As artes plásticas nas artes gráficas
Ano de defesa: | 2009 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Presbiteriana Mackenzie
|
Programa de Pós-Graduação: |
Educação, Arte e História da Cultura
|
Departamento: |
Educação, Arte e História
|
País: |
BR
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://dspace.mackenzie.br/handle/10899/24861 |
Resumo: | The relationship between the artist's work and the development of the lithograph technique invented by Aloys Senefelder in 1795 they come in the several ways found by the professional tape recorders and artists of the time, to produce an impression form with quality and fidelity. Like this the evolution of the lithograph with the introduction of photographic procedures for the obtaining in the impression way (the lithographic stone) as well as the consequent improvement of the visual quality of the printed papers in relation to the reproduction of the reference original is a visible fact in elapsing of the work. The abbreviation confrontation of Chéret and Lautrec demonstrates, in a certain way, the confrontation in two ways of producing a lithographic form. Chéret is extremely technician in the elaboration of the drawings and of the texts that composed the project he became the reference of the Advertising Poster in the history of the communication. Lautrec, in search of the valorization of the artist's sign, produced with their spontaneity impression forms and it is the model of the plastic artist's performance in the production of commercial works of great communicational impact. It is believed, the artists' involvement with the development of a system of impression of the Graphic Industry, it can raise studies about the real possibilities of the graphic processes. It is noticed, in elapsing of the history of the movements of art plastic surgeries, that the graphic artist's vision or designer went very important for the technological development of the current Graphic Industry. |
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Biblioteca Digital de Teses e Dissertações do Mackenzie |
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2016-03-15T19:43:28Z2020-05-28T18:11:05Z2009-02-282020-05-28T18:11:05Z2009-02-03SILVA, José Luiz Solsona da. As artes plásticas nas artes gráficas. 2009. 78 f. Dissertação (Mestrado em Educação, Arte e História) - Universidade Presbiteriana Mackenzie, São Paulo, 2009.http://dspace.mackenzie.br/handle/10899/24861The relationship between the artist's work and the development of the lithograph technique invented by Aloys Senefelder in 1795 they come in the several ways found by the professional tape recorders and artists of the time, to produce an impression form with quality and fidelity. Like this the evolution of the lithograph with the introduction of photographic procedures for the obtaining in the impression way (the lithographic stone) as well as the consequent improvement of the visual quality of the printed papers in relation to the reproduction of the reference original is a visible fact in elapsing of the work. The abbreviation confrontation of Chéret and Lautrec demonstrates, in a certain way, the confrontation in two ways of producing a lithographic form. Chéret is extremely technician in the elaboration of the drawings and of the texts that composed the project he became the reference of the Advertising Poster in the history of the communication. Lautrec, in search of the valorization of the artist's sign, produced with their spontaneity impression forms and it is the model of the plastic artist's performance in the production of commercial works of great communicational impact. It is believed, the artists' involvement with the development of a system of impression of the Graphic Industry, it can raise studies about the real possibilities of the graphic processes. It is noticed, in elapsing of the history of the movements of art plastic surgeries, that the graphic artist's vision or designer went very important for the technological development of the current Graphic Industry.A relação entre o trabalho do artista e o desenvolvimento da técnica de litografia, inventada por Aloys Senefelder, em 1795, apresentam-se nas várias maneiras encontradas pelos gravadores profissionais e artistas da época, para produzir uma forma de impressão com qualidade e fidelidade. Assim, a evolução da litografia com a introdução de procedimentos fotográficos para a obtenção da forma de impressão (a pedra litográfica), bem como a conseqüente melhoria da qualidade visual dos impressos em relação à reprodução do original de referência, é um fato visível no decorrer do trabalho. O breve confronto de Chéret e Lautrec demonstra, de certa forma, o enfrentamento de duas maneiras de produzir uma forma litográfica. Chéret, extremamente técnico na elaboração dos desenhos e dos textos que compunham o projeto, tornou-se a referência do Cartaz Publicitário na história da comunicação. Lautrec, em busca da valorização do gestual do artista, produziu com espontaneidade suas formas de impressão e é o modelo da atuação do artista plástico na produção de trabalhos comerciais de grande impacto comunicacional. Acredita-se, o envolvimento dos artistas com o desenvolvimento de um sistema de impressão da Indústria Gráfica, possa suscitar estudos sobre as reais possibilidades dos processos gráficos. Percebe-se, no transcorrer da história dos movimentos de artes plásticas, que a visão do artista gráfico ou designer foi muito importante para o desenvolvimento tecnológico da Indústria Gráfica atual.Fundo Mackenzie de Pesquisaapplication/pdfporUniversidade Presbiteriana MackenzieEducação, Arte e História da CulturaUPMBREducação, Arte e Histórialitografiafotolitografiagravadorartista gráficoartes plásticasprodução gráficalithographphoto lithographrecordinggraphic artistplastic artsgraphic productionCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICASAs artes plásticas nas artes gráficasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisRizolli, Marcoshttp://lattes.cnpq.br/4808339542698874Mello, Regina Lara Silveirahttp://lattes.cnpq.br/0439114372762829Held, Maria Sílvia Barros dehttp://lattes.cnpq.br/5645756396955777http://lattes.cnpq.br/8496436418376137Silva, José Luiz Solsona dahttp://tede.mackenzie.br/jspui/retrieve/4321/Jose%20Luiz%20Solsona%20Silva.pdf.jpghttp://tede.mackenzie.br/jspui/bitstream/tede/2001/1/Jose%20Luiz%20Solsona%20Silva.pdfinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do Mackenzieinstname:Universidade Presbiteriana Mackenzie (MACKENZIE)instacron:MACKENZIE10899/248612020-05-28 15:11:05.879Biblioteca Digital de Teses e Dissertaçõeshttp://tede.mackenzie.br/jspui/PRI |
