A verdade do poético em Martin Heidegger : a techne grega e a essência da arte

• Ano de defesa: 2023
• Autor(a) principal: Lima, Genildo Barbosa de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraíba; Brasil; Filosofia; Programa de Pós-Graduação em Filosofia; UFPB
• Palavras-chave em Português: Arte; Verdade do poético; Techne grega; Martin Heidegger; Art; Truth of the poetic; Technique; CNPQ::CIENCIAS HUMANAS::FILOSOFIA
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/34261

This dissertation seeks to understand the truth of the phenomenon of the poetic in art and techne based on the fundamental ontology developed by Martin Heidegger, especially in the texts: Being and Time (GA 2); The Origin of the Work of Art (GA 5); Nietzsche 1 (GA 6.1) and The Question of Technique (GA 7). Techne, in the sense of the ancient Greeks, can be translated as art and technique. However, the relationship between the two remains obscure when it comes to making sense of the world, i.e. what art and technique genuinely have in common that can lead us to the truth of the poetic(?) and to what extent the emergence of this truth can constitute a fundamental aesthetic experience on the existential horizon of every being-there (Dasein). To this end, we seek to analyze and relate the fundamental concepts and words (art; language; techne; truth), understanding that, in his fundamental ontology, Heidegger establishes a nod to the primordial idea of the poetic of art, which we analyze when dealing with the theme of language and techne as part of the question of the essence of art.