Espaços transformados: a experiência da instalação e o dispositivo poético

• Ano de defesa: 2018
• Autor(a) principal: Rosa, Raul Dotto
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• dARK ID: ark:/26339/001300000qsrt
• Idioma: por
• Instituição de defesa: Universidade Federal de Santa Maria; Brasil; Artes; UFSM; Programa de Pós-Graduação em Artes Visuais; Centro de Artes e Letras
• Palavras-chave em Português: Arte contemporânea; Arte e tecnologia; Instalação; Espaço expositivo; Contemporary art; Art and technology; Installation art; Exhibition space; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://repositorio.ufsm.br/handle/1/14494

In this Dissertation in visual poetics, artistic production is objectified as Installation Art, given its critical role in the transformation of the exhibition space, whose sensitive proposes to (re)construct the physical space of the work under a thoughtful image through practical experience. In doing so, different elements are organized in the showroom in a formal, visual and sonorous character, relating through the concept of poetic device, under analog presentations and digital technologies. The methodological process, built along the research, is oriented in 7 operations with practical-theoretical-practical approach, in which it was sought to observe, select, study, manipulate, experience and know the singularity of the research object, completing in the post-exposure critical review, resulting in the creation of a new work. Consequently, each space requires a specific methodological approach, since the common characteristics are unraveling to sensitize a new image of its transformed form. The poetic experiment DNTR° concludes the artistic practice of this Dissertation. Presented to the public as Installation Art, the work offers a participatory experience, in which the usual perceptions of the gallery where (re)installs its image are changed. In this way, the spatial transformations of each work suggest unique possibilities in the understanding of the work, through sensitive operations and the interrelation with the spectator, collaborating in a practical and reflective way with the thought about the exhibition spaces in the scope of Contemporary Art.