As configurações do amor na lírica de Nuno Júdice

• Ano de defesa: 2015
• Autor(a) principal: Simone, Bruna Fernanda de [UNESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual Paulista (Unesp)
• Palavras-chave em Português: Judice, Nuno; Literatura; Poesia lirica; Poesia; Lyric Poetry
• Link de acesso: http://hdl.handle.net/11449/131887; http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/08-10-2015/000851841.pdf

One of the greatest names of contemporary Portuguese poetry, Nuno Júdice's wide work is marked, according to Ida Alves (2006), by the presence of a poetry built over ruins. His most decisive features are the dialogue established with other forms of art, the philosophical reflections and, above all the others, the critical look over his own poetry. Such features, related to dark environments, uninhabited or abandoned places and the presence of a poetic persona aware of its own poetic production, are some of the main characteristics of a singular poetry marked by references of the past. Júdice began his production with A Noção de Poema. In this work, the retake of the poetic persona and the awareness of the poetry as the ideal place to discuss the poetic language, its mysteries and traditions, are salient. Attached to this poetic criticism and production, the Algarve poet demonstrates his interest in love as a theme of poetry and its configuration as an integrant part of a loving lyrical tradition. Love is present in many of his poems, although it is always related to a melancholic lyrical subject and conscious of the poem creation and its artificiality. The poetic persona melancholy, dark images and nostalgia, are the characteristics of a loving lyric marked by absence. The poem seems to be the only place where the subject finds a possibility to run away from the present and from the absence of his beloved woman. In the present work, we seek to verify how this poetry can be inserted in a loving lyric western tradition highlighting the strategies used by the author to retake the imaginary of love, to question and restate the subjectivity and the emotionality, and to recreate a contemporaneity typical loving lyric in his work