O romance estilhaçado: La vida en las ventanas, de Andrés Neuman e Berkeley em Bellagio, de João Gilberto Noll
Ano de defesa: | 2013 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , , , |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Santa Maria
|
Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras
|
Departamento: |
Letras
|
País: |
BR
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.ufsm.br/handle/1/3982 |
Resumo: | From the second half of the twentieth century, the West starts to record significant changes in the social, political, economic, ideological and cultural sphere. For many scholars/researchers, one of the central consequences of these changes is the consolidation of a globalized world, borders and national identities weakened or dissolved and lacking in grand narratives of utopian nature and homogenizing. Such globalized reality seems to resonate in the instance of cultural production and thus literary. One of the signs of this impact tends to be the appearance of certain narratives, to distance themselves from the most expressive modalities expressed by romance throughout modernity, requesting literary criticism defining new parameters for analysis and interpretation. Two examples, among others, of reports that seem to show a large gap in relation to expressions of romance in modernity are La vida en las Ventanas, the Spanish-Argentine writer Andrés Neuman and Berkeley in Bellagio, the author João Gilberto Noll. Assuming that these narratives present ties to the social, existential and spiritual atmosphere that is drawn in the West, from the second half of the last century, this work seeks to clarify, from the analysis of both narratives, that the understanding of the cultural and aesthetic sense of these reports depends on the definition of parameters differentiated analysis and interpretation of which were developed throughout modernity to the romance genre. In this sense, the work is structured from the review of relevant placements of literary criticism in Spain and Brazil today; recovery of the novel theories elaborated by authors such as Lukacs, Feher, Bakhtin, among others, and the review and discussion the thought of authors who try to explain the peculiarities of Western historical phase following the second world war, as Vattimo, Jameson, Anderson, Habermas, Lasch, etc.. It is concluded from the analysis of the works that the motives that drive the contemporary novelistic creation differ from that motivated formalization throughout modernity, the romance factor that leads to formal register modifications and requiring other analytical and interpretive devices. |
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2013-07-292013-07-292013-02-26MELO, Ivana Ferigolo. The shattered romance: La vida en las ventanas, by Andrés Neuman and Berkeley at Bellagio, by Joâo Gilberto Noll. 2013. 209 f. Tese (Doutorado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2013.http://repositorio.ufsm.br/handle/1/3982From the second half of the twentieth century, the West starts to record significant changes in the social, political, economic, ideological and cultural sphere. For many scholars/researchers, one of the central consequences of these changes is the consolidation of a globalized world, borders and national identities weakened or dissolved and lacking in grand narratives of utopian nature and homogenizing. Such globalized reality seems to resonate in the instance of cultural production and thus literary. One of the signs of this impact tends to be the appearance of certain narratives, to distance themselves from the most expressive modalities expressed by romance throughout modernity, requesting literary criticism defining new parameters for analysis and interpretation. Two examples, among others, of reports that seem to show a large gap in relation to expressions of romance in modernity are La vida en las Ventanas, the Spanish-Argentine writer Andrés Neuman and Berkeley in Bellagio, the author João Gilberto Noll. Assuming that these narratives present ties to the social, existential and spiritual atmosphere that is drawn in the West, from the second half of the last century, this work seeks to clarify, from the analysis of both narratives, that the understanding of the cultural and aesthetic sense of these reports depends on the definition of parameters differentiated analysis and interpretation of which were developed throughout modernity to the romance genre. In this sense, the work is structured from the review of relevant placements of literary criticism in Spain and Brazil today; recovery of the novel theories elaborated by authors such as Lukacs, Feher, Bakhtin, among others, and the review and discussion the thought of authors who try to explain the peculiarities of Western historical phase following the second world war, as Vattimo, Jameson, Anderson, Habermas, Lasch, etc.. It is concluded from the analysis of the works that the motives that drive the contemporary novelistic creation differ from that motivated formalization throughout modernity, the romance factor