Devires drag mediados pelas tecnologias digitais: corporalidades e identificações no interior do Rio Grande do Sul
Ano de defesa: | 2023 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , , , |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Santa Maria
Centro de Ciências Sociais e Humanas |
Programa de Pós-Graduação: |
Programa de Pós-Graduação em Ciências Sociais
|
Departamento: |
Sociologia
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.ufsm.br/handle/1/30817 |
Resumo: | Drags are artists who give life to embodied characters for theatrical performance, as well as for fun, self-experimentation, raising self-esteem, among other motivations. Currently, men, women, transvestites, trans people and non-binary people of different sexual identities cross-dress artistically. Through performances involving fabricated corporealities, imbued with the temperaments of drag personas, the artists manifest different artistic expressions in themselves and that emanate from themselves. In view of this fact, this thesis looks at how drag performers from Santa Maria (RS/Brazil) produce corporealities and theatricalize genres to give life to artistic personas, through the different agency of identifications in a circuit onoffline practices. Based on an ethnographic investigation developed from participant observations and interviews with drag interlocutors between 2019 and 2023, and in dialogue with theories that deal with corporealities, gender performativities and identifications, I propose a reflection on how these drag experimentations take place in the digital age in which we find ourselves. Thus, I have identified that the fabrication of drag corporealities in the aforementioned circuit takes place through cyborg bricolage with make-up, clothing, wigs, smartphones, profiles, 3D filters provided by augmented reality, among countless other digital things and things. These corporealities materialize the multiple identifications of the self, in the self, through positions taken in the world, embodied in the cyborg subject's body. Furthermore, by highlighting the multiple possibilities of identifications and the production of contingent and historical differences, I identify the conditions of displacement in the world of subjects marked as non-human in this production of identifications and differences that imply including and excluding the more or less human. Finally, through the theoretical-empirical discussion, I highlight the relevance of socio-anthropological analysis that articulates human agencies and socio-cultural structures in an attempt to understand how corporealities and identifications are reconfigured in practice and which, through the arts, manifest ways of living beyond the norms that regulate bodies, genders and identifications. |
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2023-12-07T18:54:56Z2023-12-07T18:54:56Z2023-11-27http://repositorio.ufsm.br/handle/1/30817Drags are artists who give life to embodied characters for theatrical performance, as well as for fun, self-experimentation, raising self-esteem, among other motivations. Currently, men, women, transvestites, trans people and non-binary people of different sexual identities cross-dress artistically. Through performances involving fabricated corporealities, imbued with the temperaments of drag personas, the artists manifest different artistic expressions in themselves and that emanate from themselves. In view of this fact, this thesis looks at how drag performers from Santa Maria (RS/Brazil) produce corporealities and theatricalize genres to give life to artistic personas, through the different agency of identifications in a circuit onoffline practices. Based on an ethnographic investigation developed from participant observations and interviews with drag interlocutors between 2019 and 2023, and in dialogue with theories that deal with corporealities, gender performativities and identifications, I propose a reflection on how these drag experimentations take place in the digital age in which we find ourselves. Thus, I have identified that the fabrication of drag corporealities in the aforementioned circuit takes place through cyborg bricolage with make-up, clothing, wigs, smartphones, profiles, 3D filters provided by augmented reality, among countless other digital things and things. These corporealities materialize the multiple identifications of the self, in the self, through positions taken in the world, embodied in the cyborg subject's body. Furthermore, by highlighting the multiple possibilities of identifications and the production of contingent and historical differences, I identify the conditions of displacement in the world of subjects marked as non-human in this production of identifications and differences that imply including and excluding the more or less human. Finally, through the theoretical-empirical discussion, I highlight the relevance of socio-anthropological analysis that articulates human agencies and socio-cultural structures in an attempt to understand how