Entre o silêncio dos pinhais e a solidão das paredes: a composição das personagens e sua relação com o espaço em Casa na duna, de Carlos de Oliveira
Ano de defesa: | 2020 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Santa Maria
Centro de Artes e Letras |
Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras
|
Departamento: |
Letras
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.ufsm.br/handle/1/21664 |
Resumo: | In the mid-1930’s, Portugal was already under the regime of Estado Novo, a troubled period in which Portuguese Neorealism emerged, a literary movement influenced by certain Marxist conceptions and also by some American and Brazilian fiction of the 1930s. In the scope of the literary movement, Carlos de Oliveira occupies a central place among the authors whose work reflects a marked aesthetic concern. The neorealist theme of the decadence of the rural bourgeoisie and the consequent misery of the working class is evident in his first novel, Casa na Duna (1943), which inaugurates the so-called “tetralogy of gândara”, which includes the novels Pequenos Burgueses (1948), Uma Abelha na Chuva (1953) and Finisterra (1978). Casa na Duna follows the last three generations of the Paulos, a small bourgeoisie family who owns a farm in the village of Corrocovo. In this novel, the degradation, which initially seems restricted to socioeconomic aspects, can be also related to physical, moral, psychological and affective instances. In this sense, this dissertation is intended to understand, through the analysis of the composition of the characters along with the configuration of the space, the close relation between the collapse of the Paulo family and the ruin of their house. Therefore, we will especially focus on the formal and linguistic care with which the author constructs the fictional universe of gândara and the way in which its inhabitants are characterized. Moreover, we also observe how the author ideologically explores this fictional universe while avoiding to make the work merely an instrument of social criticism and worth of the aesthetic potentialities of the language. |
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spelling |
2021-07-31T00:14:23Z2021-07-31T00:14:23Z2020-02-28http://repositorio.ufsm.br/handle/1/21664In the mid-1930’s, Portugal was already under the regime of Estado Novo, a troubled period in which Portuguese Neorealism emerged, a literary movement influenced by certain Marxist conceptions and also by some American and Brazilian fiction of the 1930s. In the scope of the literary movement, Carlos de Oliveira occupies a central place among the authors whose work reflects a marked aesthetic concern. The neorealist theme of the decadence of the rural bourgeoisie and the consequent misery of the working class is evident in his first novel, Casa na Duna (1943), which inaugurates the so-called “tetralogy of gândara”, which includes the novels Pequenos Burgueses (1948), Uma Abelha na Chuva (1953) and Finisterra (1978). Casa na Duna follows the last three generations of the Paulos, a small bourgeoisie family who owns a farm in the village of Corrocovo. In this novel, the degradation, which initially seems restricted to socioeconomic aspects, can be also related to physical, moral, psychological and affective instances. In this sense, this dissertation is intended to understand, through the analysis of the composition of the characters along with the configuration of the space, the close relation between the collapse of the Paulo family and the ruin of their house. Therefore, we will especially focus on the formal and linguistic care with which the author constructs the fictional universe of gândara and the way in which its inhabitants are characterized. Moreover, we also observe how the author ideologically explores this fictional universe while avoiding to make the work merely an instrument of social criticism and worth of the aesthetic potentialities of the language.Em meados da década de 1930, Portugal encontra-se já sob o regime do Estado Novo, período conturbado em que desponta o Neorrealismo português, movimento literário influenciado por certas concepções marxistas e pela ficção norte-americana e brasileira da década de 30. No quadro literário do movimento, Carlos de Oliveira ocupa um lugar central entre os autores cuja obra reflete uma acentuada preocupação estética. A temática neorrealista da decadência da burguesia rural e da consequente miséria do proletariado é evidente em seu primeiro romance, Casa na Duna (1943), que inaugura a chamada “tetralogia da gândara”, composta ainda pelos romances Pequenos Burgueses (1948), Uma Abelha na chuva (1953) e Finisterra (1978). Casa na Duna acompanha as três últimas gerações dos Paulos, família da pequena burguesia gandaresa, proprietária de uma quinta na aldeia de Corrocovo. Nesse romance, a degradação, que inicialmente parece restrita à questão socioeconômica, abarca também as instâncias física, moral, psicológica e afetiva. Tendo isso em vista, nesta dissertação, objetivamos compreender, por meio da análise da composição das personagens e da configuração do espaço, a relação de contiguidade entre a derrocada da família Paulo e a ruína de sua casa. Para tanto, privilegiamos sobretudo o cuidado formal e linguístico com que o autor constrói o universo ficcional da gândara e o modo como caracteriza seus habitantes, além da maneira como se serve ideologicamente dele, ao mesmo tempo evitando tornar a obra mero instrumento de crítica social e se valendo das potencialidades estéticas da língua.