O gesto corporal e a técnica pianística: um estudo aplicado à performance das obras The Tides Of Manaunaun e Aeolian Harp, de Cowell; Guero, de Lachenmann; Modelagem IX, de Zampronha

Detalhes bibliográficos
Ano de defesa: 2020
Autor(a) principal: Juliana Gonçalves Marin
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Performance musical
Música para piano
Gestos na música
Gesto corporal.
Performance pianística.
Música contemporânea.
Link de acesso: https://hdl.handle.net/1843/35150
Resumo: This research has as gerenal to show reflections of body gesture in the pianistic performance with a selection of 20th century works. From the theoretical reference of Gritten and King (2011), Leman and Godoy (2010), Windsor (2011), Jensenius (2010), Madeira and Scarduelli (2014), Chaib (2012), we seek to reflect about three gesture categories: sound-producing gestures, ancillary or facilitating gesture and cyclical gesture. Looking for a more gestural consciousness in regard to the sound and performative result, we applied the reflexions about this three categories in the study of the selected repertorie: The Tides of Manaunaun (1917) and Aeolian Harp (1923) from Henry Cowell (1897-1965), Guero (1969) from Helmut Lachenmann (1935-) and Modelagem IX (1996) from Edson Zampronha (1963-). The reflexions about body gestures generates a greater connection between piano technique and musical speech elements, that includes the gestural attitudes, poetic and figures of speech, making the performance more consistent. We did detailed descriptions about our decisions regarding piano technique, timbre explorations and body gestures, in addition to illustrating gestural trajectories through graphics and excerpts from the score. Through this research, we hope to help the piano community on the understanding and paths regarding the execution, interpretation and performance of this type of repertoire, in addition to stimulating the development of more works regarding this specific field.
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spelling O gesto corporal e a técnica pianística: um estudo aplicado à performance das obras The Tides Of Manaunaun e Aeolian Harp, de Cowell; Guero, de Lachenmann; Modelagem IX, de ZampronhaThe body gesture and pianist technique: an applied study to the performance of the works "The Tides Of Manaunaun" and "Aeolian Harp", by Cowell; "Guero", by Lachenmann; "Modelagem IX", by ZampronhaPerformance musicalMúsica para pianoGestos na músicaGesto corporal.Performance pianística.Música contemporânea.This research has as gerenal to show reflections of body gesture in the pianistic performance with a selection of 20th century works. From the theoretical reference of Gritten and King (2011), Leman and Godoy (2010), Windsor (2011), Jensenius (2010), Madeira and Scarduelli (2014), Chaib (2012), we seek to reflect about three gesture categories: sound-producing gestures, ancillary or facilitating gesture and cyclical gesture. Looking for a more gestural consciousness in regard to the sound and performative result, we applied the reflexions about this three categories in the study of the selected repertorie: The Tides of Manaunaun (1917) and Aeolian Harp (1923) from Henry Cowell (1897-1965), Guero (1969) from Helmut Lachenmann (1935-) and Modelagem IX (1996) from Edson Zampronha (1963-). The reflexions about body gestures generates a greater connection between piano technique and musical speech elements, that includes the gestural attitudes, poetic and figures of speech, making the performance more consistent. We did detailed descriptions about our decisions regarding piano technique, timbre explorations and body gestures, in addition to illustrating gestural trajectories through graphics and excerpts from the score. Through this research, we hope to help the piano community on the understanding and paths regarding the execution, interpretation and performance of this type of repertoire, in addition to stimulating the development of more works regarding this specific field.Universidade Federal de Minas Gerais2021-03-10T17:03:12Z2025-09-09T00:09:02Z2021-03-10T17:03:12Z2020-10-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/1843/35150porJuliana Gonçalves Marininfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2025-10-10T14:25:35Zoai:repositorio.ufmg.br:1843/35150Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-10-10T14:25:35Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv O gesto corporal e a técnica pianística: um estudo aplicado à performance das obras The Tides Of Manaunaun e Aeolian Harp, de Cowell; Guero, de Lachenmann; Modelagem IX, de Zampronha
The body gesture and pianist technique: an applied study to the performance of the works "The Tides Of Manaunaun" and "Aeolian Harp", by Cowell; "Guero", by Lachenmann; "Modelagem IX", by Zampronha
title O gesto corporal e a técnica pianística: um estudo aplicado à performance das obras The Tides Of Manaunaun e Aeolian Harp, de Cowell; Guero, de Lachenmann; Modelagem IX, de Zampronha
spellingShingle O gesto corporal e a técnica pianística: um estudo aplicado à performance das obras The Tides Of Manaunaun e Aeolian Harp, de Cowell; Guero, de Lachenmann; Modelagem IX, de Zampronha
Juliana Gonçalves Marin
Performance musical
Música para piano
Gestos na música
Gesto corporal.
