As artes plásticas nas artes gráficas

Detalhes bibliográficos
Ano de defesa: 2009
Autor(a) principal: Silva, José Luiz Solsona da lattes
Orientador(a): Rizolli, Marcos lattes
Banca de defesa: Mello, Regina Lara Silveira lattes, Held, Maria Sílvia Barros de lattes
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Presbiteriana Mackenzie
Programa de Pós-Graduação: Educação, Arte e História da Cultura
Departamento: Educação, Arte e História
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://dspace.mackenzie.br/handle/10899/24861
Resumo: The relationship between the artist's work and the development of the lithograph technique invented by Aloys Senefelder in 1795 they come in the several ways found by the professional tape recorders and artists of the time, to produce an impression form with quality and fidelity. Like this the evolution of the lithograph with the introduction of photographic procedures for the obtaining in the impression way (the lithographic stone) as well as the consequent improvement of the visual quality of the printed papers in relation to the reproduction of the reference original is a visible fact in elapsing of the work. The abbreviation confrontation of Chéret and Lautrec demonstrates, in a certain way, the confrontation in two ways of producing a lithographic form. Chéret is extremely technician in the elaboration of the drawings and of the texts that composed the project he became the reference of the Advertising Poster in the history of the communication. Lautrec, in search of the valorization of the artist's sign, produced with their spontaneity impression forms and it is the model of the plastic artist's performance in the production of commercial works of great communicational impact. It is believed, the artists' involvement with the development of a system of impression of the Graphic Industry, it can raise studies about the real possibilities of the graphic processes. It is noticed, in elapsing of the history of the movements of art plastic surgeries, that the graphic artist's vision or designer went very important for the technological development of the current Graphic Industry.
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spelling 2016-03-15T19:43:28Z2020-05-28T18:11:05Z2009-02-282020-05-28T18:11:05Z2009-02-03SILVA, José Luiz Solsona da. As artes plásticas nas artes gráficas. 2009. 78 f. Dissertação (Mestrado em Educação, Arte e História) - Universidade Presbiteriana Mackenzie, São Paulo, 2009.http://dspace.mackenzie.br/handle/10899/24861The relationship between the artist's work and the development of the lithograph technique invented by Aloys Senefelder in 1795 they come in the several ways found by the professional tape recorders and artists of the time, to produce an impression form with quality and fidelity. Like this the evolution of the lithograph with the introduction of photographic procedures for the obtaining in the impression way (the lithographic stone) as well as the consequent improvement of the visual quality of the printed papers in relation to the reproduction of the reference original is a visible fact in elapsing of the work. The abbreviation confrontation of Chéret and Lautrec demonstrates, in a certain way, the confrontation in two ways of producing a lithographic form. Chéret is extremely technician in the elaboration of the drawings and of the texts that composed the project he became the reference of the Advertising Poster in the history of the communication. Lautrec, in search of the valorization of the artist's sign, produced with their spontaneity impression forms and it is the model of the plastic artist's performance in the production of commercial works of great communicational impact. It is believed, the artists' involvement with the development of a system of impression of the Graphic Industry, it can raise studies about the real possibilities of the graphic processes. It is noticed, in elapsing of the history of the movements of art plastic surgeries, that the graphic artist's vision or designer went very important for the technological development of the current Graphic Industry.A relação entre o trabalho do artista e o desenvolvimento da técnica de litografia, inventada por Aloys Senefelder, em 1795, apresentam-se nas várias maneiras encontradas pelos gravadores profissionais e artistas da época, para produzir uma forma de impressão com qualidade e fidelidade. Assim, a evolução da litografia com a introdução de procedimentos fotográficos para a obtenção da forma de impressão (a pedra litográfica), bem como a conseqüente melhoria da qualidade visual dos impressos em relação à reprodução do original de referência, é um fato visível no decorrer do trabalho. O breve confronto de Chéret e Lautrec demonstra, de certa forma, o enfrentamento de duas maneiras de produzir uma forma litográfica. Chéret, extremamente técnico na elaboração dos desenhos e dos textos que compunham o projeto, tornou-se a referência do Cartaz Publicitário na história da comunicação. Lautrec, em busca da valorização do gestual do artista, produziu com espontaneidade suas formas de impressão e é o modelo da atuação do artista plástico na produção de trabalhos comerciais de grande impacto comunicacional. Acredita-se, o envolvimento dos artistas com o desenvolvimento de um sistema de impressão da Indústria Gráfica, possa suscitar estudos sobre as reais possibilidades dos processos gráficos. Percebe-se, no transcorrer da história dos movimentos de artes plásticas, que a visão do artista gráfico ou designer foi muito importante para o desenvolvimento tecnológico da Indústria Gráfica atual.Fundo Mackenzie de Pesquisaapplication/pdfporUniversidade Presbiteriana MackenzieEducação, Arte e História da CulturaUPMBREducação, Arte e Histórialitografiafotolitografiagravadorartista gráficoartes plásticasprodução gráficalithographphoto lithographrecordinggraphic artistplastic artsgraphic productionCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICASAs artes plásticas nas artes gráficasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisRizolli, Marcoshttp://lattes.cnpq.br/4808339542698874Mello, Regina Lara Silveirahttp://lattes.cnpq.br/0439114372762829Held, Maria Sílvia Barros dehttp://lattes.cnpq.br/5645756396955777http://lattes.cnpq.br/8496436418376137Silva, José Luiz Solsona dahttp://tede.mackenzie.br/jspui/retrieve/4321/Jose%20Luiz%20Solsona%20Silva.pdf.jpghttp://tede.mackenzie.br/jspui/bitstream/tede/2001/1/Jose%20Luiz%20Solsona%20Silva.pdfinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do Mackenzieinstname:Universidade Presbiteriana Mackenzie (MACKENZIE)instacron:MACKENZIE10899/248612020-05-28 15:11:05.879Biblioteca Digital de Teses e Dissertaçõeshttp://tede.mackenzie.br/jspui/PRI
