Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan

Detalhes bibliográficos
Ano de defesa: 2016
Autor(a) principal: LEITE, Rebeca Cambaúva lattes
Orientador(a): Santana, Gelson
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Anhembi Morumbi
Programa de Pós-Graduação: Programa de Pós-Graduação Mestrado em Comunicação
Departamento: Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu
País: Brasil
Palavras-chave em Português:
Comunicação; Audiovisual; Super-Heróis; Cultura midiática
Área do conhecimento CNPq:
CIENCIAS SOCIAIS APLICADAS
Link de acesso: http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1636
Resumo: The purpose of this research is to observe the traits of a difference, one that is built from the Batman adaptations of comics of the American publisher DC COMICS for film, made by directors Tim Burton and Christopher Nolan. The dissertation is precisely the dichotomy between Bruce Wayne, Gotham City and Batman-Gotham City in adaptations of the two filmmakers. For this work seeks to shape the profile of Batman and Bruce Wayne designed by filmmakers as part of the process that makes each of transpositions put in the foreground one or the other in their respective narratives. The immediate consequence of this process is the predominance of a certain look of Gotham City - in Tim Burton would be the Batman while in Christopher Nolan would be Bruce Wayne. The immediate implication of this difference lies in the way the villains are presented to Gotham City in the city of Burton that look falls on the Batman figure primarily; while in Nolan in Bruce Wayne Fig. In both cases, the eye defines the condition of both Batman as Bruce Wayne in relation to Gotham City and thus the bosses are presented according to the nature of one and the other. Different interweaving games between Bruce Wayne and Batman determine these narratives as the view that each of its directors assumes. So, what reverberates in adaptations is just the game fit the directors install when trying to blur the identity of who really is the hero - if Bruce or Batman - the stories they tell in the movies
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spelling Santana, Gelsonhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8158911Y3LEITE, Rebeca Cambaúva2017-06-30T23:47:50Z2016-10-03LEITE, Rebeca Cambaúva. Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan. 2016. 95 f. : il. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1636The purpose of this research is to observe the traits of a difference, one that is built from the Batman adaptations of comics of the American publisher DC COMICS for film, made by directors Tim Burton and Christopher Nolan. The dissertation is precisely the dichotomy between Bruce Wayne, Gotham City and Batman-Gotham City in adaptations of the two filmmakers. For this work seeks to shape the profile of Batman and Bruce Wayne designed by filmmakers as part of the process that makes each of transpositions put in the foreground one or the other in their respective narratives. The immediate consequence of this process is the predominance of a certain look of Gotham City - in Tim Burton would be the Batman while in Christopher Nolan would be Bruce Wayne. The immediate implication of this difference lies in the way the villains are presented to Gotham City in the city of Burton that look falls on the Batman figure primarily; while in Nolan in Bruce Wayne Fig. In both cases, the eye defines the condition of both Batman as Bruce Wayne in relation to Gotham City and thus the bosses are presented according to the nature of one and the other. Different interweaving games between Bruce Wayne and Batman determine these narratives as the view that each of its directors assumes. So, what reverberates in adaptations is just the game fit the directors install when trying to blur the identity of who really is the hero - if Bruce or Batman - the stories they tell in the moviesO propósito desta pesquisa é observar os traços de uma diferença, aquela que se constrói a partir das adaptações de Batman, dos quadrinhos da editora norte-americana DC COMICS para o cinema, realizadas pelos diretores Tim Burton e Christopher Nolan. A dissertação trata precisamente da dicotomia entre Bruce Wayne-Gotham City e Batman-Gotham City nas adaptações dos dois cineastas. Para isso o trabalho procura modelar o perfil de Batman e Bruce Wayne desenhado pelos realizadores como parte do processo que faz com que cada uma das transposições ponha em primeiro plano um ou outro em suas respectivas narrativas. A consequência imediata desse processo é a predominância de um certo olhar sobre Gotham City – em Tim Burton seria o de Batman, enquanto em Christopher Nolan seria o de Bruce Wayne. A implicação