Metadramaturgia e escrita performática na obra dramatúrgica de Nikolai Gógol

• Ano de defesa: 2016
• Autor(a) principal: Seixas, Rebeka Caroça
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Brasil; UFRN; PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM
• Palavras-chave em Português: Nikolai Gógol; Metadramaturgia; Escrita performática; CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: https://repositorio.ufrn.br/jspui/handle/123456789/21538

This research is a result of a theoretical reflection about on the work of Russian writer dramaturgical Nikolai Gógol and the ways in which his initial experiments were crucial not only on what concerns the building of own work identity, but also the construction of the various forms of conception and creation of work dramaturgical and the way they have influenced modern theatre. The work holds the analysis of gogoliana metadramaturgical trilogy and comprising the following plays: The inspector general (1836), Leaving the theater after the performance of a new comedy (1842) and Denouement of The inspector general (1846). As such, are of particular interest to this work, the concepts of metadramaturgy and writing performatic are fundamental to the analysis of the playwright's work. The study on metadramaturgy will be worked from the analysis of de metalanguage and metatheatre so that we can understand how to structure the idea of metadramaturgy and how this concept can be used in the analysis of dramaturgical works. The idea of writing performatic includes the study of the work from the performative bias, to understand the author and the reader/viewer as protagonists of this relationship. From the studies of these two concepts, metadramaturgy and writing performatic, shall be able to understand more deeply the different aspects of the author's work, particularly in terms of past the relevance of his writing.