Estudo para dois violinos de Samuel Cavalcanti: investigação de estratégias violinísticas e estudo analítico voltado ao ato interpretativo
Ano de defesa: | 2022 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal da Paraíba
Brasil Música Programa de Pós-Graduação em Música UFPB |
Programa de Pós-Graduação: |
Não Informado pela instituição
|
Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
|
Palavras-chave em Português: | |
Link de acesso: | https://repositorio.ufpb.br/jspui/handle/123456789/26850 |
Resumo: | The present research consists of an investigation of the conventions concerning the role of the musician, guided by the reflection on the interpretive act. Therefore, the detailing of some concepts and terms, within the making of music, is a fundamental part of its methodological path. In this discussion, subtleties that transcend instrumental performance were sought, such as understanding the composer's intentions, the freedom given to the interpreter, the idea of fidelity to the work, the importance of the cultural context in which the composer and the work are inserted. The subject of this research is the Study for Two Violins, by the brazilian composer Samuel Cavalcanti, who was born in the state of Paraíba, northeast of Brazil. In order to research and verify the concepts related to the present discussion, we revisited two video performances recorded previously. The main theoretical support related to the interpreter's role before a musical work are texts by Stravinsky (1996) and Schoenberg (2001), while Harnoncourt (1998) will be related to the cultural context of music in society. The research was also conducted by observing and writing down details of technical and relational processes employed during the interpretive construction of the performances. Therefore, the act of interpreting after the perspective of the musician himself was highlighted. In this sense, the autoethnographic account of the experiences of this researcher, who is also a violinist and interpreter of these two performances, constitutes the main source of this research. The case in analysis passes through the actual subjects of the action, through the investigation of the practices related to the performances of the piece, as well as the universe among interpreters, composer, score and the musical understanding of the work. This research stands by its potential in sharing the results with those who may include this work in their repertoires or take advantage of the methodology used for the elaboration of other interpretations, especially in the contemporary musical context. Finally, we highlight the dedication and incessant search of the musicians – who take advantage of artistic freedom without opposing submission to the work conceived by the composer – which is considered as indispensable and important characteristics of the interpretive act. |
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Biblioteca Digital de Teses e Dissertações da UFPB |
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Estudo para dois violinos de Samuel Cavalcanti: investigação de estratégias violinísticas e estudo analítico voltado ao ato interpretativoMúsicaAto interpretativoEstudo - Dois ViolinosMúsicInterpretive actCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICAThe present research consists of an investigation of the conventions concerning the role of the musician, guided by the reflection on the interpretive act. Therefore, the detailing of some concepts and terms, within the making of music, is a fundamental part of its methodological path. In this discussion, subtleties that transcend instrumental performance were sought, such as understanding the composer's intentions, the freedom given to the interpreter, the idea of fidelity to the work, the importance of the cultural context in which the composer and the work are inserted. The subject of this research is the Study for Two Violins, by the brazilian composer Samuel Cavalcanti, who was born in the state of Paraíba, northeast of Brazil. In order to research and verify the concepts related to the present discussion, we revisited two video performances recorded previously. The main theoretical support related to the interpreter's role before a musical work are texts by Stravinsky (1996) and Schoenberg (2001), while Harnoncourt (1998) will be related to the cultural context of music in society. The research was also conducted by observing and writing down details of technical and relational processes employed during the interpretive construction of the performances. Therefore, the act of interpreting after the perspective of the musician himself was highlighted. In this sense, the autoethnographic account of the experiences of this researcher, who is also a violinist and interpreter of these two performances, constitutes the main source of this research. The case in analysis passes through the actual subjects of the action, through the investigation of the practices related to the performances of the piece, as well as the universe among interpreters, composer, score and the musical understanding of the work. This research stands by its potential in sharing the results with those who may include this work in their repertoires or take advantage of the methodology used for the elaboration of other interpretations, especially in the contemporary musical context. Finally, we highlight the dedication and incessant search of the musicians – who take advantage of artistic freedom without opposing submission to the work conceived by the composer – which is considered as indispensable and important characteristics of the interpretive act.NenhumaO presente trabalho consiste em uma investigação das convenções acerca do papel do músico, direcionada pela reflexão sobre o ato interpretativo. Portanto, o detalhamento de alguns conceitos e termos, dentro do fazer musical, é parte fundamental de seu percurso metodológico. Nessa discussão procurou-se por sutilezas que transcendam a execução instrumental, como o entendimento das intenções do compositor, a liberdade destinada ao intérprete, a ideia de fidelidade à obra, a importância do contexto cultural em que o compositor e a obra estão inseridos. A pesquisa tem como objeto a obra Estudo para dois Violinos, do compositor paraibano Samuel Cavalcanti. Duas performances oferecem oportunidade de experimento e verificação dos conceitos, referenciando a presente discussão. Stravinsky (1996) e Schoenberg (2001) constituem as principais bases teóricas referentes ao papel do intérprete perante a obra musical, e Harnoncourt (1998), no contexto cultural da música na sociedade. A pesquisa também foi conduzida pela observação e registro dos processos técnicos e relacionais empregados durante a construção interpretativa das performances. Portanto, destacou-se o ato de interpretar sob a ótica do próprio musicista. Nesse sentido, o relato autoetnográfico das experiências da autora, violinista e intérprete da obra, constitui instrumento desta pesquisa. O fenômeno estudado