O caso da rabeca e do violino : a música armorial

Detalhes bibliográficos
Ano de defesa: 2018
Autor(a) principal: COSTA, Luan Glauco Freire lattes
Orientador(a): RIBEIRO, Emanuela Sousa
Banca de defesa: RIBEIRO, Emanuela Sousa, PACHECO, Ricardo de Aguiar, BURNETT JÚNIOR, Henry Martin
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal Rural de Pernambuco
Programa de Pós-Graduação: Programa de Pós-Graduação em História
Departamento: Departamento de História
País: Brasil
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/7849
Resumo: The Armorial was an artistic movement founded in Recife in the years of 1970 and led by the writer and theatologist Ariano Suassuna. The pretension of the armorial artists was to create an authentically national erudite art from the popular Northeastern art, his works sought to approach vast artistic field: literature, engraving, sculpture and, among these, music. Music was the art of greatest evolution and importance within the armorial movement, having led to the creation of two distinct groups, namely: The Orchestra and the Armorial Quintet, born of the creative disagreements between Ariano Suassuna and Maestro Cussy de Almeida. It is precisely the creative disagreement between these two figures that gives breath to the present work: From the thought of the French sociologist Pierre Bourdieu, we seek to make the reading of the historical event constrained by the constitution of erudite armorial music as an exemplary case of the symbolic struggles that exist in the the core of the constitution of all erudite art. In addition, the aesthetic constitutions of the movement will be analyzed, guided by the previous Suassunian thought even to the official launch of the movement, the influences of the history of Brazilian music and its nationalism and the ideals of the regionalism of the sociologist from Pernambuco Gilberto Freyre.
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spelling RIBEIRO, Emanuela SousaRIBEIRO, Emanuela SousaPACHECO, Ricardo de AguiarBURNETT JÚNIOR, Henry Martinhttp://lattes.cnpq.br/5014383211718802COSTA, Luan Glauco Freire2019-02-18T13:12:05Z2018-08-20COSTA, Luan Glauco Freire. O caso da rabeca e do violino : a música armorial. 2018. 123 f. Dissertação (Programa de Pós-Graduação em História) - Universidade Federal Rural de Pernambuco, Recife.http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/7849The Armorial was an artistic movement founded in Recife in the years of 1970 and led by the writer and theatologist Ariano Suassuna. The pretension of the armorial artists was to create an authentically national erudite art from the popular Northeastern art, his works sought to approach vast artistic field: literature, engraving, sculpture and, among these, music. Music was the art of greatest evolution and importance within the armorial movement, having led to the creation of two distinct groups, namely: The Orchestra and the Armorial Quintet, born of the creative disagreements between Ariano Suassuna and Maestro Cussy de Almeida. It is precisely the creative disagreement between these two figures that gives breath to the present work: From the thought of the French sociologist Pierre Bourdieu, we seek to make the reading of the historical event constrained by the constitution of erudite armorial music as an exemplary case of the symbolic struggles that exist in the the