Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa

Detalhes bibliográficos
Ano de defesa: 2026
Autor(a) principal: Ribeiro, Daniel Ferraz Tanan
Orientador(a): Mendonça, Fernando
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Não Informado pela instituição
Programa de Pós-Graduação: Pós-Graduação Interdisciplinar em Cinema
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://ri.ufs.br/jspui/handle/riufs/24776
Resumo: This dissertation explores the formal, aesthetic, and thematic connections between the work of Yasujiro Ozu and the Taiwanese New Wave movement, focusing on directors Hou Hsiao-Hsien and Edward Yang. Although separated by decades and distinct historical contexts, these cinemas share similar approaches to time, memory, and everyday life. Ozu’s minimalist mise-en-scène, focus on domestic spaces, and the philosophy of mono no aware influenced a generation of filmmakers seeking contemplative and emotionally resonant cinema. The first part presents an overview of the New Wave as a transnational movement, from its French origins to its manifestations in Japan. The study then turns to Ozu’s work, emphasizing his connection to shōshimin-geki, his use of static shots, elliptical cuts, and family-centered narratives. Finally, it examines the rise of the Taiwanese New Wave during a period of political and cultural transition, especially after the end of Martial Law in 1987. Films such as A Time to Live, A Time to Die (1985) and Taipei Story (1985) show aesthetic and philosophical affinities with Ozu. This comparative analysis is grounded in bibliographical research and film analysis, drawing on authors like David Bordwell (1988), James Udden (2007), Paul Schrader (2018) and Woojeong Joo (2017). The conclusion highlights Ozu’s lasting impact on contemporary Asian cinema, as both stylistic and philosophical inspiration that reverberates in different times and different cultures.
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spelling Ribeiro, Daniel Ferraz TananMendonça, Fernando2026-03-13T17:40:19Z2026-03-13T17:40:19Z2026-02-25RIBEIRO, Daniel Ferraz Tanan. Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa. 2026. 118 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2026.https://ri.ufs.br/jspui/handle/riufs/24776This dissertation explores the formal, aesthetic, and thematic connections between the work of Yasujiro Ozu and the Taiwanese New Wave movement, focusing on directors Hou Hsiao-Hsien and Edward Yang. Although separated by decades and distinct historical contexts, these cinemas share similar approaches to time, memory, and everyday life. Ozu’s minimalist mise-en-scène, focus on domestic spaces, and the philosophy of mono no aware influenced a generation of filmmakers seeking contemplative and emotionally resonant cinema. The first part presents an overview of the New Wave as a transnational movement, from its French origins to its manifestations in Japan. The study then turns to Ozu’s work, emphasizing his connection to shōshimin-geki, his use of static shots, elliptical cuts, and family-centered narratives. Finally, it examines the rise of the Taiwanese New Wave during a period of political and cultural transition, especially after the end of Martial Law in 1987. Films such as A Time to Live, A Time to Die (1985) and Taipei Story (1985) show aesthetic and philosophical affinities with Ozu. This comparative analysis is grounded in bibliographical research and film analysis, drawing on authors like David Bordwell (1988), James Udden (2007), Paul Schrader (2018) and Woojeong Joo (2017). The conclusion highlights Ozu’s lasting impact on contemporary Asian cinema, as both stylistic and philosophical inspiration that reverberates in different times and different cultures.Esta dissertação investiga os diálogos formais, estéticos e temáticos entre a obra de Yasujiro Ozu e o movimento conhecido como Nouvelle Vague Taiwanesa, com destaque para os cineastas Hou Hsiao-Hsien e Edward Yang. A pesquisa parte da hipótese de que, embora separados por décadas e contextos históricos distintos, esses cinemas compartilham abordagens similares no tratamento do tempo, da memória e do cotidiano. Ozu, com sua mise-en-scène minimalista, valorização do espaço doméstico e a filosofia do mono no aware, influenciou diretamente (e por vezes indiretamente) uma geração de realizadores em busca de um cinema de contemplação e profundidade emocional. A primeira parte do trabalho apresenta um panorama da Nouvelle Vague como movimento transnacional, passando por sua origem francesa e ramificações em outras cinematografias, incluindo o Japão. Em seguida, analisa-se a obra de Ozu, destacando sua ligação com o shōshimin-geki e seu estilo marcado por planos fixos, cortes elípticos e narrativas centradas nas relações familiares. Por fim, o foco se volta à Nouvelle Vague Taiwanesa, surgida em um contexto de transição política e cultural, com o fim da Lei Marcial em 1987, e a busca por uma identidade nacional no cinema. Filmes como Um Tempo para Viver, Um Tempo para Morrer (1985) e História de Taipei (1985) demonstram aproximações com Ozu, tanto em termos de forma quanto de sensibilidade. O estudo, de caráter comparativo, fundamenta-se em revisão bibliográfica e análise fílmica, dialogando com autores como David Bordwell (1988), James Udden (2007), Paul Schrader (2018) e Woojeong Joo (2017). Conclui-se que Ozu permanece uma presença viva no cinema contemporâneo asiático, como fonte estética e filosófica que reverbera em outras épocas e diferentes culturas.