Libido enquanto elemento dramatúrgico na Phaedra de Sêneca

Detalhes bibliográficos
Ano de defesa: 2020
Autor(a) principal: Camila Machado Reis
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://hdl.handle.net/1843/34765
Resumo: Dira Libido occurs in Phaedra as a resource that Seneca uses to gather affections and myths in his own way. In addition to nefas, furor and dolor (DUPONT, 1995), libido is also part of the dramatic resources, as it overflows Seneca's philosophical works and invades the tragedy of Phaedra in a peculiar way. We have translated the latin play into Portuguese and, based on the myth of Venus and the god Amor, we show its dramatic mechanism through excerpts from Seneca's philosophical work, with the aim of debating the word and exhibiting its mechanic in his dramaturgy. The present work aimed to contribute to the growing study of Seneca's dramaturgy and to reinforce the idea that he, among other things, was also a playwriter.
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spelling 2021-01-18T20:44:54Z2025-09-08T23:47:50Z2021-01-18T20:44:54Z2020-08-31https://hdl.handle.net/1843/34765Dira Libido occurs in Phaedra as a resource that Seneca uses to gather affections and myths in his own way. In addition to nefas, furor and dolor (DUPONT, 1995), libido is also part of the dramatic resources, as it overflows Seneca's philosophical works and invades the tragedy of Phaedra in a peculiar way. We have translated the latin play into Portuguese and, based on the myth of Venus and the god Amor, we show its dramatic mechanism through excerpts from Seneca's philosophical work, with the aim of debating the word and exhibiting its mechanic in his dramaturgy. The present work aimed to contribute to the growing study of Seneca's dramaturgy and to reinforce the idea that he, among other things, was also a playwriter.CNPq - Conselho Nacional de Desenvolvimento Científico e TecnológicoporUniversidade Federal de Minas Geraishttp://creativecommons.org/licenses/by-nc-nd/3.0/pt/info:eu-repo/semantics/openAccessPhaedraSênecatragédia latinadramaturgia.Sêneca, ca. 4 a.C.-ca. 65 d.C. – Phaedra – Crítica e interpretaçãoLibidoTeatro latino (Tragédia) – História e críticaLibido enquanto elemento dramatúrgico na Phaedra de Sênecainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisCamila Machado Reisreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGhttp://lattes.cnpq.br/8590042016514496Sandra Maria Gualberto Braga Bianchethttp://lattes.cnpq.br/9900682713710755Tereza Virgínia Ribeiro BarbosaHeloisa Maria Moraes Moreira PennaA dira libido ocorre em Fedra como um recurso que Sêneca utiliza para amalgamar os afetos e mitos à sua maneira. Além do nefas, do furor e do dolor (DUPONT, 1995) a libido também faz parte dos recursos dramáticos, pois transborda das obras filosóficas de Sêneca e invade a tragédia de Fedra de forma peculiar. Traduzimos a peça do latim para o português e, com base no mito de Vênus e no deus Amor, mostramos seu mecanismo dramático através de excertos da obra filosófica de Sêneca, com o objetivo de debater o vocábulo e mostrar a mecânica em sua dramaturgia. O presente