core of the constitution of all erudite art. In addition, the aesthetic constitutions of the movement will be analyzed, guided by the previous Suassunian thought even to the official launch of the movement, the influences of the history of Brazilian music and its nationalism and the ideals of the regionalism of the sociologist from Pernambuco Gilberto Freyre.O Armorial foi um movimento artístico fundado no Recife nos anos de 1970 e liderado pelo escritor e teatrólogo Ariano Suassuna. A pretensão dos artistas armoriais era a de criar uma arte erudita autenticamente nacional a partir da arte popular Nordestina, suas obras buscavam abordar vasto campo artístico: literatura, gravura, escultura e, dentre estas, a música. A música foi a arte de maior evolução e importância dentro do movimento armorial, tendo levado a criação de dois grupos distintos, a saber: A Orquestra e o Quinteto Armorial, nascido das discordâncias criativas entre Ariano Suassuna e o Maestro Cussy de Almeida. É justamente a discordância criativa entre essas duas figuras que dá fôlego ao presente trabalho: A partir do pensamento do sociólogo francês Pierre Bourdieu, buscamos realizar a leitura do evento histórico cerceado pela constituição da música erudita armorial como um caso exemplar das lutas simbólicas que existem no âmago da constituição de toda a arte erudita. Além disso, serão analisadas as constituições estéticas do movimento, guiadas pelo pensamento Suassuniano anterior até mesmo ao lançamento oficial do movimento, as influências da história da música brasileira e seu nacionalismo e os ideais do regionalismo do sociólogo pernambucano Gilberto Freyre.Submitted by Mario BC (mario@bc.ufrpe.br) on 2019-02-18T13:12:05Z No. of bitstreams: 1 Luan Glauco Freire Costa.pdf: 919915 bytes, checksum: 966d04e32dd2426351412cc65ae41b09 (MD5)Made available in DSpace on 2019-02-18T13:12:05Z (GMT). No. of bitstreams: 1 Luan Glauco Freire Costa.pdf: 919915 bytes, checksum: 966d04e32dd2426351412cc65ae41b09 (MD5) Previous issue date: 2018-08-20application/pdfporUniversidade Federal Rural de PernambucoPrograma de Pós-Graduação em HistóriaUFRPEBrasilDepartamento de HistóriaMovimento armorialMúsica armorialDiscordância criativaCIENCIAS HUMANAS::HISTORIAO caso da rabeca e do violino : a música armorialinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis17407005178065347876006006001686574110831741672-3840921936332040591info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFRPEinstname:Universidade Federal Rural de Pernambuco (UFRPE)instacron:UFRPEORIGINALLuan Glauco Freire Costa.pdfLuan Glauco Freire Costa.pdfapplication/pdf919915http://www.tede2.ufrpe.br:8080/tede2/bitstream/tede2/7849/2/Luan+Glauco+Freire+Costa.pdf966d04e32dd2426351412cc65ae41b09MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://www.tede2.ufrpe.br:8080/tede2/bitstream/tede2/7849/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede2/78492019-10-21 