O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Soares, Albergio Claudino Diniz lattes
Orientador(a): Lucena, Ivone Tavares de lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal da Paraí­ba
Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
Departamento: Letras
País: BR
Palavras-chave em Português:
Discurso
Música
Virtuosismo
Mário de Andrade
Palavras-chave em Inglês:
Discourse
Music
Virtuosity
Mário de Andrade
Área do conhecimento CNPq:
LINGUISTICA, LETRAS E ARTES::LETRAS
Link de acesso: https://repositorio.ufpb.br/jspui/handle/tede/6284
Resumo: Taking into account the most diverse discourses about musical practices in Western civilization, it can be seen that what was built up around the phenomenon of virtuosity was significantly present at several moments in the history of this art. The discourses for, and even those against, the presence of virtuosity in music show that, besides being real, this presence has the power to shape the society in which it operates. This research rests its theoretical and analytical basis on the French concepts of Discourse Analysis, through the categories developed by Michel Foucault in many studies conducted throughout his investigative journey of the human sciences, such as: power-knowledge, truth-power, resistance and strategy. These sets of concepts allowed us to understand how the issue of virtuosity in music constituted a subject of discourse in Mário de Andrade s speeches and writings about music, materialized in his "Complete Works". This research made it possible to observe that Mario de Andrade s discursivity about virtuosity in music had a relationship with his militancy in Brazilian nationalist and modernist movements. At the same time, his discourse turned to be one of the elements of resistance to the European music practice prevailing in Brazilian scenery as well as a struggle strategy to build up a musical culture of genuinely Brazilian national character.
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spelling 2015-05-14T12:39:59Z2018-07-21T00:16:45Z2014-10-222018-07-21T00:16:45Z2014-03-24SOARES, Albergio Claudino Diniz. O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo. 2014. 174 f. Tese (Doutorado em Letras) - Universidade Federal da Paraí­ba, João Pessoa, 2014.https://repositorio.ufpb.br/jspui/handle/tede/6284Taking into account the most diverse discourses about musical practices in Western civilization, it can be seen that what was built up around the phenomenon of virtuosity was significantly present at several moments in the history of this art. The discourses for, and even those against, the presence of virtuosity in music show that, besides being real, this presence has the power to shape the society in which it operates. This research rests its theoretical and analytical basis on the French concepts of Discourse Analysis, through the categories developed by Michel Foucault in many studies conducted throughout his investigative journey of the human sciences, such as: power-knowledge, truth-power, resistance and strategy. These sets of concepts allowed us to understand how the issue of virtuosity in music constituted a subject of discourse in Mário de Andrade s speeches and writings about music, materialized in his "Complete Works". This research made it possible to observe that Mario de Andrade s discursivity about virtuosity in music had a relationship with his militancy in Brazilian nationalist and modernist movements. At the same time, his discourse turned to be one of the elements of resistance to the European music practice prevailing in Brazilian scenery as well as a struggle strategy to build up a musical culture of genuinely Brazilian national character.Dentre os mais diversos discursos sobre as práticas de música na civilização ocidental, o que se construiu em torno do fenômeno do virtuosismo mostrou-se significativamente presente em vários momentos da história dessa arte. Os discursos que vão ao encontro e, em contrapartida, os discursos que vão de encontro à presença do virtuosismo na música nos mostram que esta presença, além de real, tem o poder de moldar a sociedade na qual se inserem. A pesquisa que empreendemos teve como base teórico-analítica a Análise de Discurso de Linha Francesa, através das categorias desenvolvidas por Michel Foucault nos diversos estudos que realizou ao longo de sua trajetória investigativa das ciências humanas, tais como saber-poder, verdade-poder, resistência e estratégia. Este conjunto de conceitos nos permitiu compreender como a questão do virtuosismo na música se constituiu num objeto de discurso nos ditos e escritos sobre música de Mário de Andrade, materializados no conjunto de suas Obras Completas . A pesquisa nos possibilitou observar que a discursividade marioandradina sobre o virtuosismo na música possuía uma relação com sua militância nos movimentos nacionalista e modernista brasileiros e que, ao mesmo tempo, essa discursividade se constituiu num dos elementos de resistência à prática de música europeia vigente no cenário brasileiro e numa estratégia de luta na construção de uma cultura musical de caráter nacional genuinamente brasileiro.Made available in DSpace on 2015-05-14T12:39:59Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 7738477 bytes, checksum: 48a482d7678d955e3b53a8f8aaca2303 (MD5) Previous issue date: 2014-03-24Made available in DSpace on 2018-07-21T00:16:45Z (GMT). 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dc.title.por.fl_str_mv O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo
