Imagem-corpo-Frida: fronteiras híbridas da Performance na Arte Contemporânea a partir de uma perspectiva autobiográfica
Ano de defesa: | 2021 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Santa Maria
Centro de Artes e Letras |
Programa de Pós-Graduação: |
Programa de Pós-Graduação em Artes Visuais
|
Departamento: |
Artes
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.ufsm.br/handle/1/23608 |
Resumo: | This work researches the possibilities of creation in Art Performance from images of the mexican painter Frida Kahlo (1907-1954), emphasizing the crossings with life / autobiographical experiences as the guiding axis. Thereby, the methodological approach of Bricolage was used, articulating its polysemic feature and its creative-investigativeinterpretative network as a way of crossing different conceptual and artistic perspectives. Therefore, the present research aims to discuss, with the creation as basis, the incidence of Frida Kahlo’s images in contemporary culture, in the subjectivity production and multiples ways of artistic creation; the images’ power, based on Visual Culture studies; and the different ways to understand the field of Art Performance. To do that along the investigative path performances entitled Vinte e Quatro Outonos, O Vale and the video performance Gen(te)rra were made, it stimulate the performance conception using three biases: self art, art as way of existence and art as boundary. Different context/concepts are analyzed through creative processes, aiming inter-act with the trait of crossing art and life and the personal-political plot which are present both in the creation of Frida Kahlo and principles of Contemporary Art, in order to think of Art Performance as a borderline artistic expression, hybrid and plural that moves different bodies and their autobiographies as ways of being and creating in art. |
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2022-01-26T12:20:55Z2022-01-26T12:20:55Z2021-05-10http://repositorio.ufsm.br/handle/1/23608This work researches the possibilities of creation in Art Performance from images of the mexican painter Frida Kahlo (1907-1954), emphasizing the crossings with life / autobiographical experiences as the guiding axis. Thereby, the methodological approach of Bricolage was used, articulating its polysemic feature and its creative-investigativeinterpretative network as a way of crossing different conceptual and artistic perspectives. Therefore, the present research aims to discuss, with the creation as basis, the incidence of Frida Kahlo’s images in contemporary culture, in the subjectivity production and multiples ways of artistic creation; the images’ power, based on Visual Culture studies; and the different ways to understand the field of Art Performance. To do that along the investigative path performances entitled Vinte e Quatro Outonos, O Vale and the video performance Gen(te)rra were made, it stimulate the performance conception using three biases: self art, art as way of existence and art as boundary. Different context/concepts are analyzed through creative processes, aiming inter-act with the trait of crossing art and life and the personal-political plot which are present both in the creation of Frida Kahlo and principles of Contemporary Art, in order to think of Art Performance as a borderline artistic expression, hybrid and plural that moves different bodies and their autobiographies as ways of being and creating in art.Este trabalho investiga as possibilidades de criação em Performance Arte a partir das imagens da pintora mexicana Frida Kahlo (1907-1954), enfatizando como eixo condutor os atravessamentos com as experiências de vida/autobiográficas. Dessa forma, utiliza-se da abordagem metodológica da Bricolagem, articulando seu caráter polissêmico e sua rede criativa-investigativa-interpretativa como modo de entrecruzar diferentes perspectivas conceituais e artísticas. Sendo assim, a pesquisa procura discutir, a partir da criação, a incidência das imagens de Frida Kahlo na cultura contemporânea, na produção de subjetividades e múltiplos modos de criação artística; a potência das imagens, a partir dos estudos da Cultura Visual; e as diferentes maneiras de entender o campo da Performance Arte. Para tanto, ao longo do percurso investigativo foram criadas as performances intituladas Vinte e Quatro Outonos, O Vale e a videoperformance Gen(te)rra, que dinamizam a concepção de performance a partir de três vieses: como arte do eu, como modo de existência e como arte de fronteira. Distintos contextos/conceitos são analisados por meio dos processos criativos, procurando interatuar com o caráter de atravessamento arte e vida e a trama pessoal-política presentes tanto na criação de Frida Kahlo quanto nos princípios da Arte Contemporânea, a fim de pensar a Performance Arte como uma expressão artística fronteiriça, híbrida e plural que movimenta diferentes corpos e suas autobiografias como modos de ser e criar em arte.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em Artes VisuaisUFSMBrasilArtesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArte contemporâneaArte e culturaFrida KahloPerformance arteNarrativas autobiográficasContemporary artArts and cultureArt performanceAutobiographical narrativesCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESImagem-corpo-Frida: fronteiras híbridas da Performance na Arte Contemporânea a partir de uma perspectiva autobiográficaFrida-body-image: hybrids boundaries of Performance in Contemporary Arts from an autobiographical perspectiveinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisValle, Lutiere Dallahttp://lattes.cnpq.br/7210555983862366Biancalana, Gisela ReisAbreu, Carla Luzia dehttp://lattes.cnpq.br/4559763834754172Castro, Crystian Danny da Silva8003000000066006006006006005b1e5151-d345-4d9d-b03b-eca6dba2b9ccabf0cdd2-7b69-47e6-b319-da39c8360b0cc6ff6c56-c136-40d5-be8e-e3e796beac943ecee9b4-7ae1-4c1d-b5cf-87af7a899b7dreponame:Biblioteca Digital de Teses e Dissertações do UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGAV_2021_CASTRO_CRYSTIAN.pdfDIS_PPGAV_2021_CASTRO_CRYSTIAN.pdfDissertaçãoapplication/pdf5206842http://repositorio.ufsm.br/bitstream/1/23608/1/DIS_PPGAV_2021_CASTRO_CRYSTIAN.pdfb3ad93f955482441ddc39acb877d946eMD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.ufsm.br/bitstream/1/23608/2/license_rdf4460e5956bc1d1639be9ae6146a50347MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81956http://repositorio.ufsm.br/bitstream/1/23608/3/license.txt2f0571ecee68693bd5cd3f17c1e075dfMD531/236082022-01-26 09:24:02.156oai:repositorio.ufsm.br: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 Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2022-01-26T12:24:02Biblioteca Digital de Teses e Dissertações do UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