dc.title.por.fl_str_mv As artes plásticas nas artes gráficas
title As artes plásticas nas artes gráficas
spellingShingle As artes plásticas nas artes gráficas
Silva, José Luiz Solsona da
litografia
fotolitografia
gravador
artista gráfico
artes plásticas
produção gráfica
lithograph
photo lithograph
recording
graphic artist
plastic arts
graphic production
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS
title_short As artes plásticas nas artes gráficas
title_full As artes plásticas nas artes gráficas
title_fullStr As artes plásticas nas artes gráficas
title_full_unstemmed As artes plásticas nas artes gráficas
title_sort As artes plásticas nas artes gráficas
author Silva, José Luiz Solsona da
author_facet Silva, José Luiz Solsona da
author_role author
dc.contributor.advisor1.fl_str_mv Rizolli, Marcos
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4808339542698874
dc.contributor.referee1.fl_str_mv Mello, Regina Lara Silveira
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/0439114372762829
dc.contributor.referee2.fl_str_mv Held, Maria Sílvia Barros de
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/5645756396955777
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/8496436418376137
dc.contributor.author.fl_str_mv Silva, José Luiz Solsona da
contributor_str_mv Rizolli, Marcos
Mello, Regina Lara Silveira
Held, Maria Sílvia Barros de
dc.subject.por.fl_str_mv litografia
fotolitografia
gravador
artista gráfico
artes plásticas
produção gráfica
topic litografia
fotolitografia
gravador
artista gráfico
artes plásticas
produção gráfica
lithograph
photo lithograph
recording
graphic artist
plastic arts
graphic production
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS
dc.subject.eng.fl_str_mv lithograph
photo lithograph
recording
graphic artist
plastic arts
graphic production
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS
description The relationship between the artist's work and the development of the lithograph technique invented by Aloys Senefelder in 1795 they come in the several ways found by the professional tape recorders and artists of the time, to produce an impression form with quality and fidelity. Like this the evolution of the lithograph with the introduction of photographic procedures for the obtaining in the impression way (the lithographic stone) as well as the consequent improvement of the visual quality of the printed papers in relation to the reproduction of the reference original is a visible fact in elapsing of the work. The abbreviation confrontation of Chéret and Lautrec demonstrates, in a certain way, the confrontation in two ways of producing a lithographic form. Chéret is extremely technician in the elaboration of the drawings and of the texts that composed the project he became the reference of the Advertising Poster in the history of the communication. Lautrec, in search of the valorization of the artist's sign, produced with their spontaneity impression forms and it is the model of the plastic artist's performance in the production of commercial works of great communicational impact. It is believed, the artists' involvement with the development of a system of impression of the Graphic Industry, it can raise studies about the real possibilities of the graphic processes. It is noticed, in elapsing of the history of the movements of art plastic surgeries, that the graphic artist's vision or designer went very important for the technological development of the current Graphic Industry.
publishDate 2009
dc.date.available.fl_str_mv 2009-02-28
2020-05-28T18:11:05Z
dc.date.issued.fl_str_mv 2009-02-03
dc.date.accessioned.fl_str_mv 2016-03-15T19:43:28Z
2020-05-28T18:11:05Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv SILVA, José Luiz Solsona da. As artes plásticas nas artes gráficas. 2009. 78 f. Dissertação (Mestrado em Educação, Arte e História) - Universidade Presbiteriana Mackenzie, São Paulo, 2009.
dc.identifier.uri.fl_str_mv http://dspace.mackenzie.br/handle/10899/24861
identifier_str_mv SILVA, José Luiz Solsona da. As artes plásticas nas artes gráficas. 2009. 78 f. Dissertação (Mestrado em Educação, Arte e História) - Universidade Presbiteriana Mackenzie, São Paulo, 2009.
url http://dspace.mackenzie.br/handle/10899/24861
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Presbiteriana Mackenzie
dc.publisher.program.fl_str_mv Educação, Arte e História da Cultura
dc.publisher.initials.fl_str_mv UPM
dc.publisher.country.fl_str_mv BR
dc.publisher.department.fl_str_mv Educação, Arte e História
publisher.none.fl_str_mv Universidade Presbiteriana Mackenzie
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações do Mackenzie
instname:Universidade Presbiteriana Mackenzie (MACKENZIE)
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instname_str Universidade Presbiteriana Mackenzie (MACKENZIE)
instacron_str MACKENZIE
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reponame_str Biblioteca Digital de Teses e Dissertações do Mackenzie
collection Biblioteca Digital de Teses e Dissertações do Mackenzie
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