corporealities and identifications are reconfigured in practice and which, through the arts, manifest ways of living beyond the norms that regulate bodies, genders and identifications.Drags são artistas que dão vida a personagens corporificadas/os para a representação teatral, bem como para a diversão, a experimentação de si, a elevação da autoestima, dentre outras motivações. Atualmente transvestem-se artisticamente homens, mulheres, travestis, pessoas trans e pessoas não binárias de diferentes identidades sexuais. Através das performances que envolvem corporalidades fabricadas, imbuídas dos temperamentos das personas drags, os/as artistas manifestam diferentes expressões artísticas em si e que emanam de si. Diante de tal fato, esta tese aborda como as/os drags de Santa Maria (RS/Brasil) produzem corporalidades e teatralizam gêneros para dar vida a personas artísticas, através dos diferentes agenciamentos das identificações em um circuito de práticas on-offline. Com base em uma investigação etnográfica desenvolvida a partir de observações participantes e entrevistas com drags interlocutoras/es entre os anos de 2019 e 2023 e em diálogo com teorias que tratam de corporalidades, performatividades de gênero e identificações, proponho a reflexão sobre como se dão essas experimentações drags na era digital em que nos inserimos. Assim, identifiquei que a fabricação das corporalidades drags no referido circuito acontecem através da bricolagem ciborgue com maquiagens, indumentárias, perucas, smartphones, perfis, filtros 3D proporcionados pela realidade aumentada, dentre inúmeras outras coisas e coisas digitais. Essas corporalidades materializam as múltiplas identificações de si, em si, através das tomadas de posições no mundo, encarnadas no corpo sujeita/o ciborgue. Além disso, ao ressaltar as múltiplas possibilidades de identificações e das produções de diferenças contingentes e históricas, identifico as condições de deslocamentos no mundo das/os sujeitas/os marcadas/os como não humanas/os nesta produção de identificações e diferenças que implicam em incluir e excluir o mais ou o menos humano. Por fim, através da discussão teórico-empírica, é ressaltada a relevância da análise socioantropológica que articula as agências humanas e as estruturas socioculturais no intento de compreender como se reconfiguram, na prática, corporalidades e identificações que, através das artes, manifestam maneiras de se viver para além das normas regulatórias sobre corpos, gêneros e identificações.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Ciências Sociais e HumanasPrograma de Pós-Graduação em Ciências SociaisUFSMBrasilSociologiaAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessDragCorporalidadeIdentificaçãoGêneroTecnologias digitaisCorporalityIdentificationGenderDigital technologiesCNPQ::CIENCIAS HUMANAS::SOCIOLOGIADevires drag mediados pelas tecnologias digitais: corporalidades e identificações no interior do Rio Grande do SulDrag queens changes mediated by digital technologies: corporalities and identifications in the interior of Rio Grande do Sulinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisBalieiro, Fernando de Figueiredohttp://lattes.cnpq.br/1754073430664136Leitão, Débora KrischkeVencato, Anna PaulaAlmeida, Francis Moraes deGomes, Laura Graziela Figueiredo FernandesDuque, Tiagohttp://lattes.cnpq.br/9824767539802585Borges, Rafaela Oliveira7002000000096006006006006006006006009f2d7870-46af-4094-9d1b-50dd995bdb5d97aded0c-e7aa-42bc-ac06-94785725212abdacf7cc-86ca-427c-8838-5555e171ebd95fae431c-f24a-4534-9e11-b6e93733acebb1f21d4b-84a5-4d58-9a16-ce3dfa8ebabf07bb5943-35dd-436a-94d8-6338bfc7ce836165b497-e56c-4283-ad79-552745305936reponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Devires drag mediados pelas tecnologias digitais: corporalidades e identificações no interior do Rio Grande do Sul |
dc.title.alternative.eng.fl_str_mv |
Drag queens changes mediated by digital technologies: corporalities and identifications in the interior of Rio Grande do Sul |
title |
Devires drag mediados pelas tecnologias digitais: corporalidades e identificações no interior do Rio Grande do Sul |
spellingShingle |
Devires drag mediados pelas tecnologias digitais: corporalidades e identificações no interior do Rio Grande do Sul Borges, Rafaela Oliveira Drag Corporalidade Identificação Gênero Tecnologias digitais Corporality Identification Gender Digital technologies CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA |
title_short |
Devires drag mediados pelas tecnologias digitais: corporalidades e identificações no interior do Rio Grande do Sul |
title_full |
Devires drag mediados pelas tecnologias digitais: corporalidades e identificações no interior do Rio Grande do Sul |
title_fullStr |
Devires drag mediados pelas tecnologias digitais: corporalidades e identificações no interior do Rio Grande do Sul |
title_full_unstemmed |
Devires drag mediados pelas tecnologias digitais: corporalidades e identificações no interior do Rio Grande do Sul |
title_sort |
