Nordeste na sala de concerto: interações entre compositora e cointérprete na produção de três arranjos para piano e violoncelo

• Ano de defesa: 2021
• Autor(a) principal: Gomes, Priscila Matos Ferreira
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Rio Grande do Norte; Brasil; UFRN; PROGRAMA DE PÓS-GRADUAÇÃO EM MÚSICA
• Palavras-chave em Português: Colaboração musical; Violoncelo e piano; Música Nordestina
• Link de acesso: https://repositorio.ufrn.br/handle/123456789/43752

Abstract: This research’s main objective is to investigate the collaborative process between the composer and the performer in three arrangements of pieces for cello and piano that I composed in 2018, present in the CD “Nordeste Sangue e Coração”, released in May 2019: “Do Coco ao Coco”, “Nordeste Sangue e Coração” and “Cigano”. In this text, I contextualize my object of study, historicizing my career as a musician, especially as a composer, as well as the process of composing the pieces in question, highlighting their structural, stylistic and formal aspects. I also highlight the process of team collaboration through transcriptions of the rehearsals’ recordings, in order to identify possible elements that relate to the cello and piano in music from Northeastern Brazil, as well as to verify the process of collaboration in the construction and execution of the musical arrangements, and to bring innovative elements to the language of Northeastern music for cello and piano. After a bibliographic research, the pieces’ transcription and analysis, recording of the rehearsals and, afterwards, studio recordings of the pieces, a final result is reached, demonstrating in which way the interaction between composer and performer can bring new elements to the language of Brazilian Northeastern music performed on cello and piano.