title O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo
spellingShingle O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo
Soares, Albergio Claudino Diniz
Discurso
Música
Virtuosismo
Mário de Andrade
Discourse
Music
Virtuosity
Mário de Andrade
LINGUISTICA, LETRAS E ARTES::LETRAS
title_short O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo
title_full O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo
title_fullStr O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo
title_full_unstemmed O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo
title_sort O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo
author Soares, Albergio Claudino Diniz
author_facet Soares, Albergio Claudino Diniz
author_role author
dc.contributor.advisor1.fl_str_mv Lucena, Ivone Tavares de
dc.contributor.advisor1ID.fl_str_mv CPF:18157807468
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2941800746805646
dc.contributor.authorID.fl_str_mv CPF:24516945487
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/5390632238736083
dc.contributor.author.fl_str_mv Soares, Albergio Claudino Diniz
contributor_str_mv Lucena, Ivone Tavares de
dc.subject.por.fl_str_mv Discurso
Música
Virtuosismo
Mário de Andrade
topic Discurso
Música
Virtuosismo
Mário de Andrade
Discourse
Music
Virtuosity
Mário de Andrade
LINGUISTICA, LETRAS E ARTES::LETRAS
dc.subject.eng.fl_str_mv Discourse
Music
Virtuosity
Mário de Andrade
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::LETRAS
description Taking into account the most diverse discourses about musical practices in Western civilization, it can be seen that what was built up around the phenomenon of virtuosity was significantly present at several moments in the history of this art. The discourses for, and even those against, the presence of virtuosity in music show that, besides being real, this presence has the power to shape the society in which it operates. This research rests its theoretical and analytical basis on the French concepts of Discourse Analysis, through the categories developed by Michel Foucault in many studies conducted throughout his investigative journey of the human sciences, such as: power-knowledge, truth-power, resistance and strategy. These sets of concepts allowed us to understand how the issue of virtuosity in music constituted a subject of discourse in Mário de Andrade s speeches and writings about music, materialized in his "Complete Works". This research made it possible to observe that Mario de Andrade s discursivity about virtuosity in music had a relationship with his militancy in Brazilian nationalist and modernist movements. At the same time, his discourse turned to be one of the elements of resistance to the European music practice prevailing in Brazilian scenery as well as a struggle strategy to build up a musical culture of genuinely Brazilian national character.
publishDate 2014
dc.date.available.fl_str_mv 2014-10-22
2018-07-21T00:16:45Z
dc.date.issued.fl_str_mv 2014-03-24
dc.date.accessioned.fl_str_mv 2015-05-14T12:39:59Z
2018-07-21T00:16:45Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
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dc.identifier.citation.fl_str_mv SOARES, Albergio Claudino Diniz. O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo. 2014. 174 f. Tese (Doutorado em Letras) - Universidade Federal da Paraí­ba, João Pessoa, 2014.
dc.identifier.uri.fl_str_mv https://repositorio.ufpb.br/jspui/handle/tede/6284
identifier_str_mv SOARES, Albergio Claudino Diniz. O virtuosismo nos escritos sobre música de Mário de Andrade: um olhar discursivo. 2014. 174 f. Tese (Doutorado em Letras) - Universidade Federal da Paraí­ba, João Pessoa, 2014.
url https://repositorio.ufpb.br/jspui/handle/tede/6284
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.publisher.none.fl_str_mv Universidade Federal da Paraí­ba
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Letras
dc.publisher.initials.fl_str_mv UFPB
dc.publisher.country.fl_str_mv BR
dc.publisher.department.fl_str_mv Letras
publisher.none.fl_str_mv Universidade Federal da Paraí­ba
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFPB
instname:Universidade Federal da Paraíba (UFPB)
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instname_str Universidade Federal da Paraíba (UFPB)
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