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESConselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em LetrasUFSMBrasilLetrasAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPersonagemEspaçoCasa na dunaCarlos de OliveiraCharacterSpaceCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASEntre o silêncio dos pinhais e a solidão das paredes: a composição das personagens e sua relação com o espaço em Casa na duna, de Carlos de OliveiraBetween the silence of the pine trees and the loneliness of the walls: composition of characters and its relation with space in Carlos de Oliveira’s Casa na dunainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOliveira, Raquel Trentinhttp://lattes.cnpq.br/8414562554311704Roani, Gerson LuizParaense, Silvia Carneiro Lobatohttp://lattes.cnpq.br/6042989563538183Hoffmann, Alana Francisca da Silva8002000000016006006006006007749c206-8cf1-450a-8b40-8b2a874c3852e48fe38d-c053-4021-83ea-05c6fa8c366415fa5cdb-822d-4bf1-aa42-1a6fdf6cb2a194f290ad-496d-49d8-a684-145b945b86c9reponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGLETRAS_2020_HOFFMANN_ALANA.pdfDIS_PPGLETRAS_2020_HOFFMANN_ALANA.pdfDissertação de Mestradoapplication/pdf1420764http://repositorio.ufsm.br/bitstream/1/21664/1/DIS_PPGLETRAS_2020_HOFFMANN_ALANA.pdfee1451061c9fb837ed2be8c0f7792d85MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; 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dc.title.por.fl_str_mv |
Entre o silêncio dos pinhais e a solidão das paredes: a composição das personagens e sua relação com o espaço em Casa na duna, de Carlos de Oliveira |
dc.title.alternative.eng.fl_str_mv |
Between the silence of the pine trees and the loneliness of the walls: composition of characters and its relation with space in Carlos de Oliveira’s Casa na duna |
title |
Entre o silêncio dos pinhais e a solidão das paredes: a composição das personagens e sua relação com o espaço em Casa na duna, de Carlos de Oliveira |
spellingShingle |
Entre o silêncio dos pinhais e a solidão das paredes: a composição das personagens e sua relação com o espaço em Casa na duna, de Carlos de Oliveira Hoffmann, Alana Francisca da Silva Personagem Espaço Casa na duna Carlos de Oliveira Character Space CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Entre o silêncio dos pinhais e a solidão das paredes: a composição das personagens e sua relação com o espaço em Casa na duna, de Carlos de Oliveira |
title_full |
Entre o silêncio dos pinhais e a solidão das paredes: a composição das personagens e sua relação com o espaço em Casa na duna, de Carlos de Oliveira |
title_fullStr |
Entre o silêncio dos pinhais e a solidão das paredes: a composição das personagens e sua relação com o espaço em Casa na duna, de Carlos de Oliveira |
title_full_unstemmed |
Entre o silêncio dos pinhais e a solidão das paredes: a composição das personagens e sua relação com o espaço em Casa na duna, de Carlos de Oliveira |
title_sort |
Entre o silêncio dos pinhais e a solidão das paredes: a composição das personagens e sua relação com o espaço em Casa na duna, de Carlos de Oliveira |
author |
Hoffmann, Alana Francisca da Silva |
author_facet |
Hoffmann, Alana Francisca da Silva |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Oliveira, Raquel Trentin |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8414562554311704 |
dc.contributor.referee1.fl_str_mv |
Roani, Gerson Luiz |
dc.contributor.referee2.fl_str_mv |
Paraense, Silvia Carneiro Lobato |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6042989563538183 |
dc.contributor.author.fl_str_mv |
Hoffmann, Alana Francisca da Silva |
contributor_str_mv |
Oliveira, Raquel Trentin Roani, Gerson Luiz Paraense, Silvia Carneiro Lobato |
dc.subject.por.fl_str_mv |
Personagem Espaço Casa na duna Carlos de Oliveira |
topic |
Personagem Espaço Casa na duna Carlos de Oliveira Character Space CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Character Space |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
In the mid-1930’s, Portugal was already under the regime of Estado Novo, a troubled period in which Portuguese Neorealism emerged, a literary movement influenced by certain Marxist conceptions and also by some American and Brazilian fiction of the 1930s. In the scope of the literary movement, Carlos de Oliveira occupies a central place among the authors whose work reflects a marked aesthetic concern. The neorealist theme of the decadence of the rural bourgeoisie and the consequent misery of the working class is evident in his first novel, Casa na Duna (1943), which inaugurates the so-called “tetralogy of gândara”, which includes the novels Pequenos Burgueses (1948), Uma Abelha na Chuva (1953) and Finisterra (1978). Casa na Duna follows the last three generations of the Paulos, a small bourgeoisie family who owns a farm in the village of Corrocovo. In this novel, the degradation, which initially seems restricted to socioeconomic aspects, can be also related to physical, moral, psychological and affective instances. In this sense, this dissertation is intended to understand, through the analysis of the composition of the characters along with the configuration of the space, the close relation between the collapse of the Paulo family and the ruin of their house. Therefore, we will especially focus on the formal and linguistic care with which the author constructs the fictional universe of gândara and the way in which its inhabitants are characterized. Moreover, we also observe how the author ideologically explores this fictional universe while avoiding to make the work merely an instrument of social criticism and worth of the aesthetic potentialities of the language. |
publishDate |
2020 |
dc.date.issued.fl_str_mv |
2020-02-28 |
dc.date.accessioned.fl_str_mv |
2021-07-31T00:14:23Z |
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2021-07-31T00:14:23Z |
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por |
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800200000001 |
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600 600 600 600 600 |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
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Programa de Pós-Graduação em Letras |
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UFSM |
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Brasil |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
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