Murmúrios de uma vivência: metáfora literária da efemeridade histórica
Ano de defesa: | 2004 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Santa Maria
|
Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras
|
Departamento: |
Letras
|
País: |
BR
|
Palavras-chave em Português: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.ufsm.br/handle/1/9784 |
Resumo: | The rustling sounds of a living: the literary metaphor of the historical transitoriness has as its object of study the novel A costa dos murmúrios (1988) by the Portuguese contemporary writer Lídia Jorge. The novel evokes the rustling sounds of a recent past: the colonial war between Portugal and Mozambique. Although the characters individual wars inside the family and inside the marriage assume a first plane, each of them revolves around the Imperial conflict which invades the routine, the private sphere and the daily events. As to the novel s form, everything therein, is distantiated from what is whole, absolute and unified. Such traits can be observed from the starting point since the textual fabric is divided into two narratives: a brief, opening report entitled Os gafanhotos , which is presided by an external, omniscient voice, and a second, long narrative with no title, which is presided by Eva s testimony one of the women of the Portuguese officers at war. Both reports are twenty years away from the narrated events. Therefore, it is the construction of the memory around the past which is highlighted: the narrators recollections, the literary language about the Portuguese historical unfolding. Within this context, the analysis focused the stories performed as well as the construction of the narrative discourses. Disclosing the sense of the text, the interpretation tried to confer meaning to the narrators act of recollection from an interdisciplinary perspective. It was imperative to indicate the specificity of the literary discourse as opposed to the historical referent. To do so, the way A costa dos murmúrios recreates the external referent, making its memory possible, was investigated. It was observed that the Jorgiano novel rescues the human senses and the suffering imposed by the war upon its victims, through the use of a metaphorical process in relation to the past. Due to those features, the novelistic discourse emphasizes the fugacity which characterizes all things, the brevity of a life and the necessity to transform the noises, the split past events, the odours, the rustling sounds which have not been extinguished yet into memory. |
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2006-10-232006-10-232004-08-20OLIVEIRA, Raquel Trentin. The rustling of a living: the literary metaphor of the historical transitoriness. 2004. 138 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2004.http://repositorio.ufsm.br/handle/1/9784The rustling sounds of a living: the literary metaphor of the historical transitoriness has as its object of study the novel A costa dos murmúrios (1988) by the Portuguese contemporary writer Lídia Jorge. The novel evokes the rustling sounds of a recent past: the colonial war between Portugal and Mozambique. Although the characters individual wars inside the family and inside the marriage assume a first plane, each of them revolves around the Imperial conflict which invades the routine, the private sphere and the daily events. As to the novel s form, everything therein, is distantiated from what is whole, absolute and unified. Such traits can be observed from the starting point since the textual fabric is divided into two narratives: a brief, opening report entitled Os gafanhotos , which is presided by an external, omniscient voice, and a second, long narrative with no title, which is presided by Eva s testimony one of the women of the Portuguese officers at war. Both reports are twenty years away from the narrated events. Therefore, it is the construction of the memory around the past which is highlighted: the narrators recollections, the literary language about the Portuguese historical unfolding. Within this context, the analysis focused the stories performed as well as the construction of the narrative discourses. Disclosing the sense of the text, the interpretation tried to confer meaning to the narrators act of recollection from an interdisciplinary perspective. It was imperative to indicate the specificity of the literary discourse as opposed to the historical referent. To do so, the way A costa dos murmúrios recreates the external referent, making its memory possible, was investigated. It was observed that the Jorgiano novel rescues the human senses and the suffering imposed by the war upon its victims, through the use of a metaphorical process in relation to the past. Due to those features, the novelistic discourse emphasizes the fugacity which characterizes all things, the brevity of a life and the necessity to transform the noises, the split past events, the odours, the rustling sounds which have not been extinguished yet into memory.Murmúrios de uma vivência: metáfora literária da efemeridade histórica tem como objeto de estudo o romance A costa dos murmúrios (1988) da autora contemporânea portuguesa Lídia Jorge. O romance evoca os acordes de um passado recente: a guerra colonial entre Portugal e Moçambique. No entanto, as guerras individuais das personagens na família, no casamento assumem o primeiro plano, ainda que todas permaneçam à sombra do conflito imperial, que invade o cotidiano, o particular, os acasos diários. Quanto à forma do romance, tudo ali se distancia do íntegro, do absoluto, do uno, o que, já à primeira vista, se observa na bipartição do tecido textual em duas narrativas: um pequeno relato de abertura intitulado Os Gafanhotos, comandado por uma voz externa e onisciente, e uma segunda narrativa, extensa, sem título, orientada pelo testemunho de Eva, uma das mulheres dos oficias portugueses em guerra. Ambos os relatos apresentam-se distanciados vinte anos dos acontecimentos que narram. Assim, o que ressalta é a construção da memória sobre o passado: a rememoração dos narradores, da linguagem literária sobre o processo histórico português. Nesse contexto, a análise centrou-se nas histórias encenadas e na construção dos discursos narrativos. Desvendado o sentido do texto, a interpretação buscou dar significado ao ato rememorativo dos narradores, de uma perspectiva interdisciplinar. Tornou-se necessário, ainda, marcar a especificidade do discurso literário frente ao real histórico, averiguando como A costa dos murmúrios recria o referente externo e torna possível a memória dele. Notou-se, então, que o romance jorgiano, pela metaforização do passado, preocupa-se em resgatar sentidos humanos, o sofrimento que a guerra impôs sobre suas vítimas. Para isso, o discurso romanesco realça a fugacidade das coisas, a transitoriedade da vida e a necessidade urgente de construção da memória dos ruídos, dos estilhaços do passado, dos cheiros, dos murmúrios que ainda não se apagaram.