trabalho visou contribuir com o crescente estudo da dramaturgia de Sêneca e reforça a ideia de que ele, dentre outras coisas, também foi dramaturgo.0000-0002-9157-9614BrasilFALE - FACULDADE DE LETRASPrograma de Pós-Graduação em Estudos LiteráriosUFMGORIGINALDissertação.pdfapplication/pdf2055704https://repositorio.ufmg.br//bitstreams/268fb9ad-7159-4bcf-9de0-0c9409ed5f9a/download5675a54448e490860647e8d26d58be63MD51trueAnonymousREADCC-LICENSElicense_rdfapplication/octet-stream811https://repositorio.ufmg.br//bitstreams/a11bf9c3-4640-47a7-8f81-7f12cbd3b4ac/downloadcfd6801dba008cb6adbd9838b81582abMD52falseAnonymousREADLICENSElicense.txttext/plain2119https://repositorio.ufmg.br//bitstreams/0b5a150e-fc37-4d80-bed8-096e90cd549b/download34badce4be7e31e3adb4575ae96af679MD53falseAnonymousREAD1843/347652025-09-08 20:47:50.844http://creativecommons.org/licenses/by-nc-nd/3.0/pt/Acesso Abertoopen.accessoai:repositorio.ufmg.br:1843/34765https://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-08T23:47:50Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)falseTElDRU7Dh0EgREUgRElTVFJJQlVJw4fDg08gTsODTy1FWENMVVNJVkEgRE8gUkVQT1NJVMOTUklPIElOU1RJVFVDSU9OQUwgREEgVUZNRwoKQ29tIGEgYXByZXNlbnRhw6fDo28gZGVzdGEgbGljZW7Dp2EsIHZvY8OqIChvIGF1dG9yIChlcykgb3UgbyB0aXR1bGFyIGRvcyBkaXJlaXRvcyBkZSBhdXRvcikgY29uY2VkZSBhbyBSZXBvc2l0w7NyaW8gSW5zdGl0dWNpb25hbCBkYSBVRk1HIChSSS1VRk1HKSBvIGRpcmVpdG8gbsOjbyBleGNsdXNpdm8gZSBpcnJldm9nw6F2ZWwgZGUgcmVwcm9kdXppciBlL291IGRpc3RyaWJ1aXIgYSBzdWEgcHVibGljYcOnw6NvIChpbmNsdWluZG8gbyByZXN1bW8pIHBvciB0b2RvIG8gbXVuZG8gbm8gZm9ybWF0byBpbXByZXNzbyBlIGVsZXRyw7RuaWNvIGUgZW0gcXVhbHF1ZXIgbWVpbywgaW5jbHVpbmRvIG9zIGZvcm1hdG9zIMOhdWRpbyBvdSB2w61kZW8uCgpWb2PDqiBkZWNsYXJhIHF1ZSBjb25oZWNlIGEgcG9sw610aWNhIGRlIGNvcHlyaWdodCBkYSBlZGl0b3JhIGRvIHNldSBkb2N1bWVudG8gZSBxdWUgY29uaGVjZSBlIGFjZWl0YSBhcyBEaXJldHJpemVzIGRvIFJJLVVGTUcuCgpWb2PDqiBjb25jb3JkYSBxdWUgbyBSZXBvc2l0w7NyaW8gSW5zdGl0dWNpb25hbCBkYSBVRk1HIHBvZGUsIHNlbSBhbHRlcmFyIG8gY29udGXDumRvLCB0cmFuc3BvciBhIHN1YSBwdWJsaWNhw6fDo28gcGFyYSBxdWFscXVlciBtZWlvIG91IGZvcm1hdG8gcGFyYSBmaW5zIGRlIHByZXNlcnZhw6fDo28uCgpWb2PDqiB0YW1iw6ltIGNvbmNvcmRhIHF1ZSBvIFJlcG9zaXTDs3JpbyBJbnN0aXR1Y2lvbmFsIGRhIFVGTUcgcG9kZSBtYW50ZXIgbWFpcyBkZSB1bWEgY8OzcGlhIGRlIHN1YSBwdWJsaWNhw6fDo28gcGFyYSBmaW5zIGRlIHNlZ3VyYW7Dp2EsIGJhY2stdXAgZSBwcmVzZXJ2YcOnw6NvLgoKVm9jw6ogZGVjbGFyYSBxdWUgYSBzdWEgcHVibGljYcOnw6NvIMOpIG9yaWdpbmFsIGUgcXVlIHZvY8OqIHRlbSBvIHBvZGVyIGRlIGNvbmNlZGVyIG9zIGRpcmVpdG9zIGNvbnRpZG9zIG5lc3RhIGxpY2Vuw6dhLiBWb2PDqiB0YW1iw6ltIGRlY2xhcmEgcXVlIG8gZGVww7NzaXRvIGRlIHN1YSBwdWJsaWNhw6fDo28gbsOjbywgcXVlIHNlamEgZGUgc2V1IGNvbmhlY2ltZW50bywgaW5mcmluZ2UgZGlyZWl0b3MgYXV0b3JhaXMgZGUgbmluZ3XDqW0uCgpDYXNvIGEgc3VhIHB1YmxpY2HDp8OjbyBjb250ZW5oYSBtYXRlcmlhbCBxdWUgdm9jw6ogbsOjbyBwb3NzdWkgYSB0aXR1bGFyaWRhZGUgZG9zIGRpcmVpdG9zIGF1dG9yYWlzLCB2b2PDqiBkZWNsYXJhIHF1ZSBvYnRldmUgYSBwZXJtaXNzw6NvIGlycmVzdHJpdGEgZG8gZGV0ZW50b3IgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIHBhcmEgY29uY2VkZXIgYW8gUmVwb3NpdMOzcmlvIEluc3RpdHVjaW9uYWwgZGEgVUZNRyBvcyBkaXJlaXRvcyBhcHJlc2VudGFkb3MgbmVzdGEgbGljZW7Dp2EsIGUgcXVlIGVzc2UgbWF0ZXJpYWwgZGUgcHJvcHJpZWRhZGUgZGUgdGVyY2Vpcm9zIGVzdMOhIGNsYXJhbWVudGUgaWRlbnRpZmljYWRvIGUgcmVjb25oZWNpZG8gbm8gdGV4dG8gb3Ugbm8gY29udGXDumRvIGRhIHB1YmxpY2HDp8OjbyBvcmEgZGVwb3NpdGFkYS4KCkNBU08gQSBQVUJMSUNBw4fDg08gT1JBIERFUE9TSVRBREEgVEVOSEEgU0lETyBSRVNVTFRBRE8gREUgVU0gUEFUUk9Dw41OSU8gT1UgQVBPSU8gREUgVU1BIEFHw4pOQ0lBIERFIEZPTUVOVE8gT1UgT1VUUk8gT1JHQU5JU01PLCBWT0PDiiBERUNMQVJBIFFVRSBSRVNQRUlUT1UgVE9ET1MgRSBRVUFJU1FVRVIgRElSRUlUT1MgREUgUkVWSVPDg08gQ09NTyBUQU1Cw4lNIEFTIERFTUFJUyBPQlJJR0HDh8OVRVMgRVhJR0lEQVMgUE9SIENPTlRSQVRPIE9VIEFDT1JETy4KCk8gUmVwb3NpdMOzcmlvIEluc3RpdHVjaW9uYWwgZGEgVUZNRyBzZSBjb21wcm9tZXRlIGEgaWRlbnRpZmljYXIgY2xhcmFtZW50ZSBvIHNldSBub21lKHMpIG91IG8ocykgbm9tZXMocykgZG8ocykgZGV0ZW50b3IoZXMpIGRvcyBkaXJlaXRvcyBhdXRvcmFpcyBkYSBwdWJsaWNhw6fDo28sIGUgbsOjbyBmYXLDoSBxdWFscXVlciBhbHRlcmHDp8OjbywgYWzDqW0gZGFxdWVsYXMgY29uY2VkaWRhcyBwb3IgZXN0YSBsaWNlbsOnYS4KCg==
dc.title.none.fl_str_mv Libido enquanto elemento dramatúrgico na Phaedra de Sêneca
title Libido enquanto elemento dramatúrgico na Phaedra de Sêneca
spellingShingle Libido enquanto elemento dramatúrgico na Phaedra de Sêneca
Camila Machado Reis
Sêneca, ca. 4 a.C.-ca. 65 d.C. – Phaedra – Crítica e interpretação
Libido
Teatro latino (Tragédia) – História e crítica
Phaedra
Sêneca
tragédia latina
dramaturgia.
title_short Libido enquanto elemento dramatúrgico na Phaedra de Sêneca
title_full Libido enquanto elemento dramatúrgico na Phaedra de Sêneca
title_fullStr Libido enquanto elemento dramatúrgico na Phaedra de Sêneca
title_full_unstemmed Libido enquanto elemento dramatúrgico na Phaedra de Sêneca
title_sort Libido enquanto elemento dramatúrgico na Phaedra de Sêneca
author Camila Machado Reis
author_facet Camila Machado Reis
author_role author
dc.contributor.author.fl_str_mv Camila Machado Reis
dc.subject.por.fl_str_mv Sêneca, ca. 4 a.C.-ca. 65 d.C. – Phaedra – Crítica e interpretação
Libido
Teatro latino (Tragédia) – História e crítica
topic Sêneca, ca. 4 a.C.-ca. 65 d.C. – Phaedra – Crítica e interpretação
Libido
Teatro latino (Tragédia) – História e crítica
Phaedra
Sêneca
tragédia latina
dramaturgia.
dc.subject.other.none.fl_str_mv Phaedra
Sêneca
tragédia latina
dramaturgia.
description Dira Libido occurs in Phaedra as a resource that Seneca uses to gather affections and myths in his own way. In addition to nefas, furor and dolor (DUPONT, 1995), libido is also part of the dramatic resources, as it overflows Seneca's philosophical works and invades the tragedy of Phaedra in a peculiar way. We have translated the latin play into Portuguese and, based on the myth of Venus and the god Amor, we show its dramatic mechanism through excerpts from Seneca's philosophical work, with the aim of debating the word and exhibiting its mechanic in his dramaturgy. The present work aimed to contribute to the growing study of Seneca's dramaturgy and to reinforce the idea that he, among other things, was also a playwriter.
publishDate 2020
dc.date.issued.fl_str_mv 2020-08-31
dc.date.accessioned.fl_str_mv 2021-01-18T20:44:54Z
2025-09-08T23:47:50Z
dc.date.available.fl_str_mv 2021-01-18T20:44:54Z
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publisher.none.fl_str_mv Universidade Federal de Minas Gerais
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