O corpo e sexualidade no Cinema Lésbico de Barbara Hammer

Detalhes bibliográficos
Ano de defesa: 2020
Autor(a) principal: Raposo, Thais Fernanda
Orientador(a): Matos, Yanet Aguilera Viruez Franklin
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
dARK ID: ark:/48912/001300002j74w
Idioma: por
Instituição de defesa: Universidade Federal de São Paulo
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
cinema lésbico
cinema
imagem
sexualidade
Link de acesso: https://hdl.handle.net/11600/63562
Resumo: A indústria cinematográfica foi construída predominantemente masculina, por isso, assumiu um papel político na sociedade que recupera valores desse universo de gênero. Com a revolução sexual, o cinema pôde reinventar-se, idealizado pela vontade de transformar a realidade das minorias oprimidas pelo patriarcado. O objetivo desta dissertação é analisar Nitrate Kisses, primeiro longa-metragem da cineasta lésbica Barbara Hammer, fomentando o pensamento crítico e teórico dos estudos culturais lésbicos no Brasil, com ênfase no cinema, ao contextualizar a lesbianidade com os estudos de gênero, sexualidade e identidade e também analisar imagem e som na produção de narrativas de sexualidades não hegemônicas nesta obra.
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spelling http://lattes.cnpq.br/0964792926987907Raposo, Thais Fernandahttp://lattes.cnpq.br/7374851359575012Matos, Yanet Aguilera Viruez FranklinVia internet2022-03-18T18:07:51Z2022-03-18T18:07:51Z2020-03-27A indústria cinematográfica foi construída predominantemente masculina, por isso, assumiu um papel político na sociedade que recupera valores desse universo de gênero. Com a revolução sexual, o cinema pôde reinventar-se, idealizado pela vontade de transformar a realidade das minorias oprimidas pelo patriarcado. O objetivo desta dissertação é analisar Nitrate Kisses, primeiro longa-metragem da cineasta lésbica Barbara Hammer, fomentando o pensamento crítico e teórico dos estudos culturais lésbicos no Brasil, com ênfase no cinema, ao contextualizar a lesbianidade com os estudos de gênero, sexualidade e identidade e também analisar imagem e som na produção de narrativas de sexualidades não hegemônicas nesta obra.The film industry was constructed predominantly masculine, taking a political role in society that recovered this gender’s universal values. With the sexual revolution, cinema could reinvent itself, idealized by the will to transform the reality of oppressed minorities by the patriarchy. This dissertation's objective is to analyse Nitrate Kisses, the first feature film by lesbian filmmaker Barbara Hammer, promoting critical and theoretical thinking of lesbian cultural studies in Brazil, with an emphasis on cinema, contextualizing the lesbian with the studies of sex, sexuality and identity and also analyse image and sound in the production of non-hegemonic sexuality narratives in this work.Não recebi financiamento139 f.RAPOSO, T. F. 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dc.title.pt_BR.fl_str_mv O corpo e sexualidade no Cinema Lésbico de Barbara Hammer
dc.title.alternative.pt_BR.fl_str_mv Body and sexuality in Barbara Hammer's Lesbian Cinema
title O corpo e sexualidade no Cinema Lésbico de Barbara Hammer
spellingShingle O corpo e sexualidade no Cinema Lésbico de Barbara Hammer
Raposo, Thais Fernanda
cinema lésbico
cinema
imagem
sexualidade
title_short O corpo e sexualidade no Cinema Lésbico de Barbara Hammer
title_full O corpo e sexualidade no Cinema Lésbico de Barbara Hammer
title_fullStr O corpo e sexualidade no Cinema Lésbico de Barbara Hammer
title_full_unstemmed O corpo e sexualidade no Cinema Lésbico de Barbara Hammer
title_sort O corpo e sexualidade no Cinema Lésbico de Barbara Hammer
author Raposo, Thais Fernanda
author_facet Raposo, Thais Fernanda
author_role author
dc.contributor.advisorLattes.pt_BR.fl_str_mv http://lattes.cnpq.br/0964792926987907
dc.contributor.authorLattes.pt_BR.fl_str_mv http://lattes.cnpq.br/7374851359575012
dc.contributor.author.fl_str_mv Raposo, Thais Fernanda
dc.contributor.advisor1.fl_str_mv Matos, Yanet Aguilera Viruez Franklin
contributor_str_mv Matos, Yanet Aguilera Viruez Franklin
dc.subject.por.fl_str_mv cinema lésbico
cinema
imagem
sexualidade
topic cinema lésbico
cinema
imagem
sexualidade
description A indústria cinematográfica foi construída predominantemente masculina, por isso, assumiu um papel político na sociedade que recupera valores desse universo de gênero. Com a revolução sexual, o cinema pôde reinventar-se, idealizado pela vontade de transformar a realidade das minorias oprimidas pelo patriarcado. O objetivo desta dissertação é analisar Nitrate Kisses, primeiro longa-metragem da cineasta lésbica Barbara Hammer, fomentando o pensamento crítico e teórico dos estudos culturais lésbicos no Brasil, com ênfase no cinema, ao contextualizar a lesbianidade com os estudos de gênero, sexualidade e identidade e também analisar imagem e som na produção de narrativas de sexualidades não hegemônicas nesta obra.
publishDate 2020
dc.date.issued.fl_str_mv 2020-03-27
dc.date.accessioned.fl_str_mv 2022-03-18T18:07:51Z
dc.date.available.fl_str_mv 2022-03-18T18:07:51Z
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv RAPOSO, T. F. O corpo e sexualidade no Cinema Lésbico de Barbara Hammer. 2020.
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