Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022)

Detalhes bibliográficos
Ano de defesa: 2023
Autor(a) principal: Santos, Luísa Vilas Boas dos
Orientador(a): Álvaro, Bruno Gonçalves
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Não Informado pela instituição
Programa de Pós-Graduação: Pós-Graduação em História
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Softwares sociais
Urraca I
Medievalismo
Social softwares
Medievalism
Área do conhecimento CNPq:
CIENCIAS HUMANAS::HISTORIA
Link de acesso: https://ri.ufs.br/jspui/handle/riufs/18431
Resumo: Currently, many battles are fought online. Through comments, viewpoints are defended, heated discussions take place anonymously, data is leaked, and, in some cases, real conflicts begin. This digital landscape serves as a stage for political issues and cultural expressions, and cyberspace becomes another place where history is reused and reinterpreted. The medieval Iberian queen Urraca I (1081-1126) is inserted into these contemporary debates as another figure brought from the past to meet current needs. Her image is presented on social media as a symbol of resistance to the medieval patriarchal society, depicted as someone who fought to rule and also as an example of a woman who faced adversity in her marriage and resisted. Thus, her image becomes an icon for contemporary debates, being reevaluated through these new perspectives, which find in her history a space to advocate for Leonese regionalism, as well as a feminist symbol used mainly by right-wing political sympathizers. Therefore, in this research that uses social media as sources, we perceive that the representation of the queen fragments into various forms depending on how the interlocutor interprets history.
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spelling Santos, Luísa Vilas Boas dosÁlvaro, Bruno Gonçalves2023-09-28T20:33:26Z2023-09-28T20:33:26Z2023-07-28SANTOS, Luísa Vilas Boas dos. Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022). 2023. 115 f. Dissertação (Mestrado em História) – Universidade Federal de Sergipe, São Cristóvão, 2023.https://ri.ufs.br/jspui/handle/riufs/18431Currently, many battles are fought online. Through comments, viewpoints are defended, heated discussions take place anonymously, data is leaked, and, in some cases, real conflicts begin. This digital landscape serves as a stage for political issues and cultural expressions, and cyberspace becomes another place where history is reused and reinterpreted. The medieval Iberian queen Urraca I (1081-1126) is inserted into these contemporary debates as another figure brought from the past to meet current needs. Her image is presented on social media as a symbol of resistance to the medieval patriarchal society, depicted as someone who fought to rule and also as an example of a woman who faced adversity in her marriage and resisted. Thus, her image becomes an icon for contemporary debates, being reevaluated through these new perspectives, which find in her history a space to advocate for Leonese regionalism, as well as a feminist symbol used mainly by right-wing political sympathizers. Therefore, in this research that uses social media as sources, we perceive that the representation of the queen fragments into various forms depending on how the interlocutor interprets history.Atualmente muitas batalhas são travadas online. Por meio de comentários pontos de vista são defendidos, discussões fervorosas ocorrem de forma anônima, dados são vazados e, em alguns casos, conflitos reais têm início. Essa paisagem digital serve como palco para questões políticas e manifestações culturais, e o ciberespaço se torna mais um lugar onde vemos a história ser reutilizada e reinterpretada. A rainha medieval ibérica Urraca I (1081-1126) se insere nesses embates contemporâneos como mais uma figura trazida do passado para atender às necessidades atuais. Sua imagem é apresentada nos softwares sociais como um símbolo de resistência à sociedade patriarcal medieval, sendo retratada como alguém que lutou para governar e também como um exemplo de mulher que enfrentou adversidades em seu casamento e resistiu. Assim, sua imagem torna-se um ícone para debates contemporâneos, sendo revista através desses novos olhares, que encontram em sua história um espaço para defender um regionalismo leonês, como também um símbolo feminista utilizado principalmente por simpatizantes a direita política. Portanto, nesta pesquisa que utiliza dos softwares sociais como fontes percebemos que a representação da rainha se fragmenta em diversas formas a depender de como o interlocutor interpreta a história.São