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal de Santa MariaPrograma de Pós-Graduação em LetrasUFSMBRLetrasLiteraturaCrítica literáriaLiteratura portuguesaCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASMurmúrios de uma vivência: metáfora literária da efemeridade históricaThe rustling of a living: the literary metaphor of the historical transitorinessinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisParaense, Silvia Carneiro Lobatohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4798532D7Bridi, Marlise Vazhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4703665E1Santos, Pedro Brumhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4728603A6hhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4764348U6Oliveira, Raquel Trentin80020000000140050050030030083af9b2d-ecd2-46b5-b558-d7127196a55a8a758f9b-9d6d-49be-a976-87272a673c33fcff933a-b791-40e7-bd5d-ffd05cf7cc03fb913493-7a29-4461-b55d-fa2c010a0ffeinfo:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALRAQUELTRENTIN.pdfapplication/pdf471545http://repositorio.ufsm.br/bitstream/1/9784/1/RAQUELTRENTIN.pdfd32b06cce8487f0f88358d5d250563bcMD511/97842022-03-03 15:07:19.132oai:repositorio.ufsm.br:1/9784Repositório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestopendoar:39132022-03-03T18:07:19Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
Murmúrios de uma vivência: metáfora literária da efemeridade histórica |
dc.title.alternative.eng.fl_str_mv |
The rustling of a living: the literary metaphor of the historical transitoriness |
title |
Murmúrios de uma vivência: metáfora literária da efemeridade histórica |
spellingShingle |
Murmúrios de uma vivência: metáfora literária da efemeridade histórica Oliveira, Raquel Trentin Literatura Crítica literária Literatura portuguesa CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Murmúrios de uma vivência: metáfora literária da efemeridade histórica |
title_full |
Murmúrios de uma vivência: metáfora literária da efemeridade histórica |
title_fullStr |
Murmúrios de uma vivência: metáfora literária da efemeridade histórica |
title_full_unstemmed |
Murmúrios de uma vivência: metáfora literária da efemeridade histórica |
title_sort |
Murmúrios de uma vivência: metáfora literária da efemeridade histórica |
author |
Oliveira, Raquel Trentin |
author_facet |
Oliveira, Raquel Trentin |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Paraense, Silvia Carneiro Lobato |
dc.contributor.advisor1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4798532D7 |
dc.contributor.referee1.fl_str_mv |
Bridi, Marlise Vaz |
dc.contributor.referee1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4703665E1 |
dc.contributor.referee2.fl_str_mv |
Santos, Pedro Brum |
dc.contributor.referee2Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4728603A6 |
dc.contributor.authorLattes.fl_str_mv |
hhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4764348U6 |
dc.contributor.author.fl_str_mv |
Oliveira, Raquel Trentin |
contributor_str_mv |
Paraense, Silvia Carneiro Lobato Bridi, Marlise Vaz Santos, Pedro Brum |
dc.subject.por.fl_str_mv |
Literatura Crítica literária Literatura portuguesa |
topic |
Literatura Crítica literária Literatura portuguesa CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
The rustling sounds of a living: the literary metaphor of the historical transitoriness has as its object of study the novel A costa dos murmúrios (1988) by the Portuguese contemporary writer Lídia Jorge. The novel evokes the rustling sounds of a recent past: the colonial war between Portugal and Mozambique. Although the characters individual wars inside the family and inside the marriage assume a first plane, each of them revolves around the Imperial conflict which invades the routine, the private sphere and the daily events. As to the novel s form, everything therein, is distantiated from what is whole, absolute and unified. Such traits can be observed from the starting point since the textual fabric is divided into two narratives: a brief, opening report entitled Os gafanhotos , which is presided by an external, omniscient voice, and a second, long narrative with no title, which is presided by Eva s testimony one of the women of the Portuguese officers at war. Both reports are twenty years away from the narrated events. Therefore, it is the construction of the memory around the past which is highlighted: the narrators recollections, the literary language about the Portuguese historical unfolding. Within this context, the analysis focused the stories performed as well as the construction of the narrative discourses. Disclosing the sense of the text, the interpretation tried to confer meaning to the narrators act of recollection from an interdisciplinary perspective. It was imperative to indicate the specificity of the literary discourse as opposed to the historical referent. To do so, the way A costa dos murmúrios recreates the external referent, making its memory possible, was investigated. It was observed that the Jorgiano novel rescues the human senses and the suffering imposed by the war upon its victims, through the use of a metaphorical process in relation to the past. Due to those features, the novelistic discourse emphasizes the fugacity which characterizes all things, the brevity of a life and the necessity to transform the noises, the split past events, the odours, the rustling sounds which have not been extinguished yet into memory. |
publishDate |
2004 |
dc.date.issued.fl_str_mv |
2004-08-20 |
dc.date.accessioned.fl_str_mv |
2006-10-23 |
dc.date.available.fl_str_mv |
2006-10-23 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
OLIVEIRA, Raquel Trentin. The rustling of a living: the literary metaphor of the historical transitoriness. 2004. 138 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2004. |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufsm.br/handle/1/9784 |
identifier_str_mv |
OLIVEIRA, Raquel Trentin. The rustling of a living: the literary metaphor of the historical transitoriness. 2004. 138 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2004. |
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http://repositorio.ufsm.br/handle/1/9784 |
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