The short-short story: a new literary genre
| Ano de defesa: | 2010 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | eng |
| Instituição de defesa: |
Universidade Federal de Minas Gerais
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | https://hdl.handle.net/1843/ECAP-826GX4 |
Resumo: | This thesis proposes a study of a new postmodern prose fiction genre, the short-short story. Considerations of generic classifications and boundaries are followed by an historical overview and analysis of short fiction from the nineteenth to twenty-first centuries, especially under the influence of the Russian Anton Chekhov, who is regarded as the father of the modern short story. The postmodern short-short story is seen as emerging from this trend, a hybrid genre with characteristics of the narrative language of other prose genres such as the short story and the journalistic writing. The cluster of features, such as condensation, lack of character development, surprise endings, etc., which is seen as characteristic of the short-short story are discussed, and ten examples are summarized and analyzed, including two traditional short stories for contrast. It is seen that the short-short story may be further broken into what is called 'the new sudden fiction', and the even shorter and more radical 'flash fiction'. |
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2019-08-10T12:36:04Z2025-09-08T22:51:13Z2019-08-10T12:36:04Z2010-01-28https://hdl.handle.net/1843/ECAP-826GX4This thesis proposes a study of a new postmodern prose fiction genre, the short-short story. Considerations of generic classifications and boundaries are followed by an historical overview and analysis of short fiction from the nineteenth to twenty-first centuries, especially under the influence of the Russian Anton Chekhov, who is regarded as the father of the modern short story. The postmodern short-short story is seen as emerging from this trend, a hybrid genre with characteristics of the narrative language of other prose genres such as the short story and the journalistic writing. The cluster of features, such as condensation, lack of character development, surprise endings, etc., which is seen as characteristic of the short-short story are discussed, and ten examples are summarized and analyzed, including two traditional short stories for contrast. It is seen that the short-short story may be further broken into what is called 'the new sudden fiction', and the even shorter and more radical 'flash fiction'.Universidade Federal de Minas GeraisShort-short storyGenre criticismShort fictionFicção História e críticaContos História e críticaPós-modernismo (Literatura)Gêneros literáriosLiteraturaThe short-short story: a new literary genreinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisJose Flavio Nogueira Guimaraesinfo:eu-repo/semantics/openAccessengreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGThomas La Borie BurnsMagda Veloso Fernandes de TolentinoJose dos SantosEsta dissertação se debruça sobre o estudo de um novo gênero da ficção literária pós-moderna o mini-conto. Discussões sobre classificações genéricas e limites são seguidas por uma análise e visão geral histórica da ficção curta do século XIX ao XXI, especialmente sob a influência do russo Antón Pávlovitch Tchekhov, o qual é considerado o pai do conto moderno. O mini-conto pós-moderno é retratado como que tendo ascendido dessa corrente, um gênero híbrido com características da linguagem narrativa de outros gêneros da prosa literária tais como o conto e a escrita jornalística. Um grupo de características, tais como concisão ou brevidade, ausência de desenvolvimento das personagens, finais surpreendentes, etc., as quais são vistas como traços do mini-conto, são sugeridas, e dez exemplos são resumidos e analisados, inclusive dois contos tradicionais para efeito de comparação. Considera-se que o mini-conto provavelmente se desdobrará no que hoje é chamado the new sudden fiction, e na sua outra versão ainda mais curta e radical denominada flash fiction.UFMGORIGINALma_thesis_in_a_single_file.pdfapplication/pdf648420https://repositorio.ufmg.br//bitstreams/af351aa4-88a6-4ef1-bde5-c738066248c3/download1de69f814eb8dd24eba338c3881bf1c3MD51trueAnonymousREADTEXTma_thesis_in_a_single_file.pdf.txttext/plain204967https://repositorio.ufmg.br//bitstreams/c0db8a2d-853f-4036-acdf-dab385042fe3/downloadaef2e9d9b79c42fa5aa878ec92c32324MD52falseAnonymousREAD1843/ECAP-826GX42025-09-08 19:51:13.33open.accessoai:repositorio.ufmg.br:1843/ECAP-826GX4https://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-08T22:51:13Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false |
| dc.title.none.fl_str_mv |
The short-short story: a new literary genre |
| title |
The short-short story: a new literary genre |
| spellingShingle |
The short-short story: a new literary genre Jose Flavio Nogueira Guimaraes Ficção História e crítica Contos História e crítica Pós-modernismo (Literatura) Gêneros literários Literatura Short-short story Genre criticism Short fiction |
| title_short |
The short-short story: a new literary genre |
| title_full |
The short-short story: a new literary genre |
| title_fullStr |
The short-short story: a new literary genre |
| title_full_unstemmed |
The short-short story: a new literary genre |
| title_sort |
The short-short story: a new literary genre |
| author |
Jose Flavio Nogueira Guimaraes |
| author_facet |
Jose Flavio Nogueira Guimaraes |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Jose Flavio Nogueira Guimaraes |
| dc.subject.por.fl_str_mv |
Ficção História e crítica Contos História e crítica Pós-modernismo (Literatura) Gêneros literários Literatura |
| topic |
Ficção História e crítica Contos História e crítica Pós-modernismo (Literatura) Gêneros literários Literatura Short-short story Genre criticism Short fiction |
| dc.subject.other.none.fl_str_mv |
Short-short story Genre criticism Short fiction |
| description |
This thesis proposes a study of a new postmodern prose fiction genre, the short-short story. Considerations of generic classifications and boundaries are followed by an historical overview and analysis of short fiction from the nineteenth to twenty-first centuries, especially under the influence of the Russian Anton Chekhov, who is regarded as the father of the modern short story. The postmodern short-short story is seen as emerging from this trend, a hybrid genre with characteristics of the narrative language of other prose genres such as the short story and the journalistic writing. The cluster of features, such as condensation, lack of character development, surprise endings, etc., which is seen as characteristic of the short-short story are discussed, and ten examples are summarized and analyzed, including two traditional short stories for contrast. It is seen that the short-short story may be further broken into what is called 'the new sudden fiction', and the even shorter and more radical 'flash fiction'. |
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2010 |
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2010-01-28 |
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2019-08-10T12:36:04Z 2025-09-08T22:51:13Z |
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2019-08-10T12:36:04Z |
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https://hdl.handle.net/1843/ECAP-826GX4 |
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eng |
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eng |
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Universidade Federal de Minas Gerais |
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Universidade Federal de Minas Gerais |
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