that leads to formal register modifications and requiring other analytical and interpretive devices.A partir da segunda metade do século XX, o Ocidente passa a registrar mudanças significativas na esfera social, política, econômica, ideológica e cultural. Para muitos estudiosos, uma das consequências centrais dessas mudanças é a consolidação de um mundo globalizado, de fronteiras e identidades nacionais enfraquecidas, ou dissolvidas, e carente de grandes narrativas de cunho utópico e homogeneizante. Tal realidade globalizada parece repercutir na instância da produção cultural e, portanto, literária. Um dos sinais dessa repercussão tende a ser o aparecimento de certas narrativas que, ao se distanciarem das modalidades mais expressivas manifestadas pelo romance ao longo da modernidade, solicitam da crítica literária a definição de novos parâmetros de análise e interpretação. Dois exemplos, entre outros, de relatos que parecem exibir um distanciamento em relação às grandes expressões do romance na modernidade são La vida en las ventanas, do escritor hispano-argentino Andrés Neuman e Berkeley em Bellagio, do autor João Gilberto Noll. Partindo do pressuposto de que estas narrativas apresentam vínculos com a atmosfera social, existencial e espiritual que se desenha, no Ocidente, a partir da segunda metade do século passado, este trabalho busca explicitar, a partir da análise de ambas as narrativas, que o entendimento do sentido estético e cultural desses relatos depende da delimitação de parâmetros de análise e interpretação diferenciados dos que foram elaborados ao longo da modernidade para o gênero romance. Nesse sentido, o trabalho estrutura-se a partir da revisão de posicionamentos relevantes da crítica literária da Espanha e do Brasil na atualidade; da recuperação das teorias do romance elaboradas por autores como Lukács, Féher, Bakhtin, entre outros, e da revisão e discussão do pensamento de autores que tratam de explicar as particularidades da fase histórica ocidental posterior à Segunda Guerra Mundial, como Vattimo, Jameson, Anderson, Habermas, Lasch, etc. Conclui-se, a partir da análise das obras, que os motivos que impulsionam a criação romanesca na contemporaneidade diferem dos que motivaram sua formalização ao longo da modernidade, fator que leva o romance a registrar modificações formais e a requerer outros dispositivos analíticos e interpretativos.application/pdfporUniversidade Federal de Santa MariaPrograma de Pós-Graduação em LetrasUFSMBRLetrasRomanceContemporaneidadeCrítica literáriaRomanceContemporaryLiterary criticismCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASO romance estilhaçado: La vida en las ventanas, de Andrés Neuman e Berkeley em Bellagio, de João Gilberto NollThe shattered romance: La vida en las ventanas, by Andrés Neuman and Berkeley at Bellagio, by Joâo Gilberto Nollinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisMayoral, Ana Teresa Cabañashttp://lattes.cnpq.br/7927781661540872Camargo, Fabio Figueiredohttp://lattes.cnpq.br/1607535412134196Cardoso, Rosane Mariahttp://lattes.cnpq.br/2580718280810312Eslava, Fernando Villarragahttp://lattes.cnpq.br/1545528976563046Ramicelli, Maria Euláliahttp://lattes.cnpq.br/6281610122950296http://lattes.cnpq.br/0826292652532392Melo, Ivana Ferigolo800200000001400300300300300300300bc994fe5-ce84-41ac-9ad0-fe8a90ee7f05a82f5caa-5216-46bb-afd9-0aedcbed04f26d6d30af-59b5-4088-80c7-99f55dc93f0ccf4fa55b-540a-4ecd-a539-03e03a57ccaa10bc7ec7-c2bf-456f-a172-9e5837b3ac17b4465d4f-2c6d-4e94-83d5-079d87d07887info:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALMELO, IVANA FERIGOLO.pdfapplication/pdf1555842http://repositorio.ufsm.br/bitstream/1/3982/1/MELO%2c%20IVANA%20FERIGOLO.pdfae94fa311c1fefd14064b7f8dfa28858MD51TEXTMELO, IVANA FERIGOLO.pdf.txtMELO, IVANA FERIGOLO.pdf.txtExtracted texttext/plain545636http://repositorio.ufsm.br/bitstream/1/3982/2/MELO%2c%20IVANA%20FERIGOLO.pdf.txt644c20be99c2225ff1e5b03174cd96abMD52THUMBNAILMELO, IVANA FERIGOLO.pdf.jpgMELO, IVANA FERIGOLO.pdf.jpgIM Thumbnailimage/jpeg4786http://repositorio.ufsm.br/bitstream/1/3982/3/MELO%2c%20IVANA%20FERIGOLO.pdf.jpg4b677e40e7b89f4ee1b4abcd27b64f71MD531/39822023-06-14 10:54:52.74oai:repositorio.ufsm.br:1/3982Repositório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestopendoar:39132023-06-14T13:54:52Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
O romance estilhaçado: La vida en las ventanas, de Andrés Neuman e Berkeley em Bellagio, de João Gilberto Noll |
dc.title.alternative.eng.fl_str_mv |
The shattered romance: La vida en las ventanas, by Andrés Neuman and Berkeley at Bellagio, by Joâo Gilberto Noll |
title |
O romance estilhaçado: La vida en las ventanas, de Andrés Neuman e Berkeley em Bellagio, de João Gilberto Noll |
spellingShingle |
O romance estilhaçado: La vida en las ventanas, de Andrés Neuman e Berkeley em Bellagio, de João Gilberto Noll Melo, Ivana Ferigolo Romance Contemporaneidade Crítica literária Romance Contemporary Literary criticism CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
