Entre o risco e o ponto : o intangível consumido
| Ano de defesa: | 2012 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Não Informado pela instituição
|
| Programa de Pós-Graduação: |
Pós-Graduação em Antropologia
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | https://ri.ufs.br/handle/riufs/3193 |
Resumo: | This dissertation presents an anthropological research about ´´Renda Irlandesa``(Irish Lace) Sergipe´s handicraft that had its modi faciendi registered as National Intangible Cultural Heritage, in the Book of Knowledge, in November 2008 - in an approach that introduces new directions for addressing production, marketing and use, resulting from its interaction with the fashion market. The research focuses on a new approach that tends to treat consumption as a matter of culture, analyzing the emergence of new attitudes assumed by artisans in the ´´know-how Renda Irlandesa`` amid the demands of the fashion market linked to women´s clothing, which provide potential use of formulating handmade garments. It highlights the processes of the cultural heritage exerted by the female artisans in their know-how and shape the cultural heritage of handicrafts, emphasizing its role as a complementary source of income for the protagonists of the practice. Finally, we discuss the new mechanisms of representation made by social workers from the symbolic consumption of cultural heritage. |
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Andrade, Elza Guimarãeshttp://lattes.cnpq.br/6594968549543791Rambelli, Gilsonhttp://lattes.cnpq.br/83164038551398662017-09-25T13:41:17Z2017-09-25T13:41:17Z2012-09-10https://ri.ufs.br/handle/riufs/3193This dissertation presents an anthropological research about ´´Renda Irlandesa``(Irish Lace) Sergipe´s handicraft that had its modi faciendi registered as National Intangible Cultural Heritage, in the Book of Knowledge, in November 2008 - in an approach that introduces new directions for addressing production, marketing and use, resulting from its interaction with the fashion market. The research focuses on a new approach that tends to treat consumption as a matter of culture, analyzing the emergence of new attitudes assumed by artisans in the ´´know-how Renda Irlandesa`` amid the demands of the fashion market linked to women´s clothing, which provide potential use of formulating handmade garments. It highlights the processes of the cultural heritage exerted by the female artisans in their know-how and shape the cultural heritage of handicrafts, emphasizing its role as a complementary source of income for the protagonists of the practice. Finally, we discuss the new mechanisms of representation made by social workers from the symbolic consumption of cultural heritage.O presente trabalho apresenta uma investigação antropológica sobre a renda irlandesa artesanato sergipano que teve seu modo de fazer registrado como Patrimônio Cultural Imaterial Nacional, no Livro de Registro dos Saberes, em novembro de 2008 em suas novas instruções de produção, comercialização e uso, advindas das interações com o mercado de moda. A pesquisa privilegia uma nova abordagem sobre a Renda, tratando-a a partir de seu consumo como uma questão de cultura, para analisar o advento das novas atitudes assumidas pelas artesãs no saber fazer , em meio às demandas do mercado de moda ligadas ao vestuário feminino, que prevêem a potencialidade do uso de motivos artesanais na formulação de vestimentas. Evidencia ainda os processos de herança cultural exercidos pelas artesãs em seu ofício e que configuram a patrimonialidade do artesanato, destacando seu papel enquanto fonte complementar de ganho para as protagonistas da prática. Por fim, discute os novos mecanismos de representação assumidos pelos agentes sociais a partir do consumo simbólico da patrimonialidade.application/pdfporAntropologiaArtesanatoArtesãosConsumoRendasModaAntropologia do consumoPatrimônio cultural imaterialRenda irlandesaAnthropologyArtisansFashionHandicraftLace and lace makingAnthropology of consumptionIntangible cultural heritageIrish laceCNPQ::CIENCIAS HUMANAS::ANTROPOLOGIAEntre o risco e o ponto : o intangível consumidoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação em Antropologiainfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSORIGINALELZA_GUIMARAES_ANDRADE.pdfapplication/pdf7592688https://ri.ufs.br/jspui/bitstream/riufs/3193/1/ELZA_GUIMARAES_ANDRADE.pdfecd5ad494381b7dec12f956c2a27aa85MD51TEXTELZA_GUIMARAES_ANDRADE.pdf.txtELZA_GUIMARAES_ANDRADE.pdf.txtExtracted texttext/plain254936https://ri.ufs.br/jspui/bitstream/riufs/3193/2/ELZA_GUIMARAES_ANDRADE.pdf.txt3983a0345606b9ea2ce48db2e05f60b4MD52THUMBNAILELZA_GUIMARAES_ANDRADE.pdf.jpgELZA_GUIMARAES_ANDRADE.pdf.jpgGenerated Thumbnailimage/jpeg1358https://ri.ufs.br/jspui/bitstream/riufs/3193/3/ELZA_GUIMARAES_ANDRADE.pdf.jpg7549d795da07cf12093ab3fffff846c3MD53riufs/31932017-11-24 21:18:17.856oai:oai:ri.ufs.br:repo_01:riufs/3193Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2017-11-25T00:18:17Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
| dc.title.por.fl_str_mv |
Entre o risco e o ponto : o intangível consumido |
| title |
Entre o risco e o ponto : o intangível consumido |
| spellingShingle |
Entre o risco e o ponto : o intangível consumido Andrade, Elza Guimarães Antropologia Artesanato Artesãos Consumo Rendas Moda Antropologia do consumo Patrimônio cultural imaterial Renda irlandesa Anthropology Artisans Fashion Handicraft Lace and lace making Anthropology of consumption Intangible cultural heritage Irish lace CNPQ::CIENCIAS HUMANAS::ANTROPOLOGIA |
| title_short |
Entre o risco e o ponto : o intangível consumido |
| title_full |
Entre o risco e o ponto : o intangível consumido |
| title_fullStr |
Entre o risco e o ponto : o intangível consumido |
| title_full_unstemmed |
Entre o risco e o ponto : o intangível consumido |
| title_sort |
Entre o risco e o ponto : o intangível consumido |
| author |
Andrade, Elza Guimarães |
| author_facet |
Andrade, Elza Guimarães |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Andrade, Elza Guimarães |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6594968549543791 |
| dc.contributor.advisor1.fl_str_mv |
Rambelli, Gilson |
| dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/8316403855139866 |
| contributor_str_mv |
Rambelli, Gilson |
| dc.subject.por.fl_str_mv |
Antropologia Artesanato Artesãos Consumo Rendas Moda Antropologia do consumo Patrimônio cultural imaterial Renda irlandesa |
| topic |
Antropologia Artesanato Artesãos Consumo Rendas Moda Antropologia do consumo Patrimônio cultural imaterial Renda irlandesa Anthropology Artisans Fashion Handicraft Lace and lace making Anthropology of consumption Intangible cultural heritage Irish lace CNPQ::CIENCIAS HUMANAS::ANTROPOLOGIA |
| dc.subject.eng.fl_str_mv |
Anthropology Artisans Fashion Handicraft Lace and lace making Anthropology of consumption Intangible cultural heritage Irish lace |
| dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::ANTROPOLOGIA |
| description |
This dissertation presents an anthropological research about ´´Renda Irlandesa``(Irish Lace) Sergipe´s handicraft that had its modi faciendi registered as National Intangible Cultural Heritage, in the Book of Knowledge, in November 2008 - in an approach that introduces new directions for addressing production, marketing and use, resulting from its interaction with the fashion market. The research focuses on a new approach that tends to treat consumption as a matter of culture, analyzing the emergence of new attitudes assumed by artisans in the ´´know-how Renda Irlandesa`` amid the demands of the fashion market linked to women´s clothing, which provide potential use of formulating handmade garments. It highlights the processes of the cultural heritage exerted by the female artisans in their know-how and shape the cultural heritage of handicrafts, emphasizing its role as a complementary source of income for the protagonists of the practice. Finally, we discuss the new mechanisms of representation made by social workers from the symbolic consumption of cultural heritage. |
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2012 |
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2012-09-10 |
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2017-09-25T13:41:17Z |
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2017-09-25T13:41:17Z |
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