12:24:07.991oai:tede2:tede2/7849Tk9UQTogQ09MT1FVRSBBUVVJIEEgU1VBIFBSw5NQUklBIExJQ0VOw4dBCkVzdGEgbGljZW7Dp2EgZGUgZXhlbXBsbyDDqSBmb3JuZWNpZGEgYXBlbmFzIHBhcmEgZmlucyBpbmZvcm1hdGl2b3MuCgpMSUNFTsOHQSBERSBESVNUUklCVUnDh8ODTyBOw4NPLUVYQ0xVU0lWQQoKQ29tIGEgYXByZXNlbnRhw6fDo28gZGVzdGEgbGljZW7Dp2EsIHZvY8OqIChvIGF1dG9yIChlcykgb3UgbyB0aXR1bGFyIGRvcyBkaXJlaXRvcyBkZSBhdXRvcikgY29uY2VkZSDDoCBVbml2ZXJzaWRhZGUgClhYWCAoU2lnbGEgZGEgVW5pdmVyc2lkYWRlKSBvIGRpcmVpdG8gbsOjby1leGNsdXNpdm8gZGUgcmVwcm9kdXppciwgIHRyYWR1emlyIChjb25mb3JtZSBkZWZpbmlkbyBhYmFpeG8pLCBlL291IApkaXN0cmlidWlyIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAoaW5jbHVpbmRvIG8gcmVzdW1vKSBwb3IgdG9kbyBvIG11bmRvIG5vIGZvcm1hdG8gaW1wcmVzc28gZSBlbGV0csO0bmljbyBlIAplbSBxdWFscXVlciBtZWlvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSBwb2RlLCBzZW0gYWx0ZXJhciBvIGNvbnRlw7pkbywgdHJhbnNwb3IgYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIApwYXJhIHF1YWxxdWVyIG1laW8gb3UgZm9ybWF0byBwYXJhIGZpbnMgZGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIHRhbWLDqW0gY29uY29yZGEgcXVlIGEgU2lnbGEgZGUgVW5pdmVyc2lkYWRlIHBvZGUgbWFudGVyIG1haXMgZGUgdW1hIGPDs3BpYSBhIHN1YSB0ZXNlIG91IApkaXNzZXJ0YcOnw6NvIHBhcmEgZmlucyBkZSBzZWd1cmFuw6dhLCBiYWNrLXVwIGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIGRlY2xhcmEgcXVlIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyDDqSBvcmlnaW5hbCBlIHF1ZSB2b2PDqiB0ZW0gbyBwb2RlciBkZSBjb25jZWRlciBvcyBkaXJlaXRvcyBjb250aWRvcyAKbmVzdGEgbGljZW7Dp2EuIFZvY8OqIHRhbWLDqW0gZGVjbGFyYSBxdWUgbyBkZXDDs3NpdG8gZGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBuw6NvLCBxdWUgc2VqYSBkZSBzZXUgCmNvbmhlY2ltZW50bywgaW5mcmluZ2UgZGlyZWl0b3MgYXV0b3JhaXMgZGUgbmluZ3XDqW0uCgpDYXNvIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBjb250ZW5oYSBtYXRlcmlhbCBxdWUgdm9jw6ogbsOjbyBwb3NzdWkgYSB0aXR1bGFyaWRhZGUgZG9zIGRpcmVpdG9zIGF1dG9yYWlzLCB2b2PDqiAKZGVjbGFyYSBxdWUgb2J0ZXZlIGEgcGVybWlzc8OjbyBpcnJlc3RyaXRhIGRvIGRldGVudG9yIGRvcyBkaXJlaXRvcyBhdXRvcmFpcyBwYXJhIGNvbmNlZGVyIMOgIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSAKb3MgZGlyZWl0b3MgYXByZXNlbnRhZG9zIG5lc3RhIGxpY2Vuw6dhLCBlIHF1ZSBlc3NlIG1hdGVyaWFsIGRlIHByb3ByaWVkYWRlIGRlIHRlcmNlaXJvcyBlc3TDoSBjbGFyYW1lbnRlIAppZGVudGlmaWNhZG8gZSByZWNvbmhlY2lkbyBubyB0ZXh0byBvdSBubyBjb250ZcO6ZG8gZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIG9yYSBkZXBvc2l0YWRhLgoKQ0FTTyBBIFRFU0UgT1UgRElTU0VSVEHDh8ODTyBPUkEgREVQT1NJVEFEQSBURU5IQSBTSURPIFJFU1VMVEFETyBERSBVTSBQQVRST0PDjU5JTyBPVSAKQVBPSU8gREUgVU1BIEFHw4pOQ0lBIERFIEZPTUVOVE8gT1UgT1VUUk8gT1JHQU5JU01PIFFVRSBOw4NPIFNFSkEgQSBTSUdMQSBERSAKVU5JVkVSU0lEQURFLCBWT0PDiiBERUNMQVJBIFFVRSBSRVNQRUlUT1UgVE9ET1MgRSBRVUFJU1FVRVIgRElSRUlUT1MgREUgUkVWSVPDg08gQ09NTyAKVEFNQsOJTSBBUyBERU1BSVMgT0JSSUdBw4fDlUVTIEVYSUdJREFTIFBPUiBDT05UUkFUTyBPVSBBQ09SRE8uCgpBIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSBzZSBjb21wcm9tZXRlIGEgaWRlbnRpZmljYXIgY2xhcmFtZW50ZSBvIHNldSBub21lIChzKSBvdSBvKHMpIG5vbWUocykgZG8ocykgCmRldGVudG9yKGVzKSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMgZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvLCBlIG7Do28gZmFyw6EgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIApjb25jZWRpZGFzIHBvciBlc3RhIGxpY2Vuw6dhLgo=Biblioteca Digital de Teses e Dissertaçõeshttp://www.tede2.ufrpe.br:8080/tede/PUBhttp://www.tede2.ufrpe.br:8080/oai/requestbdtd@ufrpe.br ||bdtd@ufrpe.bropendoar:2019-10-21T15:24:07Biblioteca Digital de Teses e Dissertações da UFRPE - Universidade Federal Rural de Pernambuco (UFRPE)false
dc.title.por.fl_str_mv O caso da rabeca e do violino : a música armorial
title O caso da rabeca e do violino : a música armorial
spellingShingle O caso da rabeca e do violino : a música armorial
COSTA, Luan Glauco Freire
Movimento armorial
Música armorial
Discordância criativa
CIENCIAS HUMANAS::HISTORIA
title_short O caso da rabeca e do violino : a música armorial
title_full O caso da rabeca e do violino : a música armorial
