Coleção de gravuras Arthur Azevedo: memória e patrimônio cultural

• Ano de defesa: 2011
• Autor(a) principal: Silva, Frederico Fernando Souza
• Orientador(a): Rizolli, Marcos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Palavras-chave em Português: coleção de gravuras Arthur Azevedo; Brasilianas; identidade; memória; educação patrimonial
• Palavras-chave em Inglês: Arthur Azevedo engrave collection; brasilidade; identity; memory; cultural heritage education
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://dspace.mackenzie.br/handle/10899/24722

This study presents Arthur Azevedo Engrave Collection, which belongs to the State Government of Maranhão since 1910 and it is located at São Luís. It highlights Arthur Azevedo‟s life and work, as journalist, playwright and art critic, who assembled a engraves and paintings collection in different themes and styles during his lifetime. This research concerns the thematic diversity from collection, emphasizing the group of Brazilian engraves that depict landscapes, customs, and everyday scenes at Brazilian cities. Those art pieces were produced by European artists that traveled around Brazil during 19th century, photographing, drawing, and later lithographing, composing an imagetical register that became reference to researches of identity and cultural memory of the country. There are considerations about lithography its historical context and importance for photography beginning. Followed by, the historical path of this Collection since its acquisition by the State Government of Maranhão, and the researches and preservation works developed regarding the Art Aggregation. It also highlights cultural goods movable and its relevance to apprenticeship process, highlighting therefor, cultural heritage education concept, methodology and its interdisciplinary nature in order to introduce cultural heritage as educational instrument