vida: movimentos de uma sapataria artesanal sob medida Juliana Fonseca Martins Arte Performance (Arte) Expressão corporal Percepção Estética Forma (Estética) Calçados Sapataria Expressividade Arte e estética do cuidado Calçados sob medida Pés descalços |
| title_short |
O tempero da arte no feitio da vida: movimentos de uma sapataria artesanal sob medida |
| title_full |
O tempero da arte no feitio da vida: movimentos de uma sapataria artesanal sob medida |
| title_fullStr |
O tempero da arte no feitio da vida: movimentos de uma sapataria artesanal sob medida |
| title_full_unstemmed |
O tempero da arte no feitio da vida: movimentos de uma sapataria artesanal sob medida |
| title_sort |
O tempero da arte no feitio da vida: movimentos de uma sapataria artesanal sob medida |
| author |
Juliana Fonseca Martins |
| author_facet |
Juliana Fonseca Martins |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Juliana Fonseca Martins |
| dc.subject.por.fl_str_mv |
Arte Performance (Arte) Expressão corporal Percepção Estética Forma (Estética) Calçados |
| topic |
Arte Performance (Arte) Expressão corporal Percepção Estética Forma (Estética) Calçados Sapataria Expressividade Arte e estética do cuidado Calçados sob medida Pés descalços |
| dc.subject.other.none.fl_str_mv |
Sapataria Expressividade Arte e estética do cuidado Calçados sob medida Pés descalços |
| description |
From the category of "minor art", the shoemaking reaches Art and weaves conversations with Dance, Music, Fashion, Science and Ancestral Knowledge. The concept-practice of the Beauty of Bones is the core and seed in the research: it consists in the commitment to maintain the integrity of bone structures through careful provision of my own footwear, which consists in handmade shoes made under measure. Inspired by the relational objects of Lygia Clark and the psychomagic of Alejandro Jodorowsky, the pieces combine the symbolic and aesthetic dimensions of the shoes and their sensitive affectations, with the pragmatism of foot protection that must permeate the shoes made, first of all, to put on, but also to enhance the artistic expression and vitality of being. To put on your own shoes, first, and aware of the benefits achieved, also to the others: this is the po-ethics proposal of this work. The production of handmade shoes under measure is linked to body production, cultivation of thought seeds, biointeraction in the territory and nutrition of human and non-human relations: to life itself. |
| publishDate |
2022 |
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2022-12-16T13:06:21Z 2025-09-09T01:00:19Z |
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2022-12-16T13:06:21Z |
| dc.date.issued.fl_str_mv |
2022-06-03 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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publishedVersion |
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https://hdl.handle.net/1843/48101 |
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https://hdl.handle.net/1843/48101 |
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por |
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por |
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http://creativecommons.org/licenses/by-nc-nd/3.0/pt/ |
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openAccess |
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Universidade Federal de Minas Gerais |
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Universidade Federal de Minas Gerais |
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