CristóvãoporSoftwares sociaisUrraca IMedievalismoSocial softwaresMedievalismCIENCIAS HUMANAS::HISTORIANas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022)On contemporary canvases, the face of the past: Urraca I and hers representations on social softwares (2010-2022)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação em HistóriaUniversidade Federal de Sergipe (UFS)reponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/18431/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALLUISA_VILAS_BOAS_SANTOS.pdfLUISA_VILAS_BOAS_SANTOS.pdfapplication/pdf4289568https://ri.ufs.br/jspui/bitstream/riufs/18431/2/LUISA_VILAS_BOAS_SANTOS.pdfba2f643c72f6f8e94bb55bf18b84e3e8MD52riufs/184312023-09-28 17:43:30.336oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2023-09-28T20:43:30Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false
dc.title.pt_BR.fl_str_mv Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022)
dc.title.alternative.por.fl_str_mv On contemporary canvases, the face of the past: Urraca I and hers representations on social softwares (2010-2022)
title Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022)
spellingShingle Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022)
Santos, Luísa Vilas Boas dos
Softwares sociais
Urraca I
Medievalismo
Social softwares
Medievalism
CIENCIAS HUMANAS::HISTORIA
title_short Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022)
title_full Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022)
title_fullStr Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022)
title_full_unstemmed Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022)
title_sort Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022)
author Santos, Luísa Vilas Boas dos
author_facet Santos, Luísa Vilas Boas dos
author_role author
dc.contributor.author.fl_str_mv Santos, Luísa Vilas Boas dos
dc.contributor.advisor1.fl_str_mv Álvaro, Bruno Gonçalves
contributor_str_mv Álvaro, Bruno Gonçalves
dc.subject.por.fl_str_mv Softwares sociais
Urraca I
Medievalismo
Social softwares
Medievalism
topic Softwares sociais
Urraca I
Medievalismo
Social softwares
Medievalism
CIENCIAS HUMANAS::HISTORIA
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description Currently, many battles are fought online. Through comments, viewpoints are defended, heated discussions take place anonymously, data is leaked, and, in some cases, real conflicts begin. This digital landscape serves as a stage for political issues and cultural expressions, and cyberspace becomes another place where history is reused and reinterpreted. The medieval Iberian queen Urraca I (1081-1126) is inserted into these contemporary debates as another figure brought from the past to meet current needs. Her image is presented on social media as a symbol of resistance to the medieval patriarchal society, depicted as someone who fought to rule and also as an example of a woman who faced adversity in her marriage and resisted. Thus, her image becomes an icon for contemporary debates, being reevaluated through these new perspectives, which find in her history a space to advocate for Leonese regionalism, as well as a feminist symbol used mainly by right-wing political sympathizers. Therefore, in this research that uses social media as sources, we perceive that the representation of the queen fragments into various forms depending on how the interlocutor interprets history.
publishDate 2023
dc.date.accessioned.fl_str_mv 2023-09-28T20:33:26Z
dc.date.available.fl_str_mv 2023-09-28T20:33:26Z
dc.date.issued.fl_str_mv 2023-07-28
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv SANTOS, Luísa Vilas Boas dos. Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022). 2023. 115 f. Dissertação (Mestrado em História) – Universidade Federal de Sergipe, São Cristóvão, 2023.
dc.identifier.uri.fl_str_mv https://ri.ufs.br/jspui/handle/riufs/18431
identifier_str_mv SANTOS, Luísa Vilas Boas dos. Nas telas do contemporâneo, a face do passado: Urraca I e suas representações nos softwares sociais (2010-2022). 2023. 115 f. Dissertação (Mestrado em História) – Universidade Federal de Sergipe, São Cristóvão, 2023.
url https://ri.ufs.br/jspui/handle/riufs/18431
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language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.publisher.program.fl_str_mv Pós-Graduação em História
dc.publisher.initials.fl_str_mv Universidade Federal de Sergipe (UFS)
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institution UFS
reponame_str Repositório Institucional da UFS
collection Repositório Institucional da UFS
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