No sentido de um pensamento : a criação sonora como amplificador visual

• Ano de defesa: 2023
• Autor(a) principal: Nóbrega, Pablo Menezes
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraíba; Brasil; Artes Visuais; Programa de Pós-Graduação em Artes Visuais; UFPB
• Palavras-chave em Português: Arte sonora; Paisagem sonora; Arte tecnologia; Som e imagem; Corpo sonoro; Espectador; Sound art; Soundscape; Art and technology; Sound and image; Sound body; Espectator; Arte sonoro; Paisaje sonoro; Arte y tecnología; Sonido e imagen; Cuerpo sonoro; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::EDUCACAO ARTISTICA
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/34180

This project proposes to investigate the relationship between sound, image and new technologies from the perspective of contemporary art, in a methodology of theoretical review and empirical-creative application. Being a project developed within the line of Creative Processes in the postgraduate program in Visual Arts at the Federal University of Paraíba, this dissertation aims to scrutinize the theoretical source in relation to the trajectory of the artist himself. No Sentido de um Pensamento, as an artistic piece, intends to be a hybrid project between performance, photography and soundscape. A sound contribute that adds different meanings according to the spatial relationship between the spectator and the work. The experiment, therefore, unfolds in practice in a movement sensor system that expands the photographic experience through sound creation and its chain of layers added to the different readings of the image. Finally, this project pursues the idea that a more fluid sound construction can provoke different meanings according to the subjective source of each individual observer; that is, the artistic object is infinitely different, as it changes according to the interest of the visitor. To reach the point where we are now and understanding the creation process as always endless, the theoretical review of this project focuses on the studies of Michel Chion, Murray Schafer and Brian Eno, three researchers of sound art.