imediata dessa diferença está na maneira como os vilões se apresentam à Gotham City: na cidade de Burton esse olhar recai sobre a figura de Batman primordialmente; enquanto na de Nolan na figura de Bruce Wayne. Nos dois casos, o olhar define a condição tanto de Batman quanto de Bruce Wayne em relação à Gotham City e, dessa forma, os vilões se apresentam segundo a natureza de um e do outro. Diferentes jogos de entrelaçamento entre Bruce Wayne e Batman determinam essas narrativas conforme o ponto de vista que cada um dos seus realizadores assume. Por isso, o que reverbera nas adaptações é justamente o jogo de encaixe que os diretores instalam ao tentar turvar a identidade de quem realmente é o herói – se Bruce ou se Batman – nas histórias que eles contam nos filmes.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2017-06-27T21:03:58Z No. of bitstreams: 1 Rebeca Cambaúva Leite.pdf: 4953073 bytes, checksum: 3d1d98e2261bffcec35ed91c8d986aaf (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2017-06-30T23:43:19Z (GMT) No. of bitstreams: 1 Rebeca Cambaúva Leite.pdf: 4953073 bytes, checksum: 3d1d98e2261bffcec35ed91c8d986aaf (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2017-06-30T23:47:39Z (GMT) No. of bitstreams: 1 Rebeca Cambaúva Leite.pdf: 4953073 bytes, checksum: 3d1d98e2261bffcec35ed91c8d986aaf (MD5)Made available in DSpace on 2017-06-30T23:47:50Z (GMT). No. of bitstreams: 1 Rebeca Cambaúva Leite.pdf: 4953073 bytes, checksum: 3d1d98e2261bffcec35ed91c8d986aaf (MD5) Previous issue date: 2016-10-03Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Mestrado em ComunicaçãoUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuComunicação; Audiovisual; Super-Heróis; Cultura midiáticaCIENCIAS SOCIAIS APLICADASDicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolaninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-70792067294234000136006006006003930158860712739524-19880619442701333922075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBILICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1636/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALRebeca Cambaúva Leite.pdfRebeca Cambaúva Leite.pdfapplication/pdf4953073http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1636/2/Rebeca+Camba%C3%BAva+Leite.pdf3d1d98e2261bffcec35ed91c8d986aafMD52TEDE/1636oai:sitios.anhembi.br:TEDE/16362017-06-30 20:47:50.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http://sitios.anhembi.br/oai/requestopendoar:null2020-06-06 09:54:12.887Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbifalse
dc.title.por.fl_str_mv Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan
title Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan
spellingShingle Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan
LEITE, Rebeca Cambaúva
Comunicação; Audiovisual; Super-Heróis; Cultura midiática
CIENCIAS SOCIAIS APLICADAS
title_short Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan
title_full Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan
title_fullStr Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan
title_full_unstemmed Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan
title_sort Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan
author LEITE, Rebeca Cambaúva
author_facet LEITE, Rebeca Cambaúva
author_role author
dc.contributor.advisor1.fl_str_mv Santana, Gelson
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8158911Y3
dc.contributor.author.fl_str_mv LEITE, Rebeca Cambaúva
contributor_str_mv Santana, Gelson
dc.subject.por.fl_str_mv Comunicação; Audiovisual; Super-Heróis; Cultura midiática
topic Comunicação; Audiovisual; Super-Heróis; Cultura midiática
CIENCIAS SOCIAIS APLICADAS
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS
dc.description.sponsorship.fl_txt_mv Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
dc.description.abstract.por.fl_txt_mv The purpose of this research is to observe the traits of a difference, one that is built from the Batman adaptations of comics of the American publisher DC COMICS for film, made by directors Tim Burton and Christopher Nolan. The dissertation is precisely the dichotomy between Bruce Wayne, Gotham City and Batman-Gotham City in adaptations of the two filmmakers. For this work seeks to shape the profile of Batman and Bruce Wayne designed by filmmakers as part of the process that makes each of transpositions put in the foreground one or the other in their respective narratives. The immediate consequence of this process is the predominance of a certain look of Gotham City - in Tim Burton would be the Batman while in Christopher Nolan would be Bruce Wayne. The immediate implication of this difference lies in the way the villains are presented to Gotham City in the city of Burton that look falls on the Batman figure primarily; while in Nolan in Bruce Wayne Fig. In both cases, the eye defines the condition of both Batman as Bruce Wayne in relation to Gotham City and thus the bosses are presented according to the nature of one and the other. Different interweaving games between Bruce Wayne and Batman determine these narratives as the view that each of its directors assumes. So, what reverberates in adaptations is just the game fit the directors install when trying to blur the identity of who really is the hero - if Bruce or Batman - the stories they tell in the movies