passa pelos próprios sujeitos da ação, através da investigação das práticas referentes às performances da peça, bem como o universo relacional entre intérpretes, compositor, partitura e o aprofundamento musical da obra. Este trabalho se justifica pelo compartilhamento dessa experiência com aqueles que possam vir a incluir a obra examinada em seus repertórios, ou aproveitar-se do método utilizado na elaboração de outras interpretações, especialmente no contexto musical contemporâneo. Ao final, considera-se a dedicação e a busca incessante por parte do músico instrumentista – que se aproveita da liberdade artística sem se opor à submissão à obra concebida pelo compositor –, como características indispensáveis e próprias do ato interpretativo.Universidade Federal da ParaíbaBrasilMúsicaPrograma de Pós-Graduação em MúsicaUFPBAlvarenga, Hermes Cuzzuolhttp://lattes.cnpq.br/0853107595289408Freire, Flávia de Castro Machado2023-05-02T13:19:27Z2023-03-212023-05-02T13:19:27Z2022-12-21info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttps://repositorio.ufpb.br/jspui/handle/123456789/26850porAttribution-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nd/3.0/br/info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2023-05-03T06:04:17Zoai:repositorio.ufpb.br:123456789/26850Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2023-05-03T06:04:17Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false |
dc.title.none.fl_str_mv |
Estudo para dois violinos de Samuel Cavalcanti: investigação de estratégias violinísticas e estudo analítico voltado ao ato interpretativo |
title |
Estudo para dois violinos de Samuel Cavalcanti: investigação de estratégias violinísticas e estudo analítico voltado ao ato interpretativo |
spellingShingle |
Estudo para dois violinos de Samuel Cavalcanti: investigação de estratégias violinísticas e estudo analítico voltado ao ato interpretativo Freire, Flávia de Castro Machado Música Ato interpretativo Estudo - Dois Violinos Músic Interpretive act CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA |
title_short |
Estudo para dois violinos de Samuel Cavalcanti: investigação de estratégias violinísticas e estudo analítico voltado ao ato interpretativo |
title_full |
Estudo para dois violinos de Samuel Cavalcanti: investigação de estratégias violinísticas e estudo analítico voltado ao ato interpretativo |
title_fullStr |
Estudo para dois violinos de Samuel Cavalcanti: investigação de estratégias violinísticas e estudo analítico voltado ao ato interpretativo |
title_full_unstemmed |
Estudo para dois violinos de Samuel Cavalcanti: investigação de estratégias violinísticas e estudo analítico voltado ao ato interpretativo |
title_sort |
Estudo para dois violinos de Samuel Cavalcanti: investigação de estratégias violinísticas e estudo analítico voltado ao ato interpretativo |
author |
Freire, Flávia de Castro Machado |
author_facet |
Freire, Flávia de Castro Machado |
author_role |
author |
dc.contributor.none.fl_str_mv |
Alvarenga, Hermes Cuzzuol http://lattes.cnpq.br/0853107595289408 |
dc.contributor.author.fl_str_mv |
Freire, Flávia de Castro Machado |
dc.subject.por.fl_str_mv |
Música Ato interpretativo Estudo - Dois Violinos Músic Interpretive act CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA |
topic |
Música Ato interpretativo Estudo - Dois Violinos Músic Interpretive act CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA |
description |
The present research consists of an investigation of the conventions concerning the role of the musician, guided by the reflection on the interpretive act. Therefore, the detailing of some concepts and terms, within the making of music, is a fundamental part of its methodological path. In this discussion, subtleties that transcend instrumental performance were sought, such as understanding the composer's intentions, the freedom given to the interpreter, the idea of fidelity to the work, the importance of the cultural context in which the composer and the work are inserted. The subject of this research is the Study for Two Violins, by the brazilian composer Samuel Cavalcanti, who was born in the state of Paraíba, northeast of Brazil. In order to research and verify the concepts related to the present discussion, we revisited two video performances recorded previously. The main theoretical support related to the interpreter's role before a musical work are texts by Stravinsky (1996) and Schoenberg (2001), while Harnoncourt (1998) will be related to the cultural context of music in society. The research was also conducted by observing and writing down details of technical and relational processes employed during the interpretive construction of the performances. Therefore, the act of interpreting after the perspective of the musician himself was highlighted. In this sense, the autoethnographic account of the experiences of this researcher, who is also a violinist and interpreter of these two performances, constitutes the main source of this research. The case in analysis passes through the actual subjects of the action, through the investigation of the practices related to the performances of the piece, as well as the universe among interpreters, composer, score and the musical understanding of the work. This research stands by its potential in sharing the results with those who may include this work in their repertoires or take advantage of the methodology used for the elaboration of other interpretations, especially in the contemporary musical context. Finally, we highlight the dedication and incessant search of the musicians – who take advantage of artistic freedom without opposing submission to the work conceived by the composer – which is considered as indispensable and important characteristics of the interpretive act. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-21 2023-05-02T13:19:27Z 2023-03-21 2023-05-02T13:19:27Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufpb.br/jspui/handle/123456789/26850 |
url |
https://repositorio.ufpb.br/jspui/handle/123456789/26850 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
Attribution-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nd/3.0/br/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nd/3.0/br/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal da Paraíba Brasil Música Programa de Pós-Graduação em Música UFPB |
publisher.none.fl_str_mv |
Universidade Federal da Paraíba Brasil Música Programa de Pós-Graduação em Música UFPB |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da UFPB instname:Universidade Federal da Paraíba (UFPB) instacron:UFPB |
instname_str |
Universidade Federal da Paraíba (UFPB) |
instacron_str |
UFPB |
institution |
UFPB |
reponame_str |
Biblioteca Digital de Teses e Dissertações da UFPB |
collection |
Biblioteca Digital de Teses e Dissertações da UFPB |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB) |
repository.mail.fl_str_mv |
diretoria@ufpb.br|| diretoria@ufpb.br |
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1798964193449213952 |