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESSão CristóvãoporYasujiro OzuNouvelle Vague TaiwanesaHou Hsiao-HsienEdward YangCinema asiáticoTaiwanese New WaveAsian cinemaLINGUISTICA, LETRAS E ARTES::ARTES::CINEMAConexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação Interdisciplinar em CinemaUniversidade Federal de Sergipe (UFS)reponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/24776/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51TEXTDANIEL_FERRAZ_TANAN_RIBEIRO.pdf.txtDANIEL_FERRAZ_TANAN_RIBEIRO.pdf.txtExtracted texttext/plain267869https://ri.ufs.br/jspui/bitstream/riufs/24776/3/DANIEL_FERRAZ_TANAN_RIBEIRO.pdf.txt501da30351bebc0dea5dab0dd580c384MD53THUMBNAILDANIEL_FERRAZ_TANAN_RIBEIRO.pdf.jpgDANIEL_FERRAZ_TANAN_RIBEIRO.pdf.jpgGenerated Thumbnailimage/jpeg1253https://ri.ufs.br/jspui/bitstream/riufs/24776/4/DANIEL_FERRAZ_TANAN_RIBEIRO.pdf.jpg00e861ed9e0a3ea722c6242dd2670cbeMD54ORIGINALDANIEL_FERRAZ_TANAN_RIBEIRO.pdfDANIEL_FERRAZ_TANAN_RIBEIRO.pdfapplication/pdf3008484https://ri.ufs.br/jspui/bitstream/riufs/24776/5/DANIEL_FERRAZ_TANAN_RIBEIRO.pdf3b4d15115505fc28200b2f92290c90f0MD55riufs/247762026-07-31 08:31:04.667oai:oai:ri.ufs.br:repo_01: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2026-07-31T11:31:04Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false
dc.title.pt_BR.fl_str_mv Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa
title Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa
spellingShingle Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa
Ribeiro, Daniel Ferraz Tanan
Yasujiro Ozu
Nouvelle Vague Taiwanesa
Hou Hsiao-Hsien
Edward Yang
Cinema asiático
Taiwanese New Wave
Asian cinema
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
title_short Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa
title_full Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa
title_fullStr Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa
title_full_unstemmed Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa
title_sort Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa
author Ribeiro, Daniel Ferraz Tanan
author_facet Ribeiro, Daniel Ferraz Tanan
author_role author
dc.contributor.author.fl_str_mv Ribeiro, Daniel Ferraz Tanan
dc.contributor.advisor1.fl_str_mv Mendonça, Fernando
contributor_str_mv Mendonça, Fernando
dc.subject.por.fl_str_mv Yasujiro Ozu
Nouvelle Vague Taiwanesa
Hou Hsiao-Hsien
Edward Yang
Cinema asiático
topic Yasujiro Ozu
Nouvelle Vague Taiwanesa
Hou Hsiao-Hsien
Edward Yang
Cinema asiático
Taiwanese New Wave
Asian cinema
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
dc.subject.eng.fl_str_mv Taiwanese New Wave
Asian cinema
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
description This dissertation explores the formal, aesthetic, and thematic connections between the work of Yasujiro Ozu and the Taiwanese New Wave movement, focusing on directors Hou Hsiao-Hsien and Edward Yang. Although separated by decades and distinct historical contexts, these cinemas share similar approaches to time, memory, and everyday life. Ozu’s minimalist mise-en-scène, focus on domestic spaces, and the philosophy of mono no aware influenced a generation of filmmakers seeking contemplative and emotionally resonant cinema. The first part presents an overview of the New Wave as a transnational movement, from its French origins to its manifestations in Japan. The study then turns to Ozu’s work, emphasizing his connection to shōshimin-geki, his use of static shots, elliptical cuts, and family-centered narratives. Finally, it examines the rise of the Taiwanese New Wave during a period of political and cultural transition, especially after the end of Martial Law in 1987. Films such as A Time to Live, A Time to Die (1985) and Taipei Story (1985) show aesthetic and philosophical affinities with Ozu. This comparative analysis is grounded in bibliographical research and film analysis, drawing on authors like David Bordwell (1988), James Udden (2007), Paul Schrader (2018) and Woojeong Joo (2017). The conclusion highlights Ozu’s lasting impact on contemporary Asian cinema, as both stylistic and philosophical inspiration that reverberates in different times and different cultures.
publishDate 2026
dc.date.accessioned.fl_str_mv 2026-03-13T17:40:19Z
dc.date.available.fl_str_mv 2026-03-13T17:40:19Z
dc.date.issued.fl_str_mv 2026-02-25
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dc.identifier.citation.fl_str_mv RIBEIRO, Daniel Ferraz Tanan. Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa. 2026. 118 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2026.
dc.identifier.uri.fl_str_mv https://ri.ufs.br/jspui/handle/riufs/24776
identifier_str_mv RIBEIRO, Daniel Ferraz Tanan. Conexões: Yasujiro Ozu e a Nouvelle Vague Taiwanesa. 2026. 118 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2026.
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