O propósito desta pesquisa é observar os traços de uma diferença, aquela que se constrói a partir das adaptações de Batman, dos quadrinhos da editora norte-americana DC COMICS para o cinema, realizadas pelos diretores Tim Burton e Christopher Nolan. A dissertação trata precisamente da dicotomia entre Bruce Wayne-Gotham City e Batman-Gotham City nas adaptações dos dois cineastas. Para isso o trabalho procura modelar o perfil de Batman e Bruce Wayne desenhado pelos realizadores como parte do processo que faz com que cada uma das transposições ponha em primeiro plano um ou outro em suas respectivas narrativas. A consequência imediata desse processo é a predominância de um certo olhar sobre Gotham City – em Tim Burton seria o de Batman, enquanto em Christopher Nolan seria o de Bruce Wayne. A implicação imediata dessa diferença está na maneira como os vilões se apresentam à Gotham City: na cidade de Burton esse olhar recai sobre a figura de Batman primordialmente; enquanto na de Nolan na figura de Bruce Wayne. Nos dois casos, o olhar define a condição tanto de Batman quanto de Bruce Wayne em relação à Gotham City e, dessa forma, os vilões se apresentam segundo a natureza de um e do outro. Diferentes jogos de entrelaçamento entre Bruce Wayne e Batman determinam essas narrativas conforme o ponto de vista que cada um dos seus realizadores assume. Por isso, o que reverbera nas adaptações é justamente o jogo de encaixe que os diretores instalam ao tentar turvar a identidade de quem realmente é o herói – se Bruce ou se Batman – nas histórias que eles contam nos filmes.
description The purpose of this research is to observe the traits of a difference, one that is built from the Batman adaptations of comics of the American publisher DC COMICS for film, made by directors Tim Burton and Christopher Nolan. The dissertation is precisely the dichotomy between Bruce Wayne, Gotham City and Batman-Gotham City in adaptations of the two filmmakers. For this work seeks to shape the profile of Batman and Bruce Wayne designed by filmmakers as part of the process that makes each of transpositions put in the foreground one or the other in their respective narratives. The immediate consequence of this process is the predominance of a certain look of Gotham City - in Tim Burton would be the Batman while in Christopher Nolan would be Bruce Wayne. The immediate implication of this difference lies in the way the villains are presented to Gotham City in the city of Burton that look falls on the Batman figure primarily; while in Nolan in Bruce Wayne Fig. In both cases, the eye defines the condition of both Batman as Bruce Wayne in relation to Gotham City and thus the bosses are presented according to the nature of one and the other. Different interweaving games between Bruce Wayne and Batman determine these narratives as the view that each of its directors assumes. So, what reverberates in adaptations is just the game fit the directors install when trying to blur the identity of who really is the hero - if Bruce or Batman - the stories they tell in the movies
publishDate 2016
dc.date.issued.fl_str_mv 2016-10-03
dc.date.accessioned.fl_str_mv 2017-06-30T23:47:50Z
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dc.identifier.citation.fl_str_mv LEITE, Rebeca Cambaúva. Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan. 2016. 95 f. : il. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.
dc.identifier.uri.fl_str_mv http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1636
identifier_str_mv LEITE, Rebeca Cambaúva. Dicotomias entrelaçadas em Gotham City: o Batman de Tim Burton e o Bruce Wayne de Christopher Nolan. 2016. 95 f. : il. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.
url http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1636
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dc.publisher.none.fl_str_mv Universidade Anhembi Morumbi
dc.publisher.program.fl_str_mv Programa de Pós-Graduação Mestrado em Comunicação
dc.publisher.initials.fl_str_mv UAM
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu
publisher.none.fl_str_mv Universidade Anhembi Morumbi
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