Devires drag mediados pelas tecnologias digitais: corporalidades e identificações no interior do Rio Grande do Sul |
author |
Borges, Rafaela Oliveira |
author_facet |
Borges, Rafaela Oliveira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Balieiro, Fernando de Figueiredo |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1754073430664136 |
dc.contributor.advisor-co1.fl_str_mv |
Leitão, Débora Krischke |
dc.contributor.referee1.fl_str_mv |
Vencato, Anna Paula |
dc.contributor.referee2.fl_str_mv |
Almeida, Francis Moraes de |
dc.contributor.referee3.fl_str_mv |
Gomes, Laura Graziela Figueiredo Fernandes |
dc.contributor.referee4.fl_str_mv |
Duque, Tiago |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9824767539802585 |
dc.contributor.author.fl_str_mv |
Borges, Rafaela Oliveira |
contributor_str_mv |
Balieiro, Fernando de Figueiredo Leitão, Débora Krischke Vencato, Anna Paula Almeida, Francis Moraes de Gomes, Laura Graziela Figueiredo Fernandes Duque, Tiago |
dc.subject.por.fl_str_mv |
Drag Corporalidade Identificação Gênero Tecnologias digitais |
topic |
Drag Corporalidade Identificação Gênero Tecnologias digitais Corporality Identification Gender Digital technologies CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA |
dc.subject.eng.fl_str_mv |
Corporality Identification Gender Digital technologies |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA |
description |
Drags are artists who give life to embodied characters for theatrical performance, as well as for fun, self-experimentation, raising self-esteem, among other motivations. Currently, men, women, transvestites, trans people and non-binary people of different sexual identities cross-dress artistically. Through performances involving fabricated corporealities, imbued with the temperaments of drag personas, the artists manifest different artistic expressions in themselves and that emanate from themselves. In view of this fact, this thesis looks at how drag performers from Santa Maria (RS/Brazil) produce corporealities and theatricalize genres to give life to artistic personas, through the different agency of identifications in a circuit onoffline practices. Based on an ethnographic investigation developed from participant observations and interviews with drag interlocutors between 2019 and 2023, and in dialogue with theories that deal with corporealities, gender performativities and identifications, I propose a reflection on how these drag experimentations take place in the digital age in which we find ourselves. Thus, I have identified that the fabrication of drag corporealities in the aforementioned circuit takes place through cyborg bricolage with make-up, clothing, wigs, smartphones, profiles, 3D filters provided by augmented reality, among countless other digital things and things. These corporealities materialize the multiple identifications of the self, in the self, through positions taken in the world, embodied in the cyborg subject's body. Furthermore, by highlighting the multiple possibilities of identifications and the production of contingent and historical differences, I identify the conditions of displacement in the world of subjects marked as non-human in this production of identifications and differences that imply including and excluding the more or less human. Finally, through the theoretical-empirical discussion, I highlight the relevance of socio-anthropological analysis that articulates human agencies and socio-cultural structures in an attempt to understand how corporealities and identifications are reconfigured in practice and which, through the arts, manifest ways of living beyond the norms that regulate bodies, genders and identifications. |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-12-07T18:54:56Z |
dc.date.available.fl_str_mv |
2023-12-07T18:54:56Z |
dc.date.issued.fl_str_mv |
2023-11-27 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/doctoralThesis |
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doctoralThesis |
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http://repositorio.ufsm.br/handle/1/30817 |
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http://repositorio.ufsm.br/handle/1/30817 |
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por |
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por |
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700200000009 |
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600 600 600 600 600 600 600 600 |
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openAccess |
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Universidade Federal de Santa Maria Centro de Ciências Sociais e Humanas |
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Programa de Pós-Graduação em Ciências Sociais |
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UFSM |
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Brasil |
dc.publisher.department.fl_str_mv |
Sociologia |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Ciências Sociais e Humanas |
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