Caetano Veloso: um camaleão na cena cultural brasileira contemporânea
| Ano de defesa: | 2016 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Tese |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Presbiteriana Mackenzie
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://dspace.mackenzie.br/handle/10899/25155 |
Resumo: | This thesis is presented as an investigation of the aspects that lead to Caetano Veloso classification as a cultural activist, from the analysis of his career in the most different sectors of art. In a reverence to what is beautiful and strong in the past without any disregard for the future, but on the contrary, seeking from it to create something new as interesting as this Bahian artist follows a trail of consistency between criticism and praise, old and new, domestic and abroad, the shock and appreciation, doing well to meet the guiding principles of art as a whole. Caetano Veloso is a multifaceted artist who compose the Brazilian artistic firmament. Despite being linked to the context of popular song, his performance beyond the limits of this area, reaching many others. Whether through his songs, his interpretations, his comments, his performance and persona as various as his own performance, more than anything, Caetano Veloso can be considered a "cultural activist", as he moves properly between the most diverse times, spaces and styles in terms of song, behavior and world view. Brazilian culture has been enriched by foreign aspects that have been added to this by an artist who insists dare, even with a career that border the five long decades, without therefore need to prove anything, and yet, insisting to reinvent himself. |
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http://lattes.cnpq.br/4486189642933939Protta, Felipe Pupo PereiraBridi, Marlise Vazhttp://lattes.cnpq.br/58950629727466192017-02-07T18:32:09Z2020-05-28T18:12:12Z2020-05-28T18:12:12Z2016-02-16This thesis is presented as an investigation of the aspects that lead to Caetano Veloso classification as a cultural activist, from the analysis of his career in the most different sectors of art. In a reverence to what is beautiful and strong in the past without any disregard for the future, but on the contrary, seeking from it to create something new as interesting as this Bahian artist follows a trail of consistency between criticism and praise, old and new, domestic and abroad, the shock and appreciation, doing well to meet the guiding principles of art as a whole. Caetano Veloso is a multifaceted artist who compose the Brazilian artistic firmament. Despite being linked to the context of popular song, his performance beyond the limits of this area, reaching many others. Whether through his songs, his interpretations, his comments, his performance and persona as various as his own performance, more than anything, Caetano Veloso can be considered a "cultural activist", as he moves properly between the most diverse times, spaces and styles in terms of song, behavior and world view. Brazilian culture has been enriched by foreign aspects that have been added to this by an artist who insists dare, even with a career that border the five long decades, without therefore need to prove anything, and yet, insisting to reinvent himself.A presente tese se coloca como uma investigação dos aspectos que propiciam a classificação de Caetano Veloso como um agitador cultural, a partir da análise de sua trajetória em diferentes setores da arte. Numa reverência ao que há de belo e forte no passado sem qualquer despreocupação com o futuro, mas, pelo contrário, buscando partir disso para a criação de algo novo tão interessante quanto, este artista baiano segue uma trilha de coerência entre a crítica e o elogio, o velho e o novo, o nacional e o estrangeiro, o choque e o apreço, indo bem ao encontro dos princípios norteadores da arte como um todo. Caetano Veloso é um artista multifacetado que compõe o firmamento artístico brasileiro. Apesar de estar ligado ao contexto da canção popular, sua atuação extrapola os limites desta área, chegando a muitas outras. Seja por meio de suas canções, suas interpretações, seus comentários, sua performance e persona tão várias quanto sua própria atuação, mais do que tudo, Caetano Veloso pode ser considerado um “agitador cultural”, à medida que transita com propriedade entre os mais diversos tempos, espaços e estilos em termos de canção, comportamento e visão de mundo. A cultura brasileira vem sendo enriquecida pelos aspectos estrangeiros que vem sido somados a esta por um artista que insiste em ousar, mesmo com uma carreira que beira as cinco décadas de duração, sem, portanto, precisar provar nada, e, no entanto, fazendo questão de se reinventar, tendo sempre algo novo a acrescentar.Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorFundo Mackenzie de Pesquisaapplication/pdfPROTTA, Felipe Pupo Pereira. Caetano Veloso: um camaleão na cena cultural brasileira contemporânea. 2016. 206 f. 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| dc.title.por.fl_str_mv |
Caetano Veloso: um camaleão na cena cultural brasileira contemporânea |
| title |
Caetano Veloso: um camaleão na cena cultural brasileira contemporânea |
| spellingShingle |
Caetano Veloso: um camaleão na cena cultural brasileira contemporânea Protta, Felipe Pupo Pereira cultura música popular brasileira linguagem poética artes CNPQ::OUTROS |
| title_short |
Caetano Veloso: um camaleão na cena cultural brasileira contemporânea |
| title_full |
Caetano Veloso: um camaleão na cena cultural brasileira contemporânea |
| title_fullStr |
Caetano Veloso: um camaleão na cena cultural brasileira contemporânea |
| title_full_unstemmed |
Caetano Veloso: um camaleão na cena cultural brasileira contemporânea |
| title_sort |
Caetano Veloso: um camaleão na cena cultural brasileira contemporânea |
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Protta, Felipe Pupo Pereira |
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Protta, Felipe Pupo Pereira |
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author |
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http://lattes.cnpq.br/4486189642933939 |
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Protta, Felipe Pupo Pereira |
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Bridi, Marlise Vaz |
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http://lattes.cnpq.br/5895062972746619 |
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Bridi, Marlise Vaz |
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cultura música popular brasileira linguagem poética artes |
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cultura música popular brasileira linguagem poética artes CNPQ::OUTROS |
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CNPQ::OUTROS |
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This thesis is presented as an investigation of the aspects that lead to Caetano Veloso classification as a cultural activist, from the analysis of his career in the most different sectors of art. In a reverence to what is beautiful and strong in the past without any disregard for the future, but on the contrary, seeking from it to create something new as interesting as this Bahian artist follows a trail of consistency between criticism and praise, old and new, domestic and abroad, the shock and appreciation, doing well to meet the guiding principles of art as a whole. Caetano Veloso is a multifaceted artist who compose the Brazilian artistic firmament. Despite being linked to the context of popular song, his performance beyond the limits of this area, reaching many others. Whether through his songs, his interpretations, his comments, his performance and persona as various as his own performance, more than anything, Caetano Veloso can be considered a "cultural activist", as he moves properly between the most diverse times, spaces and styles in terms of song, behavior and world view. Brazilian culture has been enriched by foreign aspects that have been added to this by an artist who insists dare, even with a career that border the five long decades, without therefore need to prove anything, and yet, insisting to reinvent himself. |
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2016 |
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2016-02-16 |
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PROTTA, Felipe Pupo Pereira. Caetano Veloso: um camaleão na cena cultural brasileira contemporânea. 2016. 206 f. Tese (Letras) - Universidade Presbiteriana Mackenzie, São Paulo. |
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http://dspace.mackenzie.br/handle/10899/25155 |
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PROTTA, Felipe Pupo Pereira. Caetano Veloso: um camaleão na cena cultural brasileira contemporânea. 2016. 206 f. Tese (Letras) - Universidade Presbiteriana Mackenzie, São Paulo. |
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