title_fullStr O caso da rabeca e do violino : a música armorial
title_full_unstemmed O caso da rabeca e do violino : a música armorial
title_sort O caso da rabeca e do violino : a música armorial
author COSTA, Luan Glauco Freire
author_facet COSTA, Luan Glauco Freire
author_role author
dc.contributor.advisor1.fl_str_mv RIBEIRO, Emanuela Sousa
dc.contributor.referee1.fl_str_mv RIBEIRO, Emanuela Sousa
dc.contributor.referee2.fl_str_mv PACHECO, Ricardo de Aguiar
dc.contributor.referee3.fl_str_mv BURNETT JÚNIOR, Henry Martin
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/5014383211718802
dc.contributor.author.fl_str_mv COSTA, Luan Glauco Freire
contributor_str_mv RIBEIRO, Emanuela Sousa
RIBEIRO, Emanuela Sousa
PACHECO, Ricardo de Aguiar
BURNETT JÚNIOR, Henry Martin
dc.subject.por.fl_str_mv Movimento armorial
Música armorial
Discordância criativa
topic Movimento armorial
Música armorial
Discordância criativa
CIENCIAS HUMANAS::HISTORIA
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description The Armorial was an artistic movement founded in Recife in the years of 1970 and led by the writer and theatologist Ariano Suassuna. The pretension of the armorial artists was to create an authentically national erudite art from the popular Northeastern art, his works sought to approach vast artistic field: literature, engraving, sculpture and, among these, music. Music was the art of greatest evolution and importance within the armorial movement, having led to the creation of two distinct groups, namely: The Orchestra and the Armorial Quintet, born of the creative disagreements between Ariano Suassuna and Maestro Cussy de Almeida. It is precisely the creative disagreement between these two figures that gives breath to the present work: From the thought of the French sociologist Pierre Bourdieu, we seek to make the reading of the historical event constrained by the constitution of erudite armorial music as an exemplary case of the symbolic struggles that exist in the the core of the constitution of all erudite art. In addition, the aesthetic constitutions of the movement will be analyzed, guided by the previous Suassunian thought even to the official launch of the movement, the influences of the history of Brazilian music and its nationalism and the ideals of the regionalism of the sociologist from Pernambuco Gilberto Freyre.
publishDate 2018
dc.date.issued.fl_str_mv 2018-08-20
dc.date.accessioned.fl_str_mv 2019-02-18T13:12:05Z
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dc.identifier.citation.fl_str_mv COSTA, Luan Glauco Freire. O caso da rabeca e do violino : a música armorial. 2018. 123 f. Dissertação (Programa de Pós-Graduação em História) - Universidade Federal Rural de Pernambuco, Recife.
dc.identifier.uri.fl_str_mv http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/7849
identifier_str_mv COSTA, Luan Glauco Freire. O caso da rabeca e do violino : a música armorial. 2018. 123 f. Dissertação (Programa de Pós-Graduação em História) - Universidade Federal Rural de Pernambuco, Recife.
url http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/7849
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language por
dc.relation.program.fl_str_mv 1740700517806534787
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dc.publisher.initials.fl_str_mv UFRPE
dc.publisher.country.fl_str_mv Brasil
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