Entre o risco e o ponto : o intangível consumido

Detalhes bibliográficos
Ano de defesa: 2012
Autor(a) principal: Andrade, Elza Guimarães lattes
Orientador(a): Rambelli, Gilson lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Não Informado pela instituição
Programa de Pós-Graduação: Pós-Graduação em Antropologia
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://ri.ufs.br/handle/riufs/3193
Resumo: This dissertation presents an anthropological research about ´´Renda Irlandesa``(Irish Lace) Sergipe´s handicraft that had its modi faciendi registered as National Intangible Cultural Heritage, in the Book of Knowledge, in November 2008 - in an approach that introduces new directions for addressing production, marketing and use, resulting from its interaction with the fashion market. The research focuses on a new approach that tends to treat consumption as a matter of culture, analyzing the emergence of new attitudes assumed by artisans in the ´´know-how Renda Irlandesa`` amid the demands of the fashion market linked to women´s clothing, which provide potential use of formulating handmade garments. It highlights the processes of the cultural heritage exerted by the female artisans in their know-how and shape the cultural heritage of handicrafts, emphasizing its role as a complementary source of income for the protagonists of the practice. Finally, we discuss the new mechanisms of representation made by social workers from the symbolic consumption of cultural heritage.
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spelling Andrade, Elza Guimarãeshttp://lattes.cnpq.br/6594968549543791Rambelli, Gilsonhttp://lattes.cnpq.br/83164038551398662017-09-25T13:41:17Z2017-09-25T13:41:17Z2012-09-10https://ri.ufs.br/handle/riufs/3193This dissertation presents an anthropological research about ´´Renda Irlandesa``(Irish Lace) Sergipe´s handicraft that had its modi faciendi registered as National Intangible Cultural Heritage, in the Book of Knowledge, in November 2008 - in an approach that introduces new directions for addressing production, marketing and use, resulting from its interaction with the fashion market. The research focuses on a new approach that tends to treat consumption as a matter of culture, analyzing the emergence of new attitudes assumed by artisans in the ´´know-how Renda Irlandesa`` amid the demands of the fashion market linked to women´s clothing, which provide potential use of formulating handmade garments. It highlights the processes of the cultural heritage exerted by the female artisans in their know-how and shape the cultural heritage of handicrafts, emphasizing its role as a complementary source of income for the protagonists of the practice. Finally, we discuss the new mechanisms of representation made by social workers from the symbolic consumption of cultural heritage.O presente trabalho apresenta uma investigação antropológica sobre a renda irlandesa artesanato sergipano que teve seu modo de fazer registrado como Patrimônio Cultural Imaterial Nacional, no Livro de Registro dos Saberes, em novembro de 2008 em suas novas instruções de produção, comercialização e uso, advindas das interações com o mercado de moda. A pesquisa privilegia uma nova abordagem sobre a Renda, tratando-a a partir de seu consumo como uma questão de cultura, para analisar o advento das novas atitudes assumidas pelas artesãs no saber fazer , em meio às demandas do mercado de moda ligadas ao vestuário feminino, que prevêem a potencialidade do uso de motivos artesanais na formulação de vestimentas. Evidencia ainda os processos de herança cultural exercidos pelas artesãs em seu ofício e que configuram a patrimonialidade do artesanato, destacando seu papel enquanto fonte complementar de ganho para as protagonistas da prática. Por fim, discute os novos mecanismos de representação assumidos pelos agentes sociais a partir do consumo simbólico da patrimonialidade.application/pdfporAntropologiaArtesanatoArtesãosConsumoRendasModaAntropologia do consumoPatrimônio cultural imaterialRenda irlandesaAnthropologyArtisansFashionHandicraftLace and lace makingAnthropology of consumptionIntangible cultural heritageIrish