dc.title.por.fl_str_mv |
As artes plásticas nas artes gráficas |
title |
As artes plásticas nas artes gráficas |
spellingShingle |
As artes plásticas nas artes gráficas Silva, José Luiz Solsona da litografia fotolitografia gravador artista gráfico artes plásticas produção gráfica lithograph photo lithograph recording graphic artist plastic arts graphic production CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS |
title_short |
As artes plásticas nas artes gráficas |
title_full |
As artes plásticas nas artes gráficas |
title_fullStr |
As artes plásticas nas artes gráficas |
title_full_unstemmed |
As artes plásticas nas artes gráficas |
title_sort |
As artes plásticas nas artes gráficas |
author |
Silva, José Luiz Solsona da |
author_facet |
Silva, José Luiz Solsona da |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Rizolli, Marcos |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4808339542698874 |
dc.contributor.referee1.fl_str_mv |
Mello, Regina Lara Silveira |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/0439114372762829 |
dc.contributor.referee2.fl_str_mv |
Held, Maria Sílvia Barros de |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/5645756396955777 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/8496436418376137 |
dc.contributor.author.fl_str_mv |
Silva, José Luiz Solsona da |
contributor_str_mv |
Rizolli, Marcos Mello, Regina Lara Silveira Held, Maria Sílvia Barros de |
dc.subject.por.fl_str_mv |
litografia fotolitografia gravador artista gráfico artes plásticas produção gráfica |
topic |
litografia fotolitografia gravador artista gráfico artes plásticas produção gráfica lithograph photo lithograph recording graphic artist plastic arts graphic production CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS |
dc.subject.eng.fl_str_mv |
lithograph photo lithograph recording graphic artist plastic arts graphic production |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS |
description |
The relationship between the artist's work and the development of the lithograph technique invented by Aloys Senefelder in 1795 they come in the several ways found by the professional tape recorders and artists of the time, to produce an impression form with quality and fidelity. Like this the evolution of the lithograph with the introduction of photographic procedures for the obtaining in the impression way (the lithographic stone) as well as the consequent improvement of the visual quality of the printed papers in relation to the reproduction of the reference original is a visible fact in elapsing of the work. The abbreviation confrontation of Chéret and Lautrec demonstrates, in a certain way, the confrontation in two ways of producing a lithographic form. Chéret is extremely technician in the elaboration of the drawings and of the texts that composed the project he became the reference of the Advertising Poster in the history of the communication. Lautrec, in search of the valorization of the artist's sign, produced with their spontaneity impression forms and it is the model of the plastic artist's performance in the production of commercial works of great communicational impact. It is believed, the artists' involvement with the development of a system of impression of the Graphic Industry, it can raise studies about the real possibilities of the graphic processes. It is noticed, in elapsing of the history of the movements of art plastic surgeries, that the graphic artist's vision or designer went very important for the technological development of the current Graphic Industry. |
publishDate |
2009 |
dc.date.available.fl_str_mv |
2009-02-28 2020-05-28T18:11:05Z |
dc.date.issued.fl_str_mv |
2009-02-03 |
dc.date.accessioned.fl_str_mv |
2016-03-15T19:43:28Z 2020-05-28T18:11:05Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SILVA, José Luiz Solsona da. As artes plásticas nas artes gráficas. 2009. 78 f. Dissertação (Mestrado em Educação, Arte e História) - Universidade Presbiteriana Mackenzie, São Paulo, 2009. |
dc.identifier.uri.fl_str_mv |
http://dspace.mackenzie.br/handle/10899/24861 |
identifier_str_mv |
SILVA, José Luiz Solsona da. As artes plásticas nas artes gráficas. 2009. 78 f. Dissertação (Mestrado em Educação, Arte e História) - Universidade Presbiteriana Mackenzie, São Paulo, 2009. |
url |
http://dspace.mackenzie.br/handle/10899/24861 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Presbiteriana Mackenzie |
dc.publisher.program.fl_str_mv |
Educação, Arte e História da Cultura |
dc.publisher.initials.fl_str_mv |
UPM |
dc.publisher.country.fl_str_mv |
BR |
dc.publisher.department.fl_str_mv |
Educação, Arte e História |
publisher.none.fl_str_mv |
Universidade Presbiteriana Mackenzie |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações do Mackenzie instname:Universidade Presbiteriana Mackenzie (MACKENZIE) instacron:MACKENZIE |
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Universidade Presbiteriana Mackenzie (MACKENZIE) |
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MACKENZIE |
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MACKENZIE |
reponame_str |
Biblioteca Digital de Teses e Dissertações do Mackenzie |
collection |
Biblioteca Digital de Teses e Dissertações do Mackenzie |
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