Rineke Dijkstra: formas do comum e do inespecífico
| Ano de defesa: | 2022 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Tese |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Minas Gerais
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | https://hdl.handle.net/1843/50300 |
Resumo: | This research aims to investigate some works of the Dutch artist Rineke Dijkstra in relation to the concepts of common and nonspecific, elaborated, in turn, by Giorgio Agamben and Jean-Luc Nancy. The aim is to explore the double play through which these ideas take shape in the artist's works, at the same time as they modify them. In other words, to investigate the forms in which these ideas manifest themselves in the artist's works. The concepts of regimes of art, distribution of the sensible, and aesthetic play, in Jacques Rancière, underpin this research. We also adopt a methodological formulation of the same author, according to which the analysis of the images is carried out based on the circulation of imagery (circulation de l'imagerie), the actions of dissimilarity operated by the artist and the critical discourses that surround the works of Rineke Dijkstra. |
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2023-02-23T13:18:34Z2025-09-09T00:11:33Z2023-02-23T13:18:34Z2022-12-06https://hdl.handle.net/1843/50300This research aims to investigate some works of the Dutch artist Rineke Dijkstra in relation to the concepts of common and nonspecific, elaborated, in turn, by Giorgio Agamben and Jean-Luc Nancy. The aim is to explore the double play through which these ideas take shape in the artist's works, at the same time as they modify them. In other words, to investigate the forms in which these ideas manifest themselves in the artist's works. The concepts of regimes of art, distribution of the sensible, and aesthetic play, in Jacques Rancière, underpin this research. We also adopt a methodological formulation of the same author, according to which the analysis of the images is carried out based on the circulation of imagery (circulation de l'imagerie), the actions of dissimilarity operated by the artist and the critical discourses that surround the works of Rineke Dijkstra.CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorporUniversidade Federal de Minas GeraisRineke DijkstraFotografiaVideoarteComumInespecíficoEstéticaDijkstra, RinekeFotógrafos - HolandaVideoarteFotografiaEstéticaRineke Dijkstra: formas do comum e do inespecíficoRineke Dijkstra: forms of the common and nonspecificinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisGabriel Brisola da Cunhainfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGhttp://lattes.cnpq.br/4327273553246320Amir Brito Cadôrhttp://lattes.cnpq.br/2113943674181774Anna Karina Castanheira BartolomeuCesar Geraldo GuimarãesEduardo Antonio de JesusAdolfo Enrique Cifuentes PorrasEsse trabalho tem como objetivo investigar algumas obras da artista holandesa Rineke Dijkstra em relação aos conceitos de comum e inespecífico, trabalhados, por sua vez, por Giorgio Agamben e Jean-Luc Nancy. Busca-se explorar o jogo duplo através do qual as ideias citadas tomam corpo nos trabalhos da artista, ao mesmo tempo em que estes as modificam. Em outras palavras, investigar as formas pelas quais essas ideias se manifestam nas obras da artista. Os conceitos de regimes da arte, partilha do sensível e jogo estético, em Jacques Rancière, balizam essa pesquisa. Adota-se, ainda, uma formulação metodológica do mesmo autor, segundo a qual a análise das imagens se desenvolve a partir da circulação da imageria (imagerie), as ações de dessemelhança operadas pela artista e os discursos críticos que circundam as obras de Rineke Dijkstra.https://orcid.org/0000-0001-8236-1237BrasilEBA - ESCOLA DE BELAS ARTESPrograma de Pós-Graduação em ArtesUFMGORIGINALTese Rineke Dijkstra - Gabriel Brisola da Cunha (repositorio).pdfapplication/pdf19053595https://repositorio.ufmg.br//bitstreams/551cb137-0420-4179-a691-69c58a2e0a0c/download56c16e0fc263e6b2d30b39711d854426MD51trueAnonymousREADLICENSElicense.txttext/plain2118https://repositorio.ufmg.br//bitstreams/aa6305d1-ad50-40e7-8440-ce2670e7a753/downloadcda590c95a0b51b4d15f60c9642ca272MD52falseAnonymousREAD1843/503002025-09-08 21:11:33.784open.accessoai:repositorio.ufmg.br:1843/50300https://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-09T00:11:33Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)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 |
| dc.title.none.fl_str_mv |
Rineke Dijkstra: formas do comum e do inespecífico |
| dc.title.alternative.none.fl_str_mv |
Rineke Dijkstra: forms of the common and nonspecific |
| title |
Rineke Dijkstra: formas do comum e do inespecífico |
| spellingShingle |
Rineke Dijkstra: formas do comum e do inespecífico Gabriel Brisola da Cunha Dijkstra, Rineke Fotógrafos - Holanda Videoarte Fotografia Estética Rineke Dijkstra Fotografia Videoarte Comum Inespecífico Estética |
| title_short |
Rineke Dijkstra: formas do comum e do inespecífico |
| title_full |
Rineke Dijkstra: formas do comum e do inespecífico |
| title_fullStr |
Rineke Dijkstra: formas do comum e do inespecífico |
| title_full_unstemmed |
Rineke Dijkstra: formas do comum e do inespecífico |
| title_sort |
Rineke Dijkstra: formas do comum e do inespecífico |
| author |
Gabriel Brisola da Cunha |
| author_facet |
Gabriel Brisola da Cunha |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Gabriel Brisola da Cunha |
| dc.subject.por.fl_str_mv |
Dijkstra, Rineke Fotógrafos - Holanda Videoarte Fotografia Estética |
| topic |
Dijkstra, Rineke Fotógrafos - Holanda Videoarte Fotografia Estética Rineke Dijkstra Fotografia Videoarte Comum Inespecífico Estética |
| dc.subject.other.none.fl_str_mv |
Rineke Dijkstra Fotografia Videoarte Comum Inespecífico Estética |
| description |
This research aims to investigate some works of the Dutch artist Rineke Dijkstra in relation to the concepts of common and nonspecific, elaborated, in turn, by Giorgio Agamben and Jean-Luc Nancy. The aim is to explore the double play through which these ideas take shape in the artist's works, at the same time as they modify them. In other words, to investigate the forms in which these ideas manifest themselves in the artist's works. The concepts of regimes of art, distribution of the sensible, and aesthetic play, in Jacques Rancière, underpin this research. We also adopt a methodological formulation of the same author, according to which the analysis of the images is carried out based on the circulation of imagery (circulation de l'imagerie), the actions of dissimilarity operated by the artist and the critical discourses that surround the works of Rineke Dijkstra. |
| publishDate |
2022 |
| dc.date.issued.fl_str_mv |
2022-12-06 |
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2023-02-23T13:18:34Z 2025-09-09T00:11:33Z |
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2023-02-23T13:18:34Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/doctoralThesis |
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publishedVersion |
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https://hdl.handle.net/1843/50300 |
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https://hdl.handle.net/1843/50300 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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Universidade Federal de Minas Gerais |
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Universidade Federal de Minas Gerais |
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reponame:Repositório Institucional da UFMG instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
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