Mulheres inscritas insubmissas: estudo sobre a representação feminina em Insubmissas lágrimas de mulheres, de Conceição Evaristo

• Ano de defesa: 2020
• Autor(a) principal: Sousa, Isabelle Carolinne Melo de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Rio Grande do Norte; Brasil; UFRN; PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM
• Palavras-chave em Português: Mulher e Literatura; Insubmissas lágrimas de mulheres; Feminismo; Conceição Evaristo; Violência de gênero
• Link de acesso: https://repositorio.ufrn.br/handle/123456789/33294

This master thesis aims to analyze the protagonists of the tales “Isaltina Campo Belo”, “Natalina Soledad” and “Aramides Florence” with the focus on the construction of the main characters and their importance as a representation of women in our society. The tales are in the book Insubmissas lágrimas de mulheres, published in 2011, wrote by Conceição Evaristo, a exponent of the writing of women and Afro-Brazilian voices. Besides that that research discuss the relations between patriarchy and the scarcity of female representations that escape the crystallized stereotypes in our literature. In an attempt to understand the way the protagonists are represented and observe the differential of Conceição Evaristo's writing. The research is based on the reflections on women in society from Simone de Beauvoir (2016), Angela Davis (2016, 2017, 2018), Lauretis (1994), Monshipouri (2004) and Muzart (1999, 2003), issues that involves representation Bakhtin (1988), identity, sexuality and gender and their oppression and violence are analyzed in dialogue with Butler (2017), Bourdieu (2012), Nichanian (2012), Saffioti (1992) Tyson (2006) and Wittig (2006); in order to complement the reflections on the Afro-Brazilian question Du Bois (1999), Evaristo (2009) and Ribeiro (2018). In the course of the research, showed up latent the necessity to acknowledgment the importance of Conceição Evaristo's writing and its relevance to an emancipatory representation of women and black women in life and in art, carrying identities previously invisible as by literature as by society.