laceCNPQ::CIENCIAS HUMANAS::ANTROPOLOGIAEntre o risco e o ponto : o intangível consumidoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação em Antropologiainfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSORIGINALELZA_GUIMARAES_ANDRADE.pdfapplication/pdf7592688https://ri.ufs.br/jspui/bitstream/riufs/3193/1/ELZA_GUIMARAES_ANDRADE.pdfecd5ad494381b7dec12f956c2a27aa85MD51TEXTELZA_GUIMARAES_ANDRADE.pdf.txtELZA_GUIMARAES_ANDRADE.pdf.txtExtracted texttext/plain254936https://ri.ufs.br/jspui/bitstream/riufs/3193/2/ELZA_GUIMARAES_ANDRADE.pdf.txt3983a0345606b9ea2ce48db2e05f60b4MD52THUMBNAILELZA_GUIMARAES_ANDRADE.pdf.jpgELZA_GUIMARAES_ANDRADE.pdf.jpgGenerated Thumbnailimage/jpeg1358https://ri.ufs.br/jspui/bitstream/riufs/3193/3/ELZA_GUIMARAES_ANDRADE.pdf.jpg7549d795da07cf12093ab3fffff846c3MD53riufs/31932017-11-24 21:18:17.856oai:oai:ri.ufs.br:repo_01:riufs/3193Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2017-11-25T00:18:17Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false
dc.title.por.fl_str_mv Entre o risco e o ponto : o intangível consumido
title Entre o risco e o ponto : o intangível consumido
spellingShingle Entre o risco e o ponto : o intangível consumido
Andrade, Elza Guimarães
Antropologia
Artesanato
Artesãos
Consumo
Rendas
Moda
Antropologia do consumo
Patrimônio cultural imaterial
Renda irlandesa
Anthropology
Artisans
Fashion
Handicraft
Lace and lace making
Anthropology of consumption
Intangible cultural heritage
Irish lace
CNPQ::CIENCIAS HUMANAS::ANTROPOLOGIA
title_short Entre o risco e o ponto : o intangível consumido
title_full Entre o risco e o ponto : o intangível consumido
title_fullStr Entre o risco e o ponto : o intangível consumido
title_full_unstemmed Entre o risco e o ponto : o intangível consumido
title_sort Entre o risco e o ponto : o intangível consumido
author Andrade, Elza Guimarães
author_facet Andrade, Elza Guimarães
author_role author
dc.contributor.author.fl_str_mv Andrade, Elza Guimarães
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/6594968549543791
dc.contributor.advisor1.fl_str_mv Rambelli, Gilson
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/8316403855139866
contributor_str_mv Rambelli, Gilson
dc.subject.por.fl_str_mv Antropologia
Artesanato
Artesãos
Consumo
Rendas
Moda
Antropologia do consumo
Patrimônio cultural imaterial
Renda irlandesa
topic Antropologia
Artesanato
Artesãos
Consumo
Rendas
Moda
Antropologia do consumo
Patrimônio cultural imaterial
Renda irlandesa
Anthropology
Artisans
Fashion
Handicraft
Lace and lace making
Anthropology of consumption
Intangible cultural heritage
Irish lace
CNPQ::CIENCIAS HUMANAS::ANTROPOLOGIA
dc.subject.eng.fl_str_mv Anthropology
Artisans
Fashion
Handicraft
Lace and lace making
Anthropology of consumption
Intangible cultural heritage
Irish lace
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::ANTROPOLOGIA
description This dissertation presents an anthropological research about ´´Renda Irlandesa``(Irish Lace) Sergipe´s handicraft that had its modi faciendi registered as National Intangible Cultural Heritage, in the Book of Knowledge, in November 2008 - in an approach that introduces new directions for addressing production, marketing and use, resulting from its interaction with the fashion market. The research focuses on a new approach that tends to treat consumption as a matter of culture, analyzing the emergence of new attitudes assumed by artisans in the ´´know-how Renda Irlandesa`` amid the demands of the fashion market linked to women´s clothing, which provide potential use of formulating handmade garments. It highlights the processes of the cultural heritage exerted by the female artisans in their know-how and shape the cultural heritage of handicrafts, emphasizing its role as a complementary source of income for the protagonists of the practice. Finally, we discuss the new mechanisms of representation made by social workers from the symbolic consumption of cultural heritage.
publishDate 2012
dc.date.issued.fl_str_mv 2012-09-10
dc.date.accessioned.fl_str_mv 2017-09-25T13:41:17Z
dc.date.available.fl_str_mv 2017-09-25T13:41:17Z
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