Imagem-corpo-Frida: fronteiras híbridas da Performance na Arte Contemporânea a partir de uma perspectiva autobiográfica |
dc.title.alternative.eng.fl_str_mv |
Frida-body-image: hybrids boundaries of Performance in Contemporary Arts from an autobiographical perspective |
title |
Imagem-corpo-Frida: fronteiras híbridas da Performance na Arte Contemporânea a partir de uma perspectiva autobiográfica |
spellingShingle |
Imagem-corpo-Frida: fronteiras híbridas da Performance na Arte Contemporânea a partir de uma perspectiva autobiográfica Castro, Crystian Danny da Silva Arte contemporânea Arte e cultura Frida Kahlo Performance arte Narrativas autobiográficas Contemporary art Arts and culture Art performance Autobiographical narratives CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
Imagem-corpo-Frida: fronteiras híbridas da Performance na Arte Contemporânea a partir de uma perspectiva autobiográfica |
title_full |
Imagem-corpo-Frida: fronteiras híbridas da Performance na Arte Contemporânea a partir de uma perspectiva autobiográfica |
title_fullStr |
Imagem-corpo-Frida: fronteiras híbridas da Performance na Arte Contemporânea a partir de uma perspectiva autobiográfica |
title_full_unstemmed |
Imagem-corpo-Frida: fronteiras híbridas da Performance na Arte Contemporânea a partir de uma perspectiva autobiográfica |
title_sort |
Imagem-corpo-Frida: fronteiras híbridas da Performance na Arte Contemporânea a partir de uma perspectiva autobiográfica |
author |
Castro, Crystian Danny da Silva |
author_facet |
Castro, Crystian Danny da Silva |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Valle, Lutiere Dalla |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/7210555983862366 |
dc.contributor.referee1.fl_str_mv |
Biancalana, Gisela Reis |
dc.contributor.referee2.fl_str_mv |
Abreu, Carla Luzia de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4559763834754172 |
dc.contributor.author.fl_str_mv |
Castro, Crystian Danny da Silva |
contributor_str_mv |
Valle, Lutiere Dalla Biancalana, Gisela Reis Abreu, Carla Luzia de |
dc.subject.por.fl_str_mv |
Arte contemporânea Arte e cultura Frida Kahlo Performance arte Narrativas autobiográficas |
topic |
Arte contemporânea Arte e cultura Frida Kahlo Performance arte Narrativas autobiográficas Contemporary art Arts and culture Art performance Autobiographical narratives CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Contemporary art Arts and culture Art performance Autobiographical narratives |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
This work researches the possibilities of creation in Art Performance from images of the mexican painter Frida Kahlo (1907-1954), emphasizing the crossings with life / autobiographical experiences as the guiding axis. Thereby, the methodological approach of Bricolage was used, articulating its polysemic feature and its creative-investigativeinterpretative network as a way of crossing different conceptual and artistic perspectives. Therefore, the present research aims to discuss, with the creation as basis, the incidence of Frida Kahlo’s images in contemporary culture, in the subjectivity production and multiples ways of artistic creation; the images’ power, based on Visual Culture studies; and the different ways to understand the field of Art Performance. To do that along the investigative path performances entitled Vinte e Quatro Outonos, O Vale and the video performance Gen(te)rra were made, it stimulate the performance conception using three biases: self art, art as way of existence and art as boundary. Different context/concepts are analyzed through creative processes, aiming inter-act with the trait of crossing art and life and the personal-political plot which are present both in the creation of Frida Kahlo and principles of Contemporary Art, in order to think of Art Performance as a borderline artistic expression, hybrid and plural that moves different bodies and their autobiographies as ways of being and creating in art. |
publishDate |
2021 |
dc.date.issued.fl_str_mv |
2021-05-10 |
dc.date.accessioned.fl_str_mv |
2022-01-26T12:20:55Z |
dc.date.available.fl_str_mv |
2022-01-26T12:20:55Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
status_str |
publishedVersion |
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http://repositorio.ufsm.br/handle/1/23608 |
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http://repositorio.ufsm.br/handle/1/23608 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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800300000006 |
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600 600 600 600 600 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Artes e Letras |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Artes Visuais |
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UFSM |
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Brasil |
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Artes |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
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