Performance pianística.
Música contemporânea.
title_short O gesto corporal e a técnica pianística: um estudo aplicado à performance das obras The Tides Of Manaunaun e Aeolian Harp, de Cowell; Guero, de Lachenmann; Modelagem IX, de Zampronha
title_full O gesto corporal e a técnica pianística: um estudo aplicado à performance das obras The Tides Of Manaunaun e Aeolian Harp, de Cowell; Guero, de Lachenmann; Modelagem IX, de Zampronha
title_fullStr O gesto corporal e a técnica pianística: um estudo aplicado à performance das obras The Tides Of Manaunaun e Aeolian Harp, de Cowell; Guero, de Lachenmann; Modelagem IX, de Zampronha
title_full_unstemmed O gesto corporal e a técnica pianística: um estudo aplicado à performance das obras The Tides Of Manaunaun e Aeolian Harp, de Cowell; Guero, de Lachenmann; Modelagem IX, de Zampronha
title_sort O gesto corporal e a técnica pianística: um estudo aplicado à performance das obras The Tides Of Manaunaun e Aeolian Harp, de Cowell; Guero, de Lachenmann; Modelagem IX, de Zampronha
author Juliana Gonçalves Marin
author_facet Juliana Gonçalves Marin
author_role author
dc.contributor.author.fl_str_mv Juliana Gonçalves Marin
dc.subject.por.fl_str_mv Performance musical
Música para piano
Gestos na música
Gesto corporal.
Performance pianística.
Música contemporânea.
topic Performance musical
Música para piano
Gestos na música
Gesto corporal.
Performance pianística.
Música contemporânea.
description This research has as gerenal to show reflections of body gesture in the pianistic performance with a selection of 20th century works. From the theoretical reference of Gritten and King (2011), Leman and Godoy (2010), Windsor (2011), Jensenius (2010), Madeira and Scarduelli (2014), Chaib (2012), we seek to reflect about three gesture categories: sound-producing gestures, ancillary or facilitating gesture and cyclical gesture. Looking for a more gestural consciousness in regard to the sound and performative result, we applied the reflexions about this three categories in the study of the selected repertorie: The Tides of Manaunaun (1917) and Aeolian Harp (1923) from Henry Cowell (1897-1965), Guero (1969) from Helmut Lachenmann (1935-) and Modelagem IX (1996) from Edson Zampronha (1963-). The reflexions about body gestures generates a greater connection between piano technique and musical speech elements, that includes the gestural attitudes, poetic and figures of speech, making the performance more consistent. We did detailed descriptions about our decisions regarding piano technique, timbre explorations and body gestures, in addition to illustrating gestural trajectories through graphics and excerpts from the score. Through this research, we hope to help the piano community on the understanding and paths regarding the execution, interpretation and performance of this type of repertoire, in addition to stimulating the development of more works regarding this specific field.
publishDate 2020
dc.date.none.fl_str_mv 2020-10-30
2021-03-10T17:03:12Z
2021-03-10T17:03:12Z
2025-09-09T00:09:02Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://hdl.handle.net/1843/35150
url https://hdl.handle.net/1843/35150
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Repositório Institucional da UFMG
collection Repositório Institucional da UFMG
repository.name.fl_str_mv Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv repositorio@ufmg.br
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