O romance estilhaçado: La vida en las ventanas, de Andrés Neuman e Berkeley em Bellagio, de João Gilberto Noll |
title_full |
O romance estilhaçado: La vida en las ventanas, de Andrés Neuman e Berkeley em Bellagio, de João Gilberto Noll |
title_fullStr |
O romance estilhaçado: La vida en las ventanas, de Andrés Neuman e Berkeley em Bellagio, de João Gilberto Noll |
title_full_unstemmed |
O romance estilhaçado: La vida en las ventanas, de Andrés Neuman e Berkeley em Bellagio, de João Gilberto Noll |
title_sort |
O romance estilhaçado: La vida en las ventanas, de Andrés Neuman e Berkeley em Bellagio, de João Gilberto Noll |
author |
Melo, Ivana Ferigolo |
author_facet |
Melo, Ivana Ferigolo |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Mayoral, Ana Teresa Cabañas |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/7927781661540872 |
dc.contributor.referee1.fl_str_mv |
Camargo, Fabio Figueiredo |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/1607535412134196 |
dc.contributor.referee2.fl_str_mv |
Cardoso, Rosane Maria |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/2580718280810312 |
dc.contributor.referee3.fl_str_mv |
Eslava, Fernando Villarraga |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/1545528976563046 |
dc.contributor.referee4.fl_str_mv |
Ramicelli, Maria Eulália |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/6281610122950296 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0826292652532392 |
dc.contributor.author.fl_str_mv |
Melo, Ivana Ferigolo |
contributor_str_mv |
Mayoral, Ana Teresa Cabañas Camargo, Fabio Figueiredo Cardoso, Rosane Maria Eslava, Fernando Villarraga Ramicelli, Maria Eulália |
dc.subject.por.fl_str_mv |
Romance Contemporaneidade Crítica literária |
topic |
Romance Contemporaneidade Crítica literária Romance Contemporary Literary criticism CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Romance Contemporary Literary criticism |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
From the second half of the twentieth century, the West starts to record significant changes in the social, political, economic, ideological and cultural sphere. For many scholars/researchers, one of the central consequences of these changes is the consolidation of a globalized world, borders and national identities weakened or dissolved and lacking in grand narratives of utopian nature and homogenizing. Such globalized reality seems to resonate in the instance of cultural production and thus literary. One of the signs of this impact tends to be the appearance of certain narratives, to distance themselves from the most expressive modalities expressed by romance throughout modernity, requesting literary criticism defining new parameters for analysis and interpretation. Two examples, among others, of reports that seem to show a large gap in relation to expressions of romance in modernity are La vida en las Ventanas, the Spanish-Argentine writer Andrés Neuman and Berkeley in Bellagio, the author João Gilberto Noll. Assuming that these narratives present ties to the social, existential and spiritual atmosphere that is drawn in the West, from the second half of the last century, this work seeks to clarify, from the analysis of both narratives, that the understanding of the cultural and aesthetic sense of these reports depends on the definition of parameters differentiated analysis and interpretation of which were developed throughout modernity to the romance genre. In this sense, the work is structured from the review of relevant placements of literary criticism in Spain and Brazil today; recovery of the novel theories elaborated by authors such as Lukacs, Feher, Bakhtin, among others, and the review and discussion the thought of authors who try to explain the peculiarities of Western historical phase following the second world war, as Vattimo, Jameson, Anderson, Habermas, Lasch, etc.. It is concluded from the analysis of the works that the motives that drive the contemporary novelistic creation differ from that motivated formalization throughout modernity, the romance factor that leads to formal register modifications and requiring other analytical and interpretive devices. |
publishDate |
2013 |
dc.date.accessioned.fl_str_mv |
2013-07-29 |
dc.date.available.fl_str_mv |
2013-07-29 |
dc.date.issued.fl_str_mv |
2013-02-26 |
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doctoralThesis |
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dc.identifier.citation.fl_str_mv |
MELO, Ivana Ferigolo. The shattered romance: La vida en las ventanas, by Andrés Neuman and Berkeley at Bellagio, by Joâo Gilberto Noll. 2013. 209 f. Tese (Doutorado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2013. |
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http://repositorio.ufsm.br/handle/1/3982 |
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MELO, Ivana Ferigolo. The shattered romance: La vida en las ventanas, by Andrés Neuman and Berkeley at Bellagio, by Joâo Gilberto Noll. 2013. 209